Medienanthropologie

2013 ◽  
Vol 4 (1) ◽  
Author(s):  
Stefan Rieger

"Der Text gilt den Aporien der Medienanthropologie. Neben den Debatten um das mediale Apriori, wie sie vor allen die Arbeiten Friedrich Kittlers ausgelöst haben, geraten dabei zwei Dinge in den Blick. Zum einen die Möglichkeit, die Rede von der technischen Datenverarbeitung nicht nur metaphorisch, sondern der Sache nach auf die Verarbeitungsprozesse des Menschen zu übertragen und so quantifizierbare Kriterien für dessen Leistungsfähigkeit abzuleiten. Zum anderen wird in der Abwendung von einer spezifisch deutschen Medienwissenschaft gerade in der aktuellen internationalen Diskussion ein Medienbegriff etabliert, der in seiner pluralen Ausrichtung Bezugnahmen etwa auch zur Biologie erlaubt (BioMedia). </br></br>The paper is devoted to the aporias of medial anthropology. In addition to the debates about the medial a priori, as initiated primarily by the works of Friedrich Kittler, two things come into view: On the one hand, the possibility to apply the notion of technical data processing to human processes not only in a metaphorical, but also in a literal way, in order to derive quantifiable criteria for their performance; on the other hand, the turn away from specifically German media studies in the ongoing international discussion establishes a notion of media that, thanks to its pluralistic orientation, allows references to other fields of study, e.g. to biology (biomedia). "

2009 ◽  
Vol 57 (2) ◽  
pp. 137-147
Author(s):  
Marie Allard ◽  
Camille Bronsard ◽  
Gilles McDougall

ABSTRACT While the meaningful theorems of neo-classical theory of the producer are well known, the neo-keynesian counterparts are not. Therefore, this paper will present those new meaningful theorems and their relations with neo-classical theory. On the one hand, this paper is of interest to the theoretician who would want to use the properties of comparative statics of the producer with quantitative rationing. On the other hand, since a neo-keynesian structural form is presented, the econometrician will be interested in imposing the meaningful theorems of this theory as a priori restrictions.


2013 ◽  
Vol 18 (3) ◽  
pp. 266-273 ◽  
Author(s):  
Sanne Krogh Groth

The article is a discussion of works by two Danish composers who both, with self-constructed instruments, challenge computer music as genre, the understanding and use of conventional technology, and the music's relation to history. At first glance, the use of homemade instruments appears to be a common characteristic. But, when one takes a closer look, different discourses and various discussions of media and materiality are revealed. In the article the various positions are unfolded through discussions within the theoretical field of media archaeology – a science with its roots in media studies, but also an important framework for the production and understanding of a variety of DIY practices.The overall purpose with the article is twofold: on the one hand it illustrates how theories from the field of media archaeology contribute interesting perspectives to discussions of artistic work within the area of DIY. On the other hand, it also serves as a critical discussion of media archaeology as not necessarily the solution to every aspect of artistic practices. The two artists are Morten Riis and Goodiepal.


2000 ◽  
Vol 21 (1-2) ◽  
pp. 86-103
Author(s):  
Dieter Wandschneider

AbstractThe Cartesian concept of nature, which has determined modem thinking until the present time, has become obsolete. It shall be shown that Hegel's objective-idealistic conception of nature discloses, in comparison to that of Descartes, new perspectives for the comprehension of nature and that this, in turn, results in possibilities of actualizing Hegel's philosophy of nature.If the argumentation concerning philosophy of nature is intended to catch up with the concrete Being-of-nature and to meet it in its concretion, then this is impossible for the finite spirit in a strictly a priori sense — this is the thesis supported here which is not at all close to Hegel. As the argumentation rather has to consider the conditions of realization concerning the Being-of-nature, too, it is compelled to take up empirical elements — concerning the organism, for instance, system-theoretical aspects, physical and chemical features of the nervous system, etc. With that, on the one hand, empirical-scientific premises are assumed (e.g. the lawlikeness of nature), which on the other hand become (now close to Hegel) possibly able to be founded in the frame of a Hegelian-idealistic conception. In this sense, a double strategy of empirical-scientific concretization and objective-idealistic foundation is followed up, which represents the methodical basic principle of the developed considerations.In the course of the undertaking, the main aspects of the whole Hegelian design concerning the philosophy of nature are considered — space and time, mass and motion, force and law of nature, the organism, the problem of evolution, psychic being — as well as Hegel's basic thesis concerning the philosophy of nature, that therein a tendency towards coherence and idealization manifests itself in the sense of a (categorically) gradually rising succession of nature: from the separateness of space to the ideality of sensation. In the sense of the double strategy of concretization and foundation it is shown that on the one hand possibilities of philosophical penetration concerning actual empirical-scientific results are opened, and on the other hand — in tum — a re-interpretation of Hegel's theorem on the basis of physical, evolution-theoretical and system-theoretical argumentation also becomes possible. In this mutual crossing-over and elucidation of empirical and Hegelian argumentation not only do perspectives of a new comprehension of nature become visible, but also, at the same time — as an essential consequence of this methodical principle — thoughts on the possibilities of actualizing Hegel's philosophy of nature.


2010 ◽  
Vol 6 ◽  
pp. 129-152
Author(s):  
Helton Adverse

This paper’s aim is to elucidate the meaning of the paradoxical expression “ontology of the present”, utilized by Foucault in his latest works. To achieve this goal, I adopted a twofold strategy: on the one hand, it was useful to recall that this was not the first time Foucault used a deranging expression. In the 1960’s, in the period he developed his “archeology of knowledge”, we can find in some of his major works the husserlian term “historical a priori”. On the other hand, I had to analyze some aspects of his interpretation of the modernity that we can find in his last articles, interviews and lessons in the Collège de France. In these occasions, Kant’s philosophy was the main theoretical influence.


1925 ◽  
Vol 19 (2) ◽  
pp. 75-84 ◽  
Author(s):  
C. M. Gillespie

The precise position to be assigned to the Categories in the Aristotelian system has always been somewhat of a puzzle. On the one hand, they seem to be worked into the warp of its texture, as in the classification of change, and Aristotle can argue from the premiss that they constitute an exhaustive division of the kinds of Being (An. Post. I. 22, p. 83 b 15). On the other hand, both in the completed scheme of his logic and in his constructive metaphysic they retire into the background, giving place to other notions, such as causation, change, actuality and potentiality. Investigation has, moreover, been hampered, especially in Germany, by attempts to correlate them with the Kantian Categories, with which they have obvious points of contact. But Kant's formal a priori concepts by which the mind makes for itself a world, to use Mr. Bosanquet's phrase, imply an attitude to knowledge and reality so utterly opposed to the Aristotelian that the comparison has tended to confusion rather than elucidation. Scholars now realize better that the Aristotelian Categories can only be understood in connexion with the problems of Aristotle's own age.


2021 ◽  
Vol 10 (2) ◽  
pp. 253-267
Author(s):  
Sigrid Kannengießer ◽  
Johanna E. Möller

This article develops the theoretical concept of critical media practices. Critical media practices are characterised by two aspects: 1) In critical media practices actors reflect on routines relating to media (as organisations, content, or technologies) and/or on the meta processes mediatisation, digitisation or datafication. 2) On the basis of this reflection actors develop alternative routines in their media practices and shape processes of mediatisation, digitisation or datafication. Critical media practices aim at influencing society and are therefore always political. Conceptualizing the term critical media practices, this article on the one hand contributes to further developing media practices as an approach in communication and media studies, on the other hand, it adds to general debates on critique in this field.


2016 ◽  
Vol 33 (5) ◽  
pp. 631-661 ◽  
Author(s):  
Frédéric Bimbot ◽  
Emmanuel Deruty ◽  
Gabriel Sargent ◽  
Emmanuel Vincent

This article introduces the System &Contrast (S&C) model, which aims at describing the inner organization of structural segments within music pieces as: (i) a carrier system, i.e., a sequence of morphological elements forming a network of self-deducible syntagmatic relationships, and (ii) a contrast, i.e., a substitutive element, usually the last one, which departs from the logic implied by the carrier system. Initially used for the structural annotation of pop songs (Bimbot, Deruty, Sargent, & Vincent, 2012), the S&C model provides a framework to describe implication patterns in musical segments by encoding similarities and relations between its elements. It is applicable at several timescales to various musical dimensions in a polymorphous way, thus offering an attractive meta-description of musical contents. We formalize the S&C model, illustrate how it applies to music and establish its filiation with Narmour’s implication-realization model (Narmour, 1990, 1992) and cognitive rule-mapping (Narmour, 2000). We introduce the minimum description length scheme as a productive paradigm to support the estimation of S&C descriptions. The S&C model highlights promising connections between music data processing and information retrieval on the one hand, and modern theories in music perception, cognition and semiotics on the other hand, together with interesting perspectives in Musicology.


2020 ◽  
Vol 21 (6) ◽  
pp. 555-561
Author(s):  
Jonathan Corpus Ong ◽  
Diane Negra

Television & New Media commemorates its 20th year anniversary with this diverse collection of short reflection pieces on the “intellectual and institutional turbulence” facing media studies and the ways our colleagues have taken up these challenges in their work. Our introduction to the anniversary issue specifically addresses the role of media and media studies in the COVID-19 pandemic moment. On the one hand, our discipline has the opportunity to reinforce and reflect on its long-held arguments as we see how the pandemic reveals key insights of the field with uncanny clarity. On the other hand, for some, there is the nagging sensation we will have to do more and better if we are to adequately account for all the features of the current crisis.


1981 ◽  
Vol 46 (1) ◽  
pp. 31-40
Author(s):  
Mitchell Spector

The consistency of the Axiom of Determinateness (AD) poses a somewhat problematic question for set theorists. On the one hand, many mathematicians have studied AD, and none has yet derived a contradiction. Moreover, the consequences of AD which have been proven form an extensive and beautiful theory. (See [5] and [6], for example.) On the other hand, many extremely weird propositions follow from AD; these results indicate that AD is not an axiom which we can justify as intuitively true, a priori or by reason of its consequences, and we thus cannot add it to our set theory (as an accepted axiom, evidently true in the cumulative hierarchy of sets). Moreover, these results place doubt on the very consistency of AD. The failure of set theorists to show AD inconsistent over as short a time period as fifteen years can only be regarded as inconclusive, although encouraging, evidence.On the contrary, there is a great deal of rather convincing evidence that the existence of various large cardinals is not only consistent but actually true in the universe of all sets. Thus it becomes of interest to see which consequences of AD can be proven consistent relative to the consistency of ZFC + the existence of some large cardinal. Earlier theorems with this motivation are those of Bull and Kleinberg [2] and Spector ([14]; see also [12], [13]).


2002 ◽  
Vol 21 (2) ◽  
pp. 60-74
Author(s):  
I. S. Shaw

Physiology and engineering as fields of study are nowadays lectured at different university departments and even different faculties. Despite the great differences between the corresponding terminologies and methodologies, there exist very interesting and insight- provoking analogies between seemingly unrelated subjects encountered in these fields. There is also an emerging effort to develop experts that are familiar with both physiological and engineering terminologies and that are also able to apply them in a creative manner. Even people with many years of experience on the one hand in physiology, medicine, zoology and on the other hand, in electronic, control and mechanical engineering often have the need for additional knowledge in their mutual fields of endeavour . The purpose of this work is to engender an interest in this respect by pointing out especially pertinent cases of analogies.


Sign in / Sign up

Export Citation Format

Share Document