scholarly journals Serpentinisme in French Art of the Second Half of the XIXth Century

Author(s):  
Daria Martynova
Keyword(s):  
1999 ◽  
Vol 1998 (2) ◽  
pp. 93-114
Author(s):  
Anders Brändström
Keyword(s):  

Author(s):  
Yekaterina Babeiko

The article is devoted to the study of the dialect language worldview based on the material of «Smolensk ethnographic collection» by Vladimir Nikolayevich Dobrovolsky (1856–1920) who was an ethnographer, local historian,folklorist, and lexicographer. The article presents general characteristics of proverbs and sayings included in the collection, describes the ways of recording and distribution of the material collected by the researcher, provides examples of proverbs and sayings, dialogues and poems, sentences and superstitious beliefs that the ethnographer, for various reasons, included in the collection. There are not many works on the study of dialect phraseology, not all Russian territories have this priceless heritage like records of phraseological material compiled at the time of their live functioning. V. N. Dobrovolsky included these phraseological units into the collection after his trips to the Smolensk region. The article proves necessity and prospects of further study of ethnographic material and formulates tasks that modern researchers of V.N. Dobrovolsky’s heritage are facing. The description of phraseological material of the collection makes it possible not only recreate the everyday life of the Smolensk peasant of the XIXth century, his life and cultural attitudes, but also to identify the features of the Smolensk dialect language worldview, to characterize paroemiological units based on national and cultural stereotypes of the Smolensk region people’s behavior.


1989 ◽  
Vol 47 (4) ◽  
pp. 394
Author(s):  
D. D. Todd ◽  
Jed Peri
Keyword(s):  

2021 ◽  
Vol 1 (2) ◽  
pp. 79-88
Author(s):  
I. A. Peremislov ◽  
◽  
L. G. Peremislov ◽  

Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth century, the "Aesthetic movement". The article provides a brief overview of the history of the emergence and development of decorative silver art in the United States. The important centers of silversmithing in the USA and the most important American manufacturers of the XIXth century are described in more detail. The article also touches on the influence of Japanese aesthetic ideas on European creative groups and on the formation of innovative ideas in European decorative arts. At the same time, an attempt is made to trace the origin, development trends, evolution and variations of "Japanesque" style in American decorative and applied art, in particular, in the works of Edward Moore and Charles Osborne (Tiffany & Co jewelry multinational company).


2004 ◽  
Vol 25 (2) ◽  
pp. 163-171
Author(s):  
José Antonio ◽  
Aguilar Rivera

In his essay on Tocqueville and Latin America Claudio López-Guerra asserts that, according to Alexis de Tocqueville, in the XIXth century Mexico and the United States had the same social state but not the same mores. The contention that follows is that religion (Catholicism v. Protestantism) is more important than equality in shaping the mores of a democratic people. In Democracy in America Tocqueville asserted: “It is true that the Anglo-Americans brought equality of conditions with them to the New World. There were neither commoners nor nobles there, and professional prejudices were always as unknown as prejudices of birth.


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