scholarly journals Shaping the Canon. The International Profile of Viața Românească (1906-1916)

2021 ◽  
Vol 7 (2) ◽  
pp. 84-98
Author(s):  
Daiana Gârdan ◽  

The present paper aims to investigate the circulation of foreign cultural input in one of the most important Romanian literary periodicals of the prewar era. The main focus of the present research revolves around the means by which the editorial group of Viața Românească (The Romanian Life), have managed to create an international dialogue oriented towards Western models that helped shape the modernization of both the autochthonous literary production and the critical or theoretical national systems. Generally considered a rather reactionary community, with nationalistic tendencies, the aforementioned literary group has engaged in many occasions into transplanting foreign theoretical and critical models. The amplitude of these communications and its quite remarkable effects on the Romanian cultural scene may still come as a surprise. By means of quantitative and digital methods, the present proposal attempts to measure and investigate this very particular process.

Author(s):  
Jonathan Evans

The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings of Davis’s major translations and her own writing, this book investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production, questioning the received perception that translation is less creative than other forms of writing.


2017 ◽  
Vol 11 (2) ◽  
pp. 212-232 ◽  
Author(s):  
Matthias Bauer ◽  
Angelika Zirker

While most literary scholars wish to help readers understand literary texts by providing them with explanatory annotations, we want to go a step further and enable them, on the basis of structured information, to arrive at interpretations of their own. We therefore seek to establish a concept of explanatory annotation that is reader-oriented and combines hermeneutics with the opportunities provided by digital methods. In a first step, we are going to present a few examples of existing annotations that apparently do not take into account readerly needs. To us, they represent seven types of common problems in explanatory annotation. We then introduce a possible model of best practice which is based on categories and structured along the lines of the following questions: What kind(s) of annotations do improve text comprehension? Which contexts must be considered when annotating? Is it possible to develop a concept of the reader on the basis of annotations—and can, in turn, annotations address a particular kind of readership, i.e.: in how far can annotations be(come) individualised?


2015 ◽  
Vol 23 ◽  
Author(s):  
Marina Pantoja Boechat ◽  
Débora De Carvalho Pereira

Our society is heavily mediated by information technologies, so the simplest interactions become traceable, which collaborates to a deluge of data. They represent an abundant source for social analysis and an unparalleled opportunity for citizens to access, produce and disseminate information. Nevertheless, all this affluence of data, for presenting itself in a scattered way, also poses significant difficulties for achieving an integrated view of social reality and its interactions, and is organized in many competing interfaces and information architectures, that may produce, reinforce and disseminate ideologies, hegemonic discourse and platform biases. We identify an emerging field of dispute of the place of mediation of the many flows of information, and efforts for repurposing and restructuring these flows over the seamless structuring of different competing architectures. In order to describe some of these efforts, we draw examples from the field of controversy mapping, and propose the concept of reverse mediation.


2019 ◽  
Author(s):  
Allison Hirsch ◽  
Mahip Grewal ◽  
Anthony James Martorell ◽  
Brian Michael Iacoviello

BACKGROUND Digital Therapeutics (DTx) provide evidence based therapeutic health interventions that have been clinically validated to deliver therapeutic outcomes, such that the software is the treatment. Digital methodologies are increasingly adopted to conduct clinical trials due to advantages they provide including increases in efficiency and decreases in trial costs. Digital therapeutics are digital by design and can leverage the potential of digital and remote clinical trial methods. OBJECTIVE The principal purpose of this scoping review is to review the literature to determine whether digital technologies are being used in DTx clinical research, which type are being used and whether publications are noting any advantages to their use. As DTx development is an emerging field there are likely gaps in the knowledge base regarding DTx and clinical trials, and the purpose of this review is to illuminate those gaps. A secondary purpose is to consider questions which emerged during the review process including whether fully remote digital clinical research is appropriate for all health conditions and whether digital clinical trial methods are inline with the principles of Good Clinical Practice. METHODS 1,326 records were identified by searching research databases and 1,227 reviewed at the full-article level in order to determine if they were appropriate for inclusion. Confirmation of clinical trial status, use of digital clinical research methods and digital therapeutic status as well as inclusion and exclusion criteria were applied in order to determine relevant articles. Digital methods employed in DTx research were extracted from each article and these data were synthesized in order to determine which digital methods are currently used in clinical trial research. RESULTS After applying our criteria for scoping review inclusion, 11 articles were identified. All articles used at least one form of digital clinical research methodology enabling an element of remote research. The most commonly used digital methods are those related to recruitment, enrollment and the assessment of outcomes. A small number of articles reported using other methods such as online compensation (n = 3), or digital reminders for participants (n = 5). The majority of digital therapeutics clinical research using digital methods is conducted in the United States and increasing number of articles using digital methods are published each year. CONCLUSIONS Digital methods are used in clinical trial research evaluating DTx, though not frequently as evidenced by the low proportion of articles included in this review. Fully remote clinical trial research is not yet the standard, more frequently authors are using partially remote methods. Additionally, there is tremendous variability in the level of detail describing digital methods within the literature. As digital technologies continue to advance and the clinical research DTx literature matures, digital methods which facilitate remote research may be used more frequently.


Author(s):  
Thibaut d'Hubert

The introduction opens with a reflection on the relative marginality of the kingdom of Arakan and what it entailed in terms of historiography. I observe a reconfiguration of cosmographical imaginaries around the sixteenth and seventeenth centuries that conditioned the formation of vernacular literary traditions in eastern South Asia and around the Bay of Bengal. Then I provide a brief overview of the Bengali poet Ālāol’s life and works and discuss what the study of his poetics brings to our knowledge of Middle Bengali literature. I highlight the fragmented landscape of Middle Bengali literary production and the need to study Middle Bengali poems as literary texts and not only as sources for social or religious history. The last section of the introduction provides an overview of the contents of the book.


Author(s):  
Margaret J. M. Ezell

After the lapse of the Licensing Act in 1695, the amount of literary periodicals and propaganda created to influence elections notably increased for both pro- and anti-government sentiment. Richard Steele, John Tutchin, Delarivier Manley, and Daniel Defore, all were charged at different times for seditious libel for their political writings. Because of a proliferation of pirated editions, the desire of authors to control their works through copyright resulted in the Act for the Encouragement of Learning in 1709, while the 1712 Stamp Act targeted newspapers and pamphlet publications in an indirect form of censorship. The trial of Henry Sacheverell for preaching and publishing against the Toleration Act created intense interest and prompted further publications.


Author(s):  
Jonathan Morton

The chapter outlines different models of nature in medieval Aristotelian and Platonic philosophy in order to show how the Rose plays them against each other to articulate its own model of the complex relationship between art and nature. For the Rose there is no getting at nature except by means of art, as suggested by the self-conscious artificiality of the figure of Nature, taken from the allegories of twelfth-century Neoplatonism. Art, a broad category that encompasses all human activity, is insufficient in describing nature’s truths and is potentially sophistic in its lies. However, questions of nature are always questions of art on whose help humans depend to understand and to represent to themselves a nature that can never be fully known. Finally, the model of reproductive nature is used to legitimate the reproduction of texts and the continuation of arts that is literary production.


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