scholarly journals The Revolution for Law: A Chronographic Analysis of the Constitutional Revolution of Iran

2021 ◽  
Vol 2 (1) ◽  
pp. 63-96
Author(s):  
Homa M Katouzian
2003 ◽  
Vol 10 (3) ◽  
pp. 376-408 ◽  
Author(s):  
Daniel Tsadik

AbstractThis study investigates the extent to which the laws of Iran's Constitutional Revolution mark a break with Islam with regard to the legal status of religious minorities as reflected in the writings of some eighteenth- and nineteenth-century Imāmī Shī ī ulamā . Whereas Shī ī law usually treated religious minorities and Shī īs differentially, some—but not all—of the Revolutionary enactments treat religious minorities as the equals of Muslims. I conclude that the legal status of some religious minorities improved only somewhat during the Revolution as compared to their status under Shī ī law. The two-faced nature of the Revolution's enactments echoes the rival forces at work. The controversy over whether religious minorities should be treated as equals was legal in nature, but no less a dispute over the orientation of Iranian society.


1992 ◽  
Vol 24 (1) ◽  
pp. 1-26 ◽  
Author(s):  
Juan R. I. Cole

Between 1905 and 1911, Iranians were engaged in a protracted struggle over whether a constitutionalist regime would replace royal absolutism.1 Little in Iran's political culture before 1905 had hinted at this conflict before it broke out, and for the past thirty years historians have been seeking this genealogy for it. Most have searched among the papers of officials and diplomats, often examining unpublished or posthumously published manuscripts with little or no contemporary circulation, at least before the revolution,2 but we might get closer to its context if we look at what was going on outside the governmental elite. Here I will explore the growth of belief in representative government within an Iranian millenarian movement, the Bahai faith, in the last third of the 19th century, as an example of how the new ideas circulated that led to the conflict.3 Historians have noted a link between millenarianism and democratic or populist thought elsewhere, after all; for instance they have long recognized the importance of chiliastic ideas in e English Revolution of the 17th century. The republicanism of American dissidents and revolutionaries was also sometimes tinged with a civil millennialism. The Bahais of Iran, too, combined democratic rhetoric with millenarian imagery in the generation before the Constitutional Revolution.4


2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Farindokht Zahedi

Modern Iranian drama developed in line with a liberal school of thought, bothbefore and after the Constitutional Revolution in 1906. It came during thetransition from a traditional to a new type of society that was able to tolerateand accept the revolution. The arrival of European theatre in 1878, with itsdependence on a written text rather than improvisatory acting, was part of themodernization process in Iran that enjoyed its height in the early years of thetwentieth century. At the same time, traditional theatre was being rediscovered,and playwrights started using some of its forms to develop indigenous modernIranian theatre to meet the standards of the genuine past and dynamic present.Although there was an assimilation of certain secular tendencies, the newlyappearing type of drama satisfied the need for modernity through defendingpolitical and social liberties. The road to transition began in the 1850’s andgained momentum during the 1940’s through the 1970’s, leaving its effects onIranian drama in such a way that its legacy persists to date.Keywords: realistic drama; Iranian drama; Iran Constitutional Revolution


1983 ◽  
Vol 15 (2) ◽  
pp. 133-155 ◽  
Author(s):  
Mohammad Reza Afshari

A single photograph taken during the Constitutional Revolution portrays the nature of that historical event better than most of the accounts purporting to explain the Revolution in terms of the ideological impact of the West. It is a picture of some fourteen-thousand artisans and shopkeepers (pīshivarān), dressed in their traditional attire, taking sanctuary (bast) in the garden of the British Legation in Tehran and demanding mashrūīyat (constitutional rule). At first sight the picture is perplexing; it stands at odds with the present studies of the Revolution: How could a “modern,” or a “national bourgeois” revolution have been brought about by a social class who appeared—and indeed were—traditional in every sense of the word?


2016 ◽  
Vol 12 (11) ◽  
pp. 11
Author(s):  
Seyed Milad Kashefi Pour Dezfuli

<p>Half a century of intellectual debates and efforts to political reforms following Iran’s defeat against Czarist Russian Empire at two series of wars at 1810s and 1820s, led to the Constitutional Revolution of 1906 which put an end to a thousand-year-old despotic monarchical order. However, the success of the revolution and the establishment of Iran’s first legislative Assembly (Majlis) didn’t ended controversy between advocates of traditional order and widespread front of supporters of modernism which was begun decades earlier. New ruling system with its modern institutions could not satisfy opponents of modernism and supporters of traditional monarchy. From decades before Constitutional revolution, introduction of modern concepts had created rifts in the content of traditional ones but so far as these modern concepts hadn’t turned to parts of socio-political realities of the country and hadn’t unsettled traditional order, controversy between advocates and opponents of modernism couldn’t transform into an all-out and pervasive conflict. It was then that traditionalists realized the depth of dangers modern concepts can present against traditional political order.</p>


2020 ◽  
Vol 10 (3) ◽  
pp. 318
Author(s):  
Muhammad Hussein Oroskhan ◽  
Elham Mahmoudi

The beginning of twentieth century is marked by the Constitutional Revolution in Iran. Alongside the revolution, sweeping changes were brought about in every aspects of Iranian society. Undeniably, these extensive changes affected the literature of time. With respect to Persian poetry, Nima Yushij stamped a new pattern on Persian poetry and released it from its long-standing tradition. The plausible reason explaining Yushij's innovation has remained an enigma for literary scholars. Nonetheless, Yushij's attachment to Romanticism can be analyzed to clarify the ambiguous realm behind Yushij's big step for the modernization of Persian poetry. As such, Morse Peckham's theory of Romanticism which is subdivided into four consecutive stages is recruited to encapsulate Yushij's progress in Romanticism. Studying Yushij with respect to these stages proves that Yushij's Phoenix previously dismissed as a romantic poem is indeed Yushij's culmination of Romanticism. Eventually, this is concluded that Yushij reaching the pinnacle of Romanticism in Phoenix has been a decisive factor in creating a new path for Persian poetry.


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