scholarly journals "It‘s Hard to Keep Track":  Mapping a Shifting Nation in Dylan Horrocks‘s Hicksville

2021 ◽  
Author(s):  
◽  
Hamish Clayton
Keyword(s):  
New Zealand ◽  
Subject Matter ◽  
Literary History ◽  
Cultural Nationalism ◽  
Global Capitalism ◽  
First Century ◽  
Art And Literature ◽  
Art Form ◽  
Art Practices ◽  
Formal Properties

<p>Using an art form that justifiably lays claim to both visual and literary genealogies—the graphic novel—Dylan Horrocks's Hicksville advances, rather than strictly challenges, many of the discussions which have informed the local manufacture of art and literature. My purpose in this thesis is to explore Horrocks's deployment of the critical perspectives of both art historical and literary discourse as they have developed from the pre-colonial to the twenty-first century in New Zealand, especially those associated with cultural nationalism. Hicksville claims a particular relation to the existing traditions within both art-historical and literary lines wherein they are conjoined in practice; integrated into the formal properties of Horrocks's work, the traditional concerns of local art and literature are not only subject matter but guide Horrocks‘s approach to narrative. The tension between art and place—the responsibility of the artist to the nation and its referents—appears in Hicksville as a structuring device rather than polemic via its concern with the economisation of art—or global capitalism—as it bears upon particular places and art practices. Yet Horrocks‘s handling of this theme upholds neither aestheticism nor populism. Rather, he invites the reader to make sense of extensive references to a range of artistic figures, from Heaphy to Hergé to Hotere, in a way that accounts for their equal force. Hicksville thus deliberately destabilises the joint histories of art and literary history to pointed effect, valuing its range of artistic and cultural inheritances—whether the visual or literary, the highbrow or lowbrow—for how they can remind us that contemporary artistic accounts of New Zealand must also consider the various ways the country has been constructed throughout its wider</p>

scholarly journals "It‘s Hard to Keep Track":  Mapping a Shifting Nation in Dylan Horrocks‘s Hicksville

2021 ◽  
Author(s):  
◽  
Hamish Clayton
Keyword(s):  
New Zealand ◽  
Subject Matter ◽  
Literary History ◽  
Cultural Nationalism ◽  
Global Capitalism ◽  
First Century ◽  
Art And Literature ◽  
Art Form ◽  
Art Practices ◽  
Formal Properties

<p>Using an art form that justifiably lays claim to both visual and literary genealogies—the graphic novel—Dylan Horrocks's Hicksville advances, rather than strictly challenges, many of the discussions which have informed the local manufacture of art and literature. My purpose in this thesis is to explore Horrocks's deployment of the critical perspectives of both art historical and literary discourse as they have developed from the pre-colonial to the twenty-first century in New Zealand, especially those associated with cultural nationalism. Hicksville claims a particular relation to the existing traditions within both art-historical and literary lines wherein they are conjoined in practice; integrated into the formal properties of Horrocks's work, the traditional concerns of local art and literature are not only subject matter but guide Horrocks‘s approach to narrative. The tension between art and place—the responsibility of the artist to the nation and its referents—appears in Hicksville as a structuring device rather than polemic via its concern with the economisation of art—or global capitalism—as it bears upon particular places and art practices. Yet Horrocks‘s handling of this theme upholds neither aestheticism nor populism. Rather, he invites the reader to make sense of extensive references to a range of artistic figures, from Heaphy to Hergé to Hotere, in a way that accounts for their equal force. Hicksville thus deliberately destabilises the joint histories of art and literary history to pointed effect, valuing its range of artistic and cultural inheritances—whether the visual or literary, the highbrow or lowbrow—for how they can remind us that contemporary artistic accounts of New Zealand must also consider the various ways the country has been constructed throughout its wider</p>

Minorities in the Contemporary Egyptian Novel

2018 ◽  
Author(s):  
Mary Youssef
Keyword(s):  
Literary History ◽  
First Century ◽  
Nation State ◽  
Colonial Rule ◽  
The Novel ◽  
Robust Analysis ◽  
Specific Approach ◽  
And Gender ◽  
Context Specific ◽  
Historical Moment

This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally heterogeneous. Through a robust analysis of “new-consciousness” novels by authors like Idris ᶜAli, Bahaᵓ Tahir, Miral al-Tahawi, and Yusuf Zaydan, the author argues that this new consciousness does not only respond to predominant discourses of difference and practices of differentiation along the axes of race, ethno-religion, class, and gender by bringing the experiences of Nubian, Amazigh, Bedouin, Coptic, Jewish, and women minorities to the fore of Egypt’s literary imaginary, but also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square in Egypt’s 2011-uprising. This study responds to the changing iconographic, semiotic, and formal features of the Egyptian novel. It fulfills the critical task of identifying an emergent novelistic genre and develops historically reflexive methodologies that interpret new-consciousness novels and their mediatory role in formalizing and articulating their historical moment. By adopting this context-specific approach to studying novelistic evolution, this book locates some of the strands that have been missing from the complex whole of Egypt’s culture and literary history.

Literary Histories

2018 ◽  
Author(s):  
Eva-Marie Kröller
Keyword(s):  
New Zealand ◽  
Collective Identity ◽  
Literary History ◽  
English Language ◽  
South Pacific ◽  
The South ◽  
Cultural Elite ◽  
Historical Methodology ◽  
Literary Histories

This chapter discusses national literary histories in Australia, Canada, New Zealand, and the South Pacific and summarises the book's main findings regarding the construction and revision of narratives of national identity since 1950. In colonial and postcolonial cultures, literary history is often based on a paradox that says much about their evolving sense of collective identity, but perhaps even more about the strains within it. The chapter considers the complications typical of postcolonial literary history by focusing on the conflict between collective celebration and its refutation. It examines three issues relating to the histories of English-language fiction in Australia, Canada, New Zealand, and the South Pacific: problems of chronology and beginnings, with a special emphasis on Indigenous peoples; the role of the cultural elite and the history wars in the Australian context; and the influence of postcolonial networks on historical methodology.

Trafficking

2018 ◽  
pp. 344-358
Author(s):  
Paul Amar
Keyword(s):  
Human Trafficking ◽  
Sex Trafficking ◽  
Global Scale ◽  
Global Capitalism ◽  
First Century ◽  
Global Studies ◽  
Global History ◽  
Early Nineteenth Century ◽  
Political Economic ◽  
Forms Of Violence

This chapter offers a global history, as well as cultural, legal, and political–economic analysis, of “trafficking,” a set of relationships and processes often constituted as the dark mirror of globalization. First, the chapter traces how the term “trafficking” emerged. Second, it examines the evolution of “trafficking” in the context of “drug wars,” from the imperial Opium Wars in China in the early nineteenth century to the twenty-first-century “narco” battlegrounds of Mexico. Third, it surveys how global studies-related research has developed critical lenses for analyzing the politics of “sex trafficking” and “human trafficking.” Finally, it examines the term “trafficker” as selectively deployed along racial and social lines in ways that produce obscuring pseudo-analyses of the violence of global capitalism that preserve the impunity of certain powerful actors, create monstrous misrepresentations of globalizing forms of violence, and stir moral and racial panics on a global scale.

The future of musical theatre: An animation of a video call between collaborators, 30 September 2020

2021 ◽  
Vol 15 (1) ◽  
pp. 25-40 ◽  
Author(s):  
Joy Brooke Fairfield ◽  
Krista Knight ◽  
Barry Brinegar
Keyword(s):  
Musical Theatre ◽  
First Century ◽  
Us South ◽  
Social Justice Movements ◽  
Art Form ◽  
Gender Minorities ◽  
The Us ◽  
The Future ◽  
Long Time ◽  
Justice Movements

In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.

scholarly journals The Limits and Possibilities of Sino-New Zealand Defence Relations: A New Zealand Perspective

2021 ◽  
Author(s):  
◽  
Julian Lee
Keyword(s):  
New Zealand ◽  
First Century ◽  
Asia Pacific ◽  
Pacific Region ◽  
Asia Pacific Region ◽  
Western Power ◽  
Early Twenty ◽  
The Future ◽  
Huge Impact ◽  
First Time

<p>Western power has been sustained in the Asia-Pacific region by United States military might ever since the defeat of Japan. For the first time since then, China, a non-Western power, poses a challenge to that dominance, with the result that “neither Australia nor New Zealand has ever seriously considered how we would defend our interests and secure our countries in a region which was not dominated by our great and powerful Anglo-Saxon friends.”1 China is the new variable in the Asia-Pacific equation, and New Zealand is now required to factor this new element into its strategic calculations for the future. China’s ascendancy in the Asia-Pacific region will have a huge impact on New Zealand’s future strategic outlook. The purpose of this essay will be to design, as simply as possible, a way to structure thoughts and discussion about the defence relationship between New Zealand and China, from a New Zealand perspective. It will aim to establish a basic framework centred around a number of themes in order to provide a platform for analysis in the future. It will be a brief examination of how these two nations talk with each other at the defence level in the early twenty-first century.</p>

scholarly journals Amir Korer Suri as the First Poet of Pashto

2021 ◽  
Vol 8 (6) ◽  
pp. 10-14
Author(s):  
Ghulam Sakhi Himat ◽  
Azizurahman Haqyaar
Keyword(s):  
Literary History ◽  
First Century ◽  
Islamic Period ◽  
Epic Poem ◽  
History Of

The martial and epic poem by Jahan Pahlavan Amir Krorr Suri is the most notable and magnificent historical poetic record that illustrates the history of Pashto poetry. It is a beautiful example of our literature in terms of vitality and style, true Pashto language, metre, and rhyme. This poem's features may be stated as follows: It is an antique manuscript that demonstrates the existence of Pashto literature about the year 130 H. (752 A.D.). It demonstrates that the language was developed to the point that superb martial poetry was produced in it throughout the first century of the Islamic period. It may be determined from this that it was not a novel language. It was certainly at least five centuries old when Amir Krore discovered it, and it had a rich literary history to achieve such acclaim.

scholarly journals Rolling back Modernity: Selective Tradition and Contemporary Literary Politics in the South Pacific

2018 ◽  
Author(s):  
Jennifer Lawn
Keyword(s):  
New Zealand ◽  
Literary Criticism ◽  
Cultural Politics ◽  
21St Century ◽  
Literary History ◽  
Cultural Participation ◽  
Future Directions ◽  
Selective Tradition ◽  
Literary Politics ◽  
Aotearoa New Zealand

This article relates Raymond Williams’s concept of “selective tradition” to the shaping of literary history in Aotearoa New Zealand. It makes the case for the ongoing salience of Williams’s narrative of modernity as a “long revolution,” and his sense of the threats to democratic and cultural participation around the turn of the 21st century, as a framework for situating recent cultural politics. The article closes with some suggestions for possible future directions for the development of locally-based materialist literary criticism.

scholarly journals EXPLORING FRAMEWORKS FOR A HISTORY OF EARTH BUILDING IN AOTEAROA NEW ZEALAND

2020 ◽  
Vol XLIV-M-1-2020 ◽  
pp. 969-976
Author(s):  
M. Hall
Keyword(s):  
New Zealand ◽  
Standard Form ◽  
First Century ◽  
World War Two ◽  
World War ◽  
Structural Hierarchy ◽  
Aotearoa New Zealand ◽  
History Of ◽  
Detailed Record ◽  
Complete History

Abstract. Aotearoa New Zealand has a unique earth building heritage. For centuries, Māori used earth for floors and as a binder for fibrous walling materials. When settlers arrived in the nineteenth century, they brought earth building techniques with them, and in the early days of colonisation, earth buildings were commonplace. Many still survive, but as processed timber became readily available, building in earth declined; by the middle of the twentieth century it had almost ceased. Following renewed interest after World War Two, earth building continued into the twenty-first century, albeit as a non-standard form of construction. Databases compiled by Heritage New Zealand, Miles Allen, and the author, supplemented by accounts from a variety of sources, provide a relatively detailed record of earth buildings from all over Aotearoa but no cohesive history has yet been written. This paper considers possible approaches to writing such a history. Methodologies employed in local and international architectural histories are analysed, and a number of structural hierarchies are identified: for instance, Ronald Rael organises his material firstly by technique and then chronology in Earth Architecture, while Ted Howard uses location and then chronology for his Australasian history, Mud and Man. Information from New Zealand sources is then applied to these frameworks to arrive at an appropriate structural hierarchy for a complete history of earth building in Aotearoa.

Sign in / Sign up

Export Citation Format

Share Document