Minimal Familiarity and Left-Right Judgment of Paintings
1966 ◽
Vol 22
(1)
◽
pp. 105-106
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20 male college students briefly viewed slides of 30 paintings. On second showing, 16 of the 30 slides were reversed in left-right orientation and Ss judged each painting as to whether a reversal had occurred. On third showing, Ss judged whether a painting was in the “correct” artist-intended orientation. Judgments of “correct” were chiefly based on whether the painting had minimal familiarity, i.e., had been unchanged in orientation on the first two showings. Neither this group nor a control group agreed with artist intent at more than a chance level.
2018 ◽
Vol 27
(5)
◽
pp. 1063-1073
Keyword(s):
2019 ◽
Vol 19
(19)
◽
pp. 129-142
1974 ◽
Vol 34
(3_suppl)
◽
pp. 1031-1037
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1972 ◽
Vol 36
(1)
◽
pp. 85-93
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1975 ◽
Vol 11
(4)
◽
pp. 304-317
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Keyword(s):
Keyword(s):