“Shut up and Dribble”

Author(s):  
Philippe Haddad

This research paper seeks to explore the intersection of race, seen through the predominantly Black athletic body of the NBA, with the rise of the capitalist, consumer-oriented entertainment industry of professional sports throughout the late 20th and early 21st centuries. It will attempt to illustrate how racial identity and capitalism have reacted to one another to create one of the biggest – and one of the most complicated – entertainment entities in North America. To explore this issue, I will outline the social setting from which Black athletes grew to participate in spectator sports, touching on notable persons such as Jackie Robinson, Muhammad Ali, and Bill Russell. I will then examine the importance of broadcasted sports and race’s role therein during the 20th century to contextualise capitalist practices in entertainment. I will conclude with an examination of capitalist practice as regulators for Black identity in the NBA by focusing on its direct and indirect attempts towards regulation. This will be done through an examination of Black athletes’ participation in social justice movements as measures of regulation, using the 1992 Rodney King trial riots and the events of Summer 2020 as comparative case studies. While this may appear to simply be an exploration of sports history, one should consider that sports are a primary form of entertainment in both North American and global popular culture. As such, this research project goes beyond an attempt to contribute to sports history, instead seeking to delve into the complementarity of social history, consumerism, and race.

Temida ◽  
2010 ◽  
Vol 13 (1) ◽  
pp. 9-22
Author(s):  
Michael Humphrey

This paper explores transitional justice as a way to bring an end to violence and consolidate peace. It approaches transitional justice as an expression of the 'never again' consensus to prevent or prosecute crimes against humanity. It explores transitional justice as an expression of globalizing law and the implications this has for the recovery of the 'rule of law' and 'political legitimacy' in the post conflict State. It takes Robert Meister (2002)'s formulation of the politics of victimhood, revenge and resentment in the relationship between the beneficiaries and the victims of injustice, as remaining at the centre of transitional justice politics in trying to decide on the balance between reconciliation and justice projects. It explores how human rights discourse has been used to de-politicise the 'victim' by adopting an individually embodied concept of violence as opposed to a structural one. It argues that transitional justice as an expression of globalizing law has been primarily directed at maintaining peace to achieve closure on past 'evil' but that the beneficiary-victim issue has re-emerged in the social justice movements and renewed desire for prosecutions.


2020 ◽  
Vol 10 (3) ◽  
pp. 292-312
Author(s):  
Tsvetelina Dzhambazova

The article analyzes the author's content analysis results on texts about the new social justice movements "Me Too" and "Time's Up. „The analyzed materials are published on The Guardian's website (theguardian.com) between October 5th, 2017, and December 31st, 2018, (thus marking both campaigns' first anniversary). The text aims to study the methods through which both initiatives are presented in the British medium. The article's important tasks are researching whether this website's authors express an attitude towards the movements and checking out whether there is any connection between these campaigns and the existing calls for changes in the social roles of sexes in modern society. The Guardian's journalists actively present attempts to eliminate violence and simultaneously express a largely positive attitude toward those activists' actions and efforts to eradicate gender discrimination. The published materials are characterized by a significant generic variety, while calls for changes in men and women's social roles can often be found in the analyzed texts. In the end, readers are fully informed about the most important facts surrounding the two movements, which once again proves the huge The Guardian plays in supporting and promoting gender equality values.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2008 ◽  
Vol 31 (1) ◽  
pp. 7-7

In this opening issue of volume 31 we are presented with both nuanced and bold entry into several long enduring issues and topics stitching together the interdisciplinary fabric comprising ethnic studies. The authors of these articles bring to our attention social, cultural and economic issues shaping lively discourse in ethnic studies. They also bring to our attention interpretations of the meaning and significance of ethnic cultural contributions to the social history of this nation - past and present.


Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


Author(s):  
Christy Constantakopoulou

This chapter provides a methodological discussion on how to use the evidence included in the Delian inventories in order to write the social history of the dedicants. The inventories were produced by the Delian hieropoioi and recorded on an annual basis the dedications kept in the Delian treasuries. The chapter focuses particularly on dedications which are attached to named individuals and communities. It then discusses the material according to the parameters of gender, individual versus community dedications, elite dedicants, and distance of travel. Using the inventories we are able to reconstruct who came to the Delian sanctuary to dedicate objects.


Author(s):  
Nisha P R

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.


Author(s):  
Gail Low

This chapter discusses Book History. Drawing on the disciplinary fields of ‘analytical bibliography’ and influenced by work in Annales social history, Book History takes as its subject the cultural history and the sociology of print, and also the impact of print on the ‘thought and behaviour of mankind’ from the Gutenberg press to the present day. As books make the complicated journey from the idea to print in all its variant forms, the connections between publishing, cultural, educational, and literary institutions—and the individuals involved in these—are crucial to understanding how they emerge in print, how they are used, how they circulate, and what they mean. The chapter thus addresses the following areas of importance to the social and material histories of the Anglophone novel to 1950: the ‘glocalized’ geographies of print and trade; newspapers and local literary cultures; colonial editions; libraries, readers and writers; trade and copyright legislation.


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