Use of Timber in Tall Multi-Storey Buildings

2014 ◽  
Author(s):  
Ian Smith ◽  
Andrea Frangi

<p>Since the dawn of civilization, timber has been a primary material for achieving great structural engineering feats. Yet during the late 19th century and most of the 20th century it lost currency as a preferred material for construction of large and tall multi-storey building superstructures. This Structural Engineering Document (SED) addresses a reawakening of interest in timber and timber-based products as primary con-struction materials for relatively tall, multi-storey buildings. Emphasis throughout is on holistically addressing various aspects of performance of complete systems, reflecting that major gaps in knowhow relate to design concepts rather than technical information about timber as a material. Special con-sideration is given to structural form, fire vulnerability, and durability aspects for attaining desired building performance over lifespans that can be centuries long.</p>

Synthese ◽  
2021 ◽  
Author(s):  
Ansgar Seide

AbstractIn this paper, I take a closer look at Hans Reichenbach’s relation to metaphysics and work out some interesting parallels between his account and that of the proponents of inductive metaphysics, a tradition that emerged in the mid- and late 19th century and the early 20th century in Germany. It is in particular Hans Reichenbach’s conception of the relation between the natural sciences and metaphysics, as displayed in his treatment of the question of the existence of the external world, that shows some very interesting similarities with inductive metaphysics. By a comparison with the position of the inductive metaphysician Erich Becher and his handling of the problem of realism, I work out the parallels between Reichenbach’s program and inductive metaphysics. I come to the conclusion that while there are certainly some respects in which Reichenbach’s logical empiricism is closer to the positions of the representatives of the Vienna Circle, it turns out that with regard to his views on metaphysics there is a greater affinity with the program of inductive metaphysics.


Author(s):  
Marija Vujović ◽  
Anka Mihajlov Prokopović

Prior to becoming the most dominant cultural product of the modern age, the film began its history as a journalistic concept. The first films made by the brothers Auguste and Louis Lumière in the late 19th century were documentaries. The first film made at the beginning of the 20th century in Serbia was also a type of a newsreel, a documentary. Some of the first cinema owners and cinematographers were journalists. This paper explains the development of documentary film in Serbia, which, in addition to being a film genre, also became a television genre in the second half of the 20th century. The goal of this paper is to show the development path starting from the first feature film and newsreel, to television news - one of the most frequent TV programs of the moment – by using the example of Serbia.


2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  


Folklorica ◽  
2015 ◽  
Vol 18 ◽  
Author(s):  
Vladimir Klyaus

This article considers the remnants of Russian ritual practices surrounding houses in the Priangun’ie region of China. This region was populated by Russians from the late 19th century on. A large group of immigrants (Russian, Tungus and Buriat) immigrated there from the Transbaikal region of Russia after the establishment of Soviet rule in the early 20th century. The paper examines what remains of Russian traditional practices, how they have been blended with native Chinese traditions, and adapted over time to reflect intermarriage between people of Chinese or Tungus and Russian descent.


Author(s):  
Maria Cristina Araújo de Oliveira ◽  
José Manuel Matos

A comparative study exploring textbooks used in two distinct educational systems, Brazil and Portugal, was performed focusing on the ways in which analytic geometry was developed as a secondary school subject. Our analysis concentrates on textbooks from the late 19th century until the middle of the 20th century known to be used in schools. Keywords: history, analytic geometry, textbooks, mathematics education


10.1068/d51j ◽  
2005 ◽  
Vol 23 (1) ◽  
pp. 119-147 ◽  
Author(s):  
Derek P McCormack

In this paper I seek to apprehend some of the powers of nonrepresentational practice and performance through an encounter with the rhythmic movement of the body. I concentrate on eurhythmics, a practice that emerged in Geneva in the late 19th century and early 20th century as an effort to improve musical appreciation through rhythmic movement. Drawing on work in cultural and architectural theory, I argue that the historical and cultural geographies of eurhythmics can best be apprehended diagrammatically. Specifically, I situate eurhythmics in diagrammatic relation to the corporeal kinaesthetics of rhythmic movement, to practices of social and cultural transformation, and to architectures of performative potential. By apprehending the geographies of eurhythmics in this way, I not only work to demonstrate that nonrepresentational styles of thinking and working multiply rather than undermine the field of power in which geographers move, but also present a sense of how these powers can become implicated in the very practice and performance of geographical research.


Author(s):  
Ricardo Pérez Montfort

From the late 19th century to the mid-20th century, Mexican popular music underwent a significant transformation, thanks to the growth of Mexico City as an urban center and to the influence of both regional and international music genres. At the same time, the Mexican public experienced a profound shift in the way music was consumed. Over the course of five generations, traditional modes of encountering music gave way to a more cosmopolitan enjoyment of new and old musical styles.


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