On the Borderlands of Loneliness and Community in Twentieth Century German-Jewish Literature

2011 ◽  
Vol 34 (3) ◽  
pp. 203
Author(s):  
Morris
Keyword(s):  
Twentieth Century ◽  
Jewish Literature ◽  
German Jewish

German-Jewish Literature and Culture and the Field of German-Jewish Studies

2007 ◽  
pp. 165-184
Author(s):  
Mark H. Gelber
Keyword(s):  
Cultural Studies ◽  
German Society ◽  
Jewish Studies ◽  
Jewish Literature ◽  
Jewish Culture ◽  
Host Culture ◽  
European Culture ◽  
German Jewish

This chapter delineates the parameters of developments and relationships to the 'Jewish contribution discourse'. It notes the marginality of Jewish culture in present-day Germany that has enabled the emergence of the quintessential post-modern field of cultural studies in Germany and the basis for diverse criticism. It also mentions Moritz Goldstein, who boldly claimed in his 'Deutsch-jüdischer Parnass' that the Jews in Germany had become the custodians and arbiters of the spiritual treasures of German society. The chapter explores the understanding of European culture as largely Jewish, which militates against the idea of a possible Jewish contribution to that culture since the term 'contribution' appears to make little sense if the Jewish element is the dominant one. It explains the concept of a contribution that rests on the notion of a dominant host culture to which guests might contribute.

10. The letterless canon

2021 ◽  
pp. 104-111
Author(s):  
Ilan Stavans
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Graphic Novels ◽  
Jewish Literature ◽  
Comic Strips ◽  
Stand Up Comedy ◽  
Television Shows ◽  
Comedy Film ◽  
Film Scripts ◽  
The Way

“The letterless canon” argues that Jewish literature from the mid-twentieth century onward is not restricted to fiction, poetry, and theater. The book as a tool for the dissemination of knowledge has undergone a metamorphosis. Along the way, the border between high-brow and popular culture has been erased. Comic strips like Superman and graphic novels can be viewed as literary artifacts. Indeed we should consider the work of Will Eisner (A Contract with God), Art Spiegelman (Maus), and Alison Bechdel (Fun House), each of whom offers different contributions. There is also the matter of stand-up comedy, film scripts, and television shows which examine, from a Jewish perspective, gender, racial, and class issues.

1. After the expulsion

2021 ◽  
pp. 7-18
Author(s):  
Ilan Stavans
Keyword(s):  
Twentieth Century ◽  
Iberian Peninsula ◽  
Jewish Literature ◽  
The Enlightenment ◽  
Elias Canetti ◽  
Similarities And Differences ◽  
The Relationship ◽  
Natalia Ginzburg ◽  
Area Of Study

“After the expulsion” looks at the expulsion of the Jews from Spain in 1492, along with the rise of the Enlightenment, as decisive moments in which Jews entered modernity. The literature of Crypto-Jews in the Iberian Peninsula and the Americas is worth looking at in this area of study, especially the memoir of Luis de Carvajal the Younger as are the literary manifestations of Sephardic writers such as Bulgarian writer Elias Canetti, Italian writer Natalia Ginzburg, Israeli writer A. B. Yehoshua, and Mexican writer Angelina Muniz-Huberman. There are similarities and differences in the relationship between the Ashkenazi and Sephardic branches in modern Jewish literature. Ladino is a language that evolved after the 1492 expulsion but lost steam in the twentieth century.

Ethics and aesthetics of World War II memory: The case of David Foenkinos, Charlotte

2018 ◽  
Vol 48 (1) ◽  
pp. 37-55 ◽  
Author(s):  
Nathan Bracher
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Original Work ◽  
Literary Text ◽  
First Century ◽  
World War ◽  
The South ◽  
The Holocaust ◽  
German Jewish ◽  
Key Questions

Winner of the 2014 Renaudot prize, David Foenkinos’s novel Charlotte recounts the tragic life and highly original work of the German Jewish artist Charlotte Salomon, arrested in the south of France and deported to her death at Auschwitz in the fall of 1943. As is often the case in twenty-first-century narratives, Foenkinos engages in a highly personal mode of narration that plunges back into the most momentous aspects of World War II and the Holocaust. Charlotte thus links the quandaries of the narrator’s own life and times to those of this protagonist in ways that lead us to face key questions of ethics and aesthetics. These concern not only the destiny of Charlotte Salomon, but also our own manner of approaching and remembering the most momentous events of the twentieth century through the medium of the literary text.

Sacred Torrents in Modernity: German Jewish Philosophers and the Legacy of Secularization

transversal ◽  
2016 ◽  
Vol 14 (1) ◽  
pp. 35-44
Author(s):  
Nils Roemer
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Martin Buber ◽  
Franz Rosenzweig ◽  
Critical Response ◽  
Early Twentieth Century ◽  
Historical Progress ◽  
Fault Lines ◽  
German Jewish

AbstractThis article investigates the ongoing interaction between the Jewish sacred past and its modern interpreters. Jewish thinkers from the eighteenth century reclaimed these ideals instead of dismissing them. Sacred traditions and modern secular thought existed in their mutual constitutive interdependence and not in opposition. When the optimism in historical progress and faith in reason unraveled in the fin de siècle, it engendered a new critical response by Jewish historians and philosophers of the twentieth century. These critical voices emerged within the fault lines of nineteenth and early twentieth century Jewish anti-historicist responses. What separated twentieth-century Jewish thinkers such as Martin Buber, Franz Rosenzweig, and Gershom Scholem from their nineteenth-century forerunners was not their embrace of religion but their critical stance toward reason and their crumbling faith in historical progress.

A Tale of Two Feminists?

2019 ◽  
Vol 34 (2) ◽  
pp. 103-131
Author(s):  
Yosefa Loshitzky
Keyword(s):  
Twentieth Century ◽  
Hannah Arendt ◽  
Public Intellectuals ◽  
Red Army Faction ◽  
German Woman ◽  
Banality Of Evil ◽  
Red Army ◽  
German Jewish ◽  
Political Thinker ◽  
Rosa Luxemburg

One of the most engaging, yet controversial, public intellectuals of the twentieth century, Hannah Arendt continues to be attacked with the same venom and ferocity that followed the publication of Eichmann in Jerusalem: A Report on the Banality of Evil (1963) more than fifty years ago. This article discusses why Arendt remains such a divisive figure and why her intellectual legacy is still so unsettling, particularly for Zionists. The essay examines how these issues are represented, negotiated, and problematized in Margarethe von Trotta’s film Hannah Arendt (Germany/ Luxembourg/France, 2012). It explores how one of the most prominent contemporary feminist filmmakers, whose work celebrates the life and activism of revolutionary women from Rosa Luxemburg to Gudrun Ensslin from the Red Army Faction, transforms the “historical Arendt” into a “cinematic Arendt.” Although not a revolutionary in the tradition of Luxemburg, the German-Jewish political thinker Arendt is an interesting choice for a left-leaning, post-Holocaust German woman director. Yet Arendt presents a paradox for feminists due to the contradictions embedded in her works and public pronouncements. The article examines these contradictions and how Arendt emerges from this film, which attempts to portray a politically engaged intellectual woman, a figure that is almost entirely absent from the film screen.

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