scholarly journals Women Under Siege. The Shakespearean Ethics of Violence

2012 ◽  
Vol 11 (1) ◽  
pp. 86-99
Author(s):  
Dana Percec ◽  
Andreea Şerban

Abstract This paper discusses notions of physical violence, domestic violence, and sexual assault and the ways in which these were socially and legally perceived in early modern Europe. Special attention will be paid to a number of Shakespearean plays, such as Titus Andronicus and Edward III, but also to the narrative poem The Rape of Lucrece (whose motifs were later adopted in Cymbeline), where the consumption of the female body as a work of art is combined with verbal and physical abuse.

2016 ◽  
Vol 34 (7) ◽  
pp. 1512-1538 ◽  
Author(s):  
Megan L. Haselschwerdt ◽  
Kathleen Hlavaty ◽  
Camille Carlson ◽  
Mallory Schneider ◽  
Lauren Maddox ◽  
...  

Using Holden’s taxonomy of domestic violence (DV) exposure as a guiding framework, the current study examined young adults’ diverse DV exposure experiences. Twenty-five young adults (ages 19-25) exposed to father-perpetrated DV during their childhood and adolescence were interviewed using a qualitative descriptive design. Data analyses focused on coercive control exposure through reports of non-physical abuse tactics, types of exposure (e.g., direct, indirect), physical violence exposure (e.g., severity, frequency), and child abuse and harsh parenting practices. DV-exposed young adults were directly and indirectly exposed to physical violence and an array of non-physical abuse tactics toward their mothers. Young adults categorized as having been exposed to coercive controlling violence reported exposure to ongoing, non-physical abuse tactics and more frequent and severe physical violence. These young adults were also more likely to intervene and become victimized during physical violence and reported repeated episodes of child abuse and harsh parenting. Although coercive control appeared to be associated with physical violence and child abuse, generalizations should be made with caution as a few participants exposed to situational conflict were exposed to frequent and severe DV. The findings suggest that DV exposure should be measured in methodologically sophisticated ways to capture the heterogeneity in experiences, with the goal of promoting empirically driven intervention and prevention initiatives that are tailored to individual and family needs.


2019 ◽  
Vol 42 (2) ◽  
Author(s):  
Rebecca Campbell

Relationship evidence or evidence that reveals an individual’s propensity to engage in certain offences has been the subject of much discussion in the context of domestic violence. Our understanding and awareness of domestic violence has developed immensely over the past decade and we now understand that domestic violence encapsulates much more than just physical violence against women. We now acknowledge it extends to sexual assault and child sexual abuse. This article examines the current protections provided by the law to restrict the admission of relationship or context evidence in order to ensure an accused person receives a fair trial. It does so by considering the development of the law surrounding relationship evidence, particularly the introduction of s 132 of the Queensland Evidence Act 1977 in 1998. This article explores the application of s 132B and questions whether its aim to simplify the process for admitting relationship evidence has actually been realised.


In his 1594 narrative poem The Rape of Lucrece, Shakespeare uses ekphrasis to explore a shift in the early modern understanding of history. Of the many changes he made to the Lucrece story, he added a 200-line ekphrasis of a picture depicting the fall of Troy. While appearing at first glance to celebrate the idea of an illusionistic experience that makes the past seem fully alive, Shakespeare’s ekphrasis draws our attention to the fragmented things that supposedly evoke this fantasy – the ‘thousand lamentable objects’. In so doing, Shakespeare explores a new notion of history that is built from material fragments. These fragments are silent, but in a manner that is paradoxically expressive. In Shakespeare’s ekphrasis, Lucrece relates to the image of Hecuba not despite its brokenness and objectness, but rather because of them. The poem in this way constructs an early modern encounter where broken subject meets broken object.


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