scholarly journals Interview Method and Thought on the Intangible Cultural Heritage Inheritors of Jiangxi Traditional Music

2017 ◽  
Author(s):  
Jiaqi Mei
Keyword(s):  
Cultural Heritage ◽  
Traditional Music ◽  
Intangible Cultural Heritage ◽  
Interview Method

scholarly journals Preservation and promotion of Đờn ca Tài tử in the Southwest

2015 ◽  
Vol 18 (3) ◽  
pp. 116-124
Author(s):  
Tin Cong Huynh
Keyword(s):  
Human Resources ◽  
Cultural Heritage ◽  
Traditional Music ◽  
Economic Effects ◽  
Communication Strategy ◽  
Good News ◽  
Actual State ◽  
Intangible Cultural Heritage ◽  
Huge Number ◽  
Initial Support

In the South of Vietnam exist many cultural heritages of the Kinh which need to be preserved, such as “ca Vọng cổ”, “Cải lương”, “Đờn ca Tài tử” etc. Recently, “Đờn ca Tài tử” has, with honour, been recorded as intangible cultural heritage of humanity by UNESCO. That is good news, but it is not easy at all to preserve and promote cutural heritage of this kind in the current socio-economic situation. Therefore, a great concern of the whole society is needed. This paper refers to the actual state of “Đờn ca Tài tử” at present: lack of communication strategy, heavily subsidized without economic effects, etc. From there, the paper tries to make some suggestions for the preservation and promotion of this traditional music form which is not only regconized by UNESCO but also admired by a huge number of Southern people, professionals, scientists from many regions in the country with deep concern. The suggestions form an integrated solution including human resources training, initial support from the budget of government, legal activities, tourism models with Đờn ca Tài tử for river cruises, etc.

scholarly journals From a Shepherd’s Hut to the Presidential Palace. Contribution to the 15th Anniversary of the proclamation of the Fujara as UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity

2021 ◽  
Vol 69 (1) ◽  
pp. 14-29
Author(s):  
Bernard Garaj
Keyword(s):  
Cultural Heritage ◽  
Traditional Music ◽  
Intangible Cultural Heritage ◽  
Music Culture ◽  
Intangible Heritage ◽  
15Th Anniversary ◽  
The Media

Abstract The fujara became the first element of Slovakia’s traditional music culture proclaimed as Masterpiece of the Oral and Intangible Heritage of Humanity in 2005 and automatically incorporated in the UNESCO Representative List of Intangible Cultural Heritage of Humanity in 2008. I was a member of the team that prepared the application documents and witnessed debates among fujara players on what this event would mean for the fujara and its music. The expectations of the performers, instrument makers, and other fans of the fujara were ambiguous. After 15 years since the proclamation, there is an opportunity to show what has happened with the fujara and to what extent their visions have been fulfilled. In this context, the text reflects on important contemporary events related to the life of the fujara: changes in the making technology, unification of its acoustic and intonation features, new ways of its use, presentation of this instrument in the media, as well as processes of a socio-cultural nature focused on the community of fujara players, the education of young performers, and the perception of the fujara in today’s society.

scholarly journals Traditional music protection from the perspective of intangible cultural heritage

2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Jie Zhang
Keyword(s):  
Economic Development ◽  
Cultural Heritage ◽  
National Culture ◽  
Traditional Music ◽  
Intangible Cultural Heritage ◽  
The West ◽  
Key Points ◽  
National Music

Music is a very important part of national culture, and also an important intangible cultural heritage. In the contemporary era of rapid economic development and increasingly prosperous exchanges between China and the west, the inheritance and promotion of national music has attracted unprecedented attention and become an important topic in the protection of intangible cultural heritage in China. Starting from the context of intangible cultural heritage, this paper analyzes the key points of inheritance and promotion of national music in the context of intangible cultural heritage, hoping to contribute to the protection of intangible cultural heritage in China.

scholarly journals Spatial Pattern and Influencing Factors of Intangible Cultural Heritage of Music in Xiangxi, Central China

2022 ◽  
Author(s):  
xian yong zhang ◽  
hui xiang ◽  
Rui Liu
Keyword(s):  
Cultural Heritage ◽  
Traditional Music ◽  
Central China ◽  
Theoretical Research ◽  
Main Trend ◽  
Distribution Area ◽  
Intangible Cultural Heritage ◽  
The South ◽  
The West ◽  
Traditional Dance

Abstract Intangible cultural heritage of music (ICHM) is an important part of intangible cultural heritage (ICH), and research on ICHM has extremely important theoretical value and practical significance. In this study, we aimed to analyze the spatial distribution characteristics of ICHMs and explore the main factors affecting their distribution in Xiangxi, Central China. Methods such as the nearest neighbor index, kernel density estimation, and buffer analysis were used in this study. The main conclusions are as follows: 1) the numbers of traditional music, traditional dance, traditional drama and quyi are 33, 34, 30 and 14, respectively, indicating that quyi is relatively lacking in Xiangxi; 2) the distribution of ICHMs in Xiangxi have spatial heterogeneity, and the main trend is agglomeration. The national ICHMs, provincial ICHMs and municipal ICHMs are mainly concentrated in the south, the west, and the central and northern regions, respectively. The high-density areas of traditional music and traditional dance are located in the south, of traditional drama in the west, and of quyi in the north. 3) The distribution of ICHMs is affected by four factors: namely rivers, topography, GDP and transportation. The 0-3 km buffer zone of the rivers, with 100% of national ICHMs, 83.33% of provincial ICHMs and 84.52% of municipal ICHMs, is the centralized distribution area of ICHMs. 100% of the national ICHMs, 94.44% of the provincial ICHMs and 91.67% of the municipal ICHMs are distributed in hilly (200-500 m) and low mountain areas (500-1000 m). Highways have the greatest impact on the distribution of ICHMs, followed by railways and ordinary roads. The economy has a significant positive impact on ICHM programs; the more developed the economy, the more ICHM projects. The results of this study can provide useful references for the theoretical research and practice management of ICH.

DEVELOPING SUSTAINABLE TOURISM MODEL ASSOCIATED WITH CONSERVED EDUCATION, UNDERSTANDING THE IDENTITY OF PHYSICAL CULTURE HERITAGE AND NON-PHYSICAL CULTURE HERITAGE, DEVELOPING LIVELIHOOD AND SUSTAINABLE MULTIDIMENSION POVERTY REDUCTION FOR ETHNIC MINORITIES OF QUANG NINH PROVINCE IN THE CONTEXT OF INDUSTRIAL REVOLUTION 4.0

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Bui Thuy Phuong
Keyword(s):  
Cultural Heritage ◽  
Ethnic Minorities ◽  
Poverty Reduction ◽  
Close Association ◽  
Sustainable Tourism ◽  
Physical Culture ◽  
Intangible Cultural Heritage ◽  
Economic Sectors ◽  
Culture Heritage ◽  
Quang Ninh

In the trend of Industry Revolution 4.0, tourism has been considered as one of the key and key economic sectors of the country and smokeless industry requires sustainable tourism development associated with the conservation and promotion of tangible and intangible cultural heritage values are becoming more and more important and urgent than ever. Author through deeply analysing the context and situation of developing a model linking sustainable tourism with preserving and promoting the specific tangible and intangible cultural heritage values of Quang Ninh province in the previous period thereby proposing a system of appropriate solutions to develop models of cultural tourism, heritage tourism, rural tourism, community tourism...in close association with specific values conservation and promotion of tangible and intangible cultural heritage, livelihood development and sustainable multidimensional poverty reduction for ethnic minorities groups in the current Industry Revolution 4.0 trend.

TELLING THE TALE, TELLING THE NATION: TIV TALES, MODERNITY AND THE (RE)CONSTRUCTION OF NIGERIAN NATIONHOOD

2016 ◽  
Vol 25 (2) ◽  
Author(s):  
James Tsaaior
Keyword(s):  
Cultural Heritage ◽  
Methodological Approach ◽  
Intangible Cultural Heritage ◽  
Cultural Process ◽  
The Social ◽  
Oral Cultures ◽  
High Literature

Scholarship negotiating African folktales and the entire folkloric tradition in Africa has always been constituted as harbouring fundamental lacks. One of these lacks is the supposed incapacity of oral cultures to produce high literature. However, it is true that folktales and other oral forms in Africa can participate actively in the social, political and cultural process. In this paper, we engage folktales told by the Tiv of central Nigeria and situate them within the dynamic of history, culture, modernity and national construction in Nigeria. The paper adopts a historicist and culturalist perspective in its interpretation of the folktales which were collected in particular Tiv communities. This methodological approach helps to crystallize the historical and cultural lineaments embedded in the people’s experiences, values and worldviews. It also constitutes a contextual background for the understanding of the folktales as they offer informed commentaries on social currents and political contingencies in Nigeria. It argues that though folktales belong to a pre-scientific and pre-industrial dispensation, they are part of the people’s intangible cultural heritage and are capable of distilling powerful statements which negotiate Nigerian modernity and postcolonial condition. The paper underscores the dynamism and functionality of folktales even in an increasingly globalised ethos.

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