scholarly journals Inter-transitional Architecture: New Spatial Models for Prisoner Reintegration in New Zealand

2021 ◽  
Author(s):  
◽  
Emilia Brown

<p>The aim of this research was to explore the design of transitional housing for newly released prisoners from the New Zealand prison environment. This was achieved through the development of an architecture that provides a dynamic, vibrant, beautiful and connective environment for those using the space.  Reconnecting released prisoners with society requires careful consideration. The use of architecture may aid released prisoner’s societal habilitation and wellbeing by creating informed dynamic interior spaces.  The issues released prisoners face when trying to reintegrate back into society were analysed. This research focused on how these issues can be addressed through the built environment. Current issues include the lack of supportive accommodation available to released prisoners, the lack of successful mental health interventions, the disproportionate representation of the population in New Zealand prisons and the absence of healing environments for released prisoners.  The research provides evidence that a family and community based model for transitional housing could be successful in New Zealand. It also discussed how released prisoners can improve their personal view of themselves when they are adequately supported by their family and have a strong connection to their site, culture and context. It is argued that released prisoner’s positive sense of self may improve their mental health and recidivism rates. An improvement of recidivism rates is valuable to wider society’s safety.   The research suggests that an ambient, healing and calm atmosphere might be achieved through material texture and tactility and natural lighting in a family and cultural based model.  The proposed design was aimed at a small focus group of three released prisoners and their family members. The purpose was to reconnect and support the family through the reintegration of the released prisoner. There are three main blocks in the design: a reflection space, a communal block, and three private blocks for each family. The design of the walls aimed to visually connect the users to the context of the building and to act as a prompt to establish a relationship with their cultural background. The proposed design uses materiality, lighting and symbolism as techniques to improve the therapeutic atmosphere of the interior.  The design research process and the proposed design was critically analysed and reflected on. The research is related back to a global context and collectively a contribution to the existing body of knowledge was made.</p>

2021 ◽  
Author(s):  
◽  
Emilia Brown

<p>The aim of this research was to explore the design of transitional housing for newly released prisoners from the New Zealand prison environment. This was achieved through the development of an architecture that provides a dynamic, vibrant, beautiful and connective environment for those using the space.  Reconnecting released prisoners with society requires careful consideration. The use of architecture may aid released prisoner’s societal habilitation and wellbeing by creating informed dynamic interior spaces.  The issues released prisoners face when trying to reintegrate back into society were analysed. This research focused on how these issues can be addressed through the built environment. Current issues include the lack of supportive accommodation available to released prisoners, the lack of successful mental health interventions, the disproportionate representation of the population in New Zealand prisons and the absence of healing environments for released prisoners.  The research provides evidence that a family and community based model for transitional housing could be successful in New Zealand. It also discussed how released prisoners can improve their personal view of themselves when they are adequately supported by their family and have a strong connection to their site, culture and context. It is argued that released prisoner’s positive sense of self may improve their mental health and recidivism rates. An improvement of recidivism rates is valuable to wider society’s safety.   The research suggests that an ambient, healing and calm atmosphere might be achieved through material texture and tactility and natural lighting in a family and cultural based model.  The proposed design was aimed at a small focus group of three released prisoners and their family members. The purpose was to reconnect and support the family through the reintegration of the released prisoner. There are three main blocks in the design: a reflection space, a communal block, and three private blocks for each family. The design of the walls aimed to visually connect the users to the context of the building and to act as a prompt to establish a relationship with their cultural background. The proposed design uses materiality, lighting and symbolism as techniques to improve the therapeutic atmosphere of the interior.  The design research process and the proposed design was critically analysed and reflected on. The research is related back to a global context and collectively a contribution to the existing body of knowledge was made.</p>


2021 ◽  
Author(s):  
◽  
Rachael Elisabeth Victoria Picot

<p>It has been argued that domestic architecture within New Zealand is increasingly dominated by international styles since the rise of modernism. According to Bill Wilson (the Group’s leader), there is a lack of understanding of foreign design principle within New Zealand modernist architecture, denying any psychological or spiritual connection within the home. This has caused a shift from what was considered a vernacular architecture to a hybrid of adopted building styles, imitated largely for their aesthetic value rather than any theoretical grounding. In New Zealand, a lack of national identity or sense of belonging within a home is said to be problematic. This thesis aims to help redefine a national vernacular and the experience of domestic space through the implementation of experientiality.  The design reconsiders domestic spaces through design-research methodologies derived from two early modernist architectural groups: the Bunriha (co-founded in 1920) with the locality of Auckland’s the Group (established in 1946). These were chosen as both groups provided manifestos for reviving each respective nation’s architecture (Japan and New Zealand) post war. The Group’s work is based purely on functionalism and economically viable solutions. It will provide the basis of architectural thought for the exploration of multiple design strategies within this thesis. While the Bunriha’s ideas are utilised for their experiential approach to modernist architecture. As The Groups’ Japanese equivalent, the Bunriha provides a successful precedent for mediating between new technology, experientiality and a vernacular style. The Bunriha’s design methodologies are extracted and appropriated to the Group’s vision for New Zealand modernism through multiple case study houses. The aim here is to introduce a new dimension of domestic architecture within specific sites chosen within Auckland. This intends to strengthen the relationships between inhabitant, home and landscape through several explorations.  The research led design results from a series of architectural strategies that respond to six design theories of shadow, reflection, permeability, materiality, interior/exterior relationship and construction. The first three are derived from the intangible considerations of Japan’s Bunriha, while the remaining respond to the tangible considerations of the Group. This is intended to transcend the preconceptions of a contemporary home through the reconsideration of intangible qualities and their value. It is proposed that this strategy will result in a heightened sense of self through the foreign concept of experientialism. The split between the different members of the Group meant a discontinuation of their early explorations of intangible qualities of space within a vernacular architecture. A continuation of their work will be intended through this thesis work.</p>


2021 ◽  
Author(s):  
◽  
Rachael Elisabeth Victoria Picot

<p>It has been argued that domestic architecture within New Zealand is increasingly dominated by international styles since the rise of modernism. According to Bill Wilson (the Group’s leader), there is a lack of understanding of foreign design principle within New Zealand modernist architecture, denying any psychological or spiritual connection within the home. This has caused a shift from what was considered a vernacular architecture to a hybrid of adopted building styles, imitated largely for their aesthetic value rather than any theoretical grounding. In New Zealand, a lack of national identity or sense of belonging within a home is said to be problematic. This thesis aims to help redefine a national vernacular and the experience of domestic space through the implementation of experientiality.  The design reconsiders domestic spaces through design-research methodologies derived from two early modernist architectural groups: the Bunriha (co-founded in 1920) with the locality of Auckland’s the Group (established in 1946). These were chosen as both groups provided manifestos for reviving each respective nation’s architecture (Japan and New Zealand) post war. The Group’s work is based purely on functionalism and economically viable solutions. It will provide the basis of architectural thought for the exploration of multiple design strategies within this thesis. While the Bunriha’s ideas are utilised for their experiential approach to modernist architecture. As The Groups’ Japanese equivalent, the Bunriha provides a successful precedent for mediating between new technology, experientiality and a vernacular style. The Bunriha’s design methodologies are extracted and appropriated to the Group’s vision for New Zealand modernism through multiple case study houses. The aim here is to introduce a new dimension of domestic architecture within specific sites chosen within Auckland. This intends to strengthen the relationships between inhabitant, home and landscape through several explorations.  The research led design results from a series of architectural strategies that respond to six design theories of shadow, reflection, permeability, materiality, interior/exterior relationship and construction. The first three are derived from the intangible considerations of Japan’s Bunriha, while the remaining respond to the tangible considerations of the Group. This is intended to transcend the preconceptions of a contemporary home through the reconsideration of intangible qualities and their value. It is proposed that this strategy will result in a heightened sense of self through the foreign concept of experientialism. The split between the different members of the Group meant a discontinuation of their early explorations of intangible qualities of space within a vernacular architecture. A continuation of their work will be intended through this thesis work.</p>


Author(s):  
Honghai LI ◽  
Jun CAI

The transformation of China's design innovation industry has highlighted the importance of design research. The design research process in practice can be regarded as the process of knowledge production. The design 3.0 mode based on knowledge production MODE2 has been shown in the Chinese design innovation industry. On this cognition, this paper establishes a map with two dimensions of how knowledge integration occurs in practice based design research, which are the design knowledge transfer and contextual transformation of design knowledge. We use this map to carry out the analysis of design research cases. Through the analysis, we define four typical practice based design research models from the viewpoint of knowledge integration. This method and the proposed model can provide a theoretical basis and a path for better management design research projects.


2019 ◽  
Vol 21 (4) ◽  
Author(s):  
Saneta Manoa ◽  
Phylesha Brown-Acton ◽  
Tatryanna Utanga ◽  
Seini Jensen

F’INE Aotearoa, through Pasifika Futures Whānau Ora programme, is supporting Pacific Lesbian, Gay, Bisexual, Transgender, Queer and Intersex (LGBTQI) individuals and their families to transform their lives and achieve their aspirations.  The LGBTQI community in New Zealand experience significant disadvantage across a range of areas affecting wellbeing, including higher rates of poor mental health, depression and anxiety 1,2,3. For Pacific LGBTQI, the disadvantages are compounded further.  F’INE, an LGBTQI specific provider in New Zealand, is working to change this.


2018 ◽  
Vol 21 (1) ◽  
pp. 10-16 ◽  
Author(s):  
Eirenei Taua'i ◽  
Rose Richards ◽  
Jesse Kokaua

Aims: To explore associations between experiences of mental illness, migration status and languages spoken among Pacific adults living in NZ. Methods: SURVEY FREQ and SURVEY LOGISTIC procedures in SAS were applied to data from Te Rau Hinengaro: The New Zealand (NZ) Mental Health Survey, a survey of 12,992 New Zealand adults aged 16 and over in 2003/2004. Pacific people were over sampled and this paper focuses on the 2374 Pacific participants but includes, for comparison, 8160 non-Maori-non-Pacific (NMNP) participants. Results: Pacific migrant respondents had the lowest prevalence of mental disorders compared to other Pacific peoples. However, Pacific immigrants were also less likely to use mental health services, suggesting an increased likelihood of experiencing barriers to available mental health care. Those who were born in NZ and who were proficient in a Pacific language had the lowest levels of common mental disorders, suggesting a protective effect for the NZ-born population. Additionally, access to mental health services was similar between NZ-born people who spoke a Pacific language and those who did not. Conclusions: We conclude that, given the association between Pacific language and reduced mental disorder, there may be a positive role for Pacific language promotion in efforts to reduce the prevalence of mental health disorder among Pacific communities in NZ.


Author(s):  
T.B. Aldongar ◽  
◽  
F.U. Malikova ◽  
G.B. Issayeva ◽  
B.R. Absatarova ◽  
...  

The creation of information models requires the use of known methods and the development of new methods of formalizing the pre-design research process. The modeling process consists of four stages: data collection on the object of management - pre-project research; creation of a graphical model of business processes taking place in the enterprise; development of a formal model of business processes; business research by optimizing the formal model. To support the creation of workflow management services and systems, the complex offers methodologies, standards and specialized software that make up the developer's tools. This can be ensured only by modern automated methods based on information systems. It is important that the information collected is structured to meet the needs of potential users and stored in a form that allows the use of modern access technologies. Before discussing the effectiveness of FIM, it should be noted that the basic concept of information itself is still not the same. In a pragmatic way, it is a set of messages in the form of an important document for the system. Information can be evaluated not only by volume, but also by various parameters, the most important of which are: timeliness, relevance, value, aging, accuracy, etc. in addition, the information may be clear, probable and accurate. The methods of its reception and processing are different in each case.


2021 ◽  
Vol 74 ◽  
pp. 101648
Author(s):  
Anthony J O’Brien ◽  
Katey Thom ◽  
Sarah Gordon ◽  
Brian McKenna ◽  
Jacquie Kidd ◽  
...  

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