scholarly journals Universuri antagonice în poeziile avangardiste: Geo Bogza și Lucian Blaga

2019 ◽  
Vol 20 (2) ◽  
pp. 125-133
Author(s):  
Lavinia Mareș
Keyword(s):  
Common Elements ◽  
Avant Garde ◽  
The Creation ◽  
Poetic Visions

AbstractThe work will be based on a comparison, by briefly examining the two poetic visions: Bogzian and Blagian. The aim of the study is to determine both common elements of the creation of the two poets, through which to attest the characteristic aspects of the Romanian and European avant-garde, as well as the features by which they have individualized their works.

Along the Lines of the Occupation

2017 ◽  
Vol 3 (1) ◽  
pp. 130-143 ◽  
Author(s):  
Fabio Cristiano ◽  
Emilio Distretti
Keyword(s):  
Augmented Reality ◽  
Video Game ◽  
Status Quo ◽  
Green Line ◽  
Avant Garde ◽  
The Creation ◽  
Pokémon Go ◽  
East Jerusalem

Augmented reality enables video game experiences that are increasingly immersive. For its focus on walking and exploration, Niantic’s location-based video game Pokémon Go (PG) has been praised for allowing players to foster their understanding and relationship to surrounding spaces. However, in contexts where space and movement are objects of conflicting narratives and restrictive policies on mobility, playing relies on the creation of partial imaginaries and limits to the exploratory experience. Departing from avant-garde conceptualizations of walking, this article explores the imaginary that PG creates in occupied East Jerusalem. Based on observations collected in various gaming sessions along the Green Line, it analyzes how PG’s virtual representation of Jerusalem legitimizes a status quo of separation and segregation. In so doing, this article argues that, instead of enabling an experience of augmented reality for its users, playing PG in East Jerusalem produces a diminished one.

Introduction

2017 ◽  
Author(s):  
Victoria L. Evans
Keyword(s):  
Le Corbusier ◽  
Window Frame ◽  
Avant Garde ◽  
Mise En Scene ◽  
The Creation ◽  
Douglas Sirk ◽  
Architecture And Design

After describing one of Peter Greenaway's recent efforts to move beyond the limits of the cinema, Evans proposes that Douglas Sirk had already begun to dissolve the boundaries the medium by assimilating elements of avant-garde art, architecture and design into his mise-en-scène. She goes on to assert that Sirk's importation of a high art aesthetic into the low genre of melodrama echoed the widespread European Modernist preoccupation with the creation of a synergistic Gesamtkunstwerk or "total art work" during the period in which he intellectually came of age. Finally, the director's tendency to create "pictures" of the external landscape that the characters (and the viewer) are obliged to contemplate through the window frame is interpreted in the light of the theories of Le Corbusier.

scholarly journals Tradition and Innovation in the Work of Bashkir Artist Talgat Masalimov

ICONI ◽  
2019 ◽  
pp. 147-156
Author(s):  
Elsa E. Purik ◽  
◽  
Akhmadullin Mars L. ◽  
Shakirova Marina G. ◽  
◽  
...  
Keyword(s):  
Visual Arts ◽  
Avant Garde ◽  
The Core ◽  
The Past ◽  
Plastic Arts ◽  
Graphic Artist ◽  
Republic Of Bashkortostan ◽  
Applied Art ◽  
The Creation ◽  
The Republic

The article is devoted to the artistic legacy of Merited Artist of the Republic of Bashkortostan Talgat Masalimov — painter, graphic artist and master of decorative applied art. his work is examined in the article in the context of the processes taking place in the contemporary visual arts, marked with an exploration of new plastic means. The authors regard the legacy of Masalimov as a vivid example of the simultaneous infl uence of folk art, its symbolism and graphic structure, Eastern (Turkic) traditions and those of the Russian avant-garde with its aspiration towards primitive, laconic, conditional forms. The article cites examples among works of the artist created in the technique of graphics, pastel and artistic felt. At the core of the creation of these works lies the knowledge of principles of construction of the composition and depictive techniques characteristic for the Russian avant-garde and Early Russian icon-painting and Iranian miniatures, with an absence of direct associations with any concrete epoch or artistic direction. The authors see in the work of the artist a vivid example of the preservation and expansion of the heritage of the past, its development and enrichment by means of contemporary plastic arts.

scholarly journals BORIS TISHCHENKO. THE TWELVE. CREATION HISTORY AND BASIC COMPOSING PRINCIPLES

Globus ◽  
2021 ◽  
Vol 7 (2(59)) ◽  
pp. 15-18
Author(s):  
Yuri Serov
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Avant Garde ◽  
Music Score ◽  
The Soviet Union ◽  
History Of ◽  
Clean Air ◽  
The Creation ◽  
Symphonic Music

The article is devoted to the history of the creation and music score of the ballet Twelve based on the poem by A. Blok by the outstanding Russian composer of the second half of the twentieth century Boris Ivanovich Tishchenko. The ballet was staged by the famous Soviet choreographer Leonid Jacobson back in 1964 and became, in fact, the first avant-garde ballet in the Soviet Union. Critics noted Tishchenko’s bright modern symphonic music and Jacobson’s free plastics, which “became a breath of clean air in the rarefied atmosphere of classical epigonism”.

scholarly journals Common elements for uncommon light: vector beams with GRIN lenses

2019 ◽  
Vol 8 (1) ◽  
Author(s):  
Andrew Forbes
Keyword(s):  
Structured Light ◽  
Common Elements ◽  
Light Vector ◽  
Vector Beams ◽  
The Creation ◽  
Common Laboratory

AbstractA well-known defect introduced during the fabrication of GRIN lenses can be exploited for the creation, detection and wave-guiding of exotic forms of vectorial structured light, bringing the toolkit into the realm of common laboratory optics.

Marinetti, Filippo Tommaso (1876–1944)

2018 ◽  
Author(s):  
Maria Elena Versari
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Performing Arts ◽  
Filippo Tommaso Marinetti ◽  
Avant Garde ◽  
The Public ◽  
The Creation ◽  
Stage Performances ◽  
Verbal Relations ◽  
Free Word

Filippo Tommaso Marinetti was founder and leader of Futurism, the first intellectual and artistic movement that explicitly defined the codes of avant-garde practice in the twentieth century. His work extended across a multiplicity of fields: journalism, poetry, literature, theater, visual arts, politics, but it’s probably his all-encompassing activity as a cultural leader and fosterer of innovation that made him one of the preeminent intellectuals of his time. He implemented and systematized the practice of diffusing avant-garde ideas through manifestos, performances, and happenings, capitalizing on a deliberately magnified antagonistic relation with the tastes of the public at large. His experimentations in visual/verbal relations and stage performances, which led to the creation of free-word poetry and synthetic theater, were pivotal for the development of new modernist codes in poetry and the performing arts.

scholarly journals De miskenning van Theo van Doesburg; zijn bijdrage tot de ontwikkeling van de konkrete poëzie

Literator ◽  
1987 ◽  
Vol 8 (1) ◽  
pp. 1-15
Author(s):  
J. Van der Elst
Keyword(s):  
The Netherlands ◽  
Subjective Experience ◽  
Concrete Poetry ◽  
Avant Garde ◽  
Visual Characteristics ◽  
The Creation ◽  
Theo Van Doesburg

More literary critics outside Belgium and the Netherlands have written about Theo van Doesburg than from inside these countries. The first important monograph on him appeared in English - Theo van Doesburg - Propagandist and Practitioner of the Avant-Garde, 1909-1923, by Hannah Hedrick. Van Doesburg’s poetry developed in the direction of concrete poetry - the type of poetry in which the spatial, acoustic and visual characteristics of language are maximally utilized towards the creation of the poem. Word as sound and as image is foregrounded in concrete poetry, while the imaging of persons and subjective experience is eliminated as far as possible. The anecdotal or the epic component of the concrete poem is minimal and the language of this sort of poem has been reduced to the minimum. In the spirit of the theory of concrete poetry Van Doesburg advocates the liberation of art from all the commitments imposed upon it. That with which Van Doesburg began was continued by other poets, especially in Germanic literature by poets of the so-called neo-realism.

scholarly journals Irish Rioters, Latin American Dictators, and Desperate Optimists' Play-boy

2005 ◽  
Vol 21 (3) ◽  
pp. 241-254
Author(s):  
Neal Swettenham
Keyword(s):  
Latin American ◽  
Detailed Account ◽  
Western World ◽  
Central Character ◽  
Contemporary Theatre ◽  
Avant Garde ◽  
Narrative Process ◽  
The Creation

The narrative process is inherently selective and consequently open to distortion and falsification. J. M. Synge humorously illustrated this in The Playboy of the Western World, in which his central character, Christy Mahon, reinvents himself through the telling and retelling of his own story. Play-boy, a much more recent performance work created by Desperate Optimists, takes as its opening gambit the riots that accompanied the first performances of this controversial Irish classic and adds a bewildering variety of other narrative materials to the mix—providing, as it does so, a tongue-in-cheek commentary on this story about stories. A detailed account of the show in performance and the manner in which the company construct their own tall tales initiates an investigation into how fact becomes fiction in the creation of new narrative accounts, narrative being considered as a participatory event that is both a psychological imperative and a ludic pleasure. Neal Swettenham lectures in drama at Loughborough University. His research into the role and status of narrative in contemporary theatre has led him to fresh examinations of both traditional story-based drama and avant-garde performance work. In particular, he has written about the plays of American dramatist Richard Foreman and is currently exploring the challenges presented to both actor and director by these texts.

What’s left of 1963: Mariano Bàino and the avant-garde with two “nei”

2017 ◽  
Vol 52 (1) ◽  
pp. 153-180
Author(s):  
Gianluca Rizzo
Keyword(s):  
Present Article ◽  
Third Wave ◽  
Avant Garde ◽  
The Creation ◽  
New Generation

After Gruppo 63 disbanded and Quindici ceased publication, the Italian neo-avant-garde experienced a period of crisis. While a few poets continued undeterred on their path of experimentation, many of its protagonists turned to a plainer, more traditional style. In the 1980s a new generation of authors attempted to form a third wave of avant-garde: they called themselves Gruppo 93. Although their organizational efforts were mostly unsuccessful, they led to the creation of a large amount of poetry, prose, and essays on aesthetics and poetics. This literary and theoretical output is almost completely neglected by contemporary criticism. The present article begins to remedy these circumstances, by reconstructing the forces at play during those years, describing some of the protagonists active in the field, reconstructing their ideas, and providing an account of their differences and commonalities. Additionally, it situates Mariano Bàino and one of his most interesting collections of verse, Fax giallo ( Yellow Fax, 1993), within the context of this complex history.

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