scholarly journals Jødeforfølgelse Med Socialistisk Fortegn. Janina Katz’ Forfatterskab Mellem Polen Og Danmark Med Særligt Henblik På Romanen Putska

2018 ◽  
Vol 24 (1) ◽  
pp. 122-146
Author(s):  
Karin Wolgast

Abstract Introducing life and work of Janina Katz, the article undertakes an analysis and interpretation of her second novel, the autofictional Putska. Born on the second of March 1939, Katz belonged to a renowned Jewish family with numerous members, of whom, however, only her mother and she survived the Second World War. Their extraordinary family history may be traced in practically all of Katz’ writings, as can her Jewish cultural heritage. The novel Putska is no exception. Its composition, characters and the image it gives of life in Cracow are examined in order to make understandable the protagonist’s decision to exile herself from Poland and migrate to Denmark, much like the author herself. 1969, having fled from that revival of anti-Semite harassment which was launched by the political leadership of socialist Poland, Katz was granted asylum in Denmark, where she soon learned the language to a perfection which enabled her to unfold a widely acknowledged literary work which does not cease to speak of her unique life experience. Central perspectives on her life and work include migration, autobiography, Jewishness and social and cultural history of Poland.

Literary Fact ◽  
2021 ◽  
pp. 314-332
Author(s):  
Michela Venditti

The article is a introduction to the publication of the minutes of the meetings of the Russian lodge "Northern Star" in Paris, concerning the discussion on the admission of women to freemasonry. The proposed archival materials, deposited in the National Library of France in Paris, date back to 1945 and 1948. The women's issue became more relevant after the Second World War due to the fact that Masonic lodges had to recover and recruit new adherents. The article offers a brief overview of the women's issue in the history of Freemasonry in general, and in the Russian emigrant environment in particular. One of the founders of the North Star lodge, M. Osorgin, spoke out in the 1930s against the admission of women. In the discussions of the 1940s, the Masonic brothers repeat his opinion almost literally. Women's participation in Freemasonry is rejected using either gender or social arguments. Russian Freemasons mostly cite gender reasons: women have no place in Freemasonry because they are not men. Freemasonry, according to Osorgin, is a cult of the male creative principle, which is not peculiar to women. Discussions about the women's issue among Russian emigrant Freemasons are also an important source for studying their literary work; in particular, the post-war literary works of Gaito Gazdanov are closely connected with the Masonic ideology.


Japanese Law ◽  
2021 ◽  
pp. 11-23
Author(s):  
Hiroshi Oda

Japan built its modern legal system on the basis of the codes imported from Europe, namely Germany and France. After the Second World War, there was some influence of US law, e.g. the Constitution and the Code of Criminal Procedure. The new Constitution, which remained unchanged until today, has introduced significant changes in the political and social system of Japan. It was proclaimed that sovereignty rested with the people and not the emperor. The Diet elected by universal election became the supreme body of the state. Another major reform was triggered by the US-Japan Structural Impediments Talks in 1989–1990.


1988 ◽  
Vol 20 (1) ◽  
pp. 167-189 ◽  
Author(s):  
Leslie Bethell ◽  
Ian Roxborough

The importance of the years of political and social upheaval immediately following the end of the Second World War and coinciding with the beginnings of the Cold War, that is to say, the period from 1944 or 1945 to 1948 or 1949, for the history of Europe (East and West), the Near and Middle East, Asia (Japan, China, South and East Asia), even Africa (certainly South Africa) in the second half of the twentieth century has long been generally recognised. In recent years historians of the United States, which had not, of course, been a theatre of war and which alone among the major belligerents emerged from the Second World War stronger and more prosperous, have begun to focus attention on the political, social and ideological conflict there in the postwar period – and the long term significance for the United States of the basis on which it was resolved. In contrast, except for Argentina, where Perón's rise to power has always attracted the interest of historians, the immediate postwar years in Latin America, which had been relatively untouched by, and had played a relatively minor role in, the Second World War, remain to a large extent neglected. It is our view that these years constituted a critical conjuncture in the political and social history of Latin America just as they did for much of the rest of the world. In a forthcoming collection of case studies, which we are currently editing, the main features of the immediate postwar period in Latin America, and especially the role played by labour and the Left, will be explored in some detail, country by country.1In this article, somewhat speculative and intentionally polemical, we present the broad outlines of our thesis.


2020 ◽  
Vol 30 (2) ◽  
pp. 135-161
Author(s):  
ELENA MARUSHIAKOVA ◽  
VESSELIN POPOV

This article traces the beginning of Romani literature. It focuses on the work of Alexander Germano in the context of the history of a unique Romani literacy project developed in the USSR before the Second World War. It shows the peculiarity of the Soviet Romani literature and in particular the personal activities and contributions of Germano, the man considered the progenitor of contemporary Romani literature (with works in all three main genres of literature: poetry, prose, and drama). The study is based on a number of years of archival work in a variety of archives in the Russian Federation and to a great extent in Alexander Germano’s personal archive, preserved in the town of Orel (Russian Federation). The documents studied allow us to clarify the blurred spots in his biography, to reveal his ethnic background and identity, and to highlight the reason for the success of the Romani literary project. The example of Germano shows that the beginning of a national literature depends on the significance and public impact of the literary work of a particular author, and is not necessarily related to the author’s ethnic origin and identity.


Author(s):  
Cecilia Bello Minciacchi

The essay presents and analyses the film criticism articles written by Paola Masino for the new edition of the Venice Film Festival after the Second World War. The articles, which appeared in the Gazzetta d’Italia between August 31 and September 19, 1946, were not later collected or republished. These are rare materials, never studied before, found among the documents of the Fondo Paola Masino kept at the Archivio del Novecento, Sapienza University of Rome. Other significant and useful information to understand Masino’s critical perspective on cinema emerges from the letters sent from Venice to family members. The analysis of the articles highlights in Paola Masino a lively intellectual curiosity and great precision in aesthetic judgments, in addition to a peculiar sensitivity to chromatic values, and an ethical attention to the political perspective of film directors and to the recent tragedies of war and partisan resistance in Italy. Among the most interesting data emerged from these articles, there are some theoretical reflections on aesthetic principles valid not only for cinema, but for all the arts, including the narrative and the literary work of the same Paola Masino.


2020 ◽  
pp. 372-388
Author(s):  
Agnieszka Czyżak

The article contains considerations regarding memory of the Holocaust in Polish contemporary prose and analyses the arguments for and against fictitious representations of theShoah. The author discusses the changes in treating fiction which narrates the history of Jewish people during the Second World War – from works of fiction published after the war (e.g. Wielki Tydzień by Jerzy Andrzejewski) to popular thrillers written in the 21st century. The main part of this article is devoted to a novel Tworki written by Marek Bieńczyk in 1999, telling a story of young people – Poles and Jews – employed in a mental hospital during German occupation. The novel was at the centre stage of discussion about relationship between fiction and the Shoah theme, yet the author of the article argues that it may serve as an important stepping stone in exemplifying history. This literary vision of the Holocaust (defined as “pastoral thriller”) shows educational possibilities of fiction.


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