scholarly journals La dialéctica alto vs bajo en El perro del hortelano

Author(s):  
Marcella Trambaioli

Pilar Miró shows a great ability in translating into cinematographic terms the linguistic, social and metaphorical elaboration that Lope de Vega realises in his play The Gardener’s Dog opposing high vs low. If the dramatist hardly alludes to specific places where the characters act, Miró adopts a number of effective solutions, both spatial and symbolic, some of them really original (such as the introduction of a dwarf who always accompanies the Countess being her monstrous double). Many sequences reflect perfectly in spatial terms the distance that separates Teodoro and Diana up until Tristán, with his tricks, finds the way they can consider themselves equal at the end of the play.

2019 ◽  
Author(s):  
Yingbo Xiao ◽  
Charlie Q. L. Xue

ThispaperfocusesonTaiyuancity,asecond-tierChinesecitywithabrillianthistorythat had been gradually reduced to mediocrity. When an ambitious governor took office, he planned to carry out an urban revitalization process in which cultural facilities would become symbols of power and represent the city’s identity or define its character. The importation of western-style architecture and urban design for the performing arts offer a way out. The ‘perfect copies’ of European lifestyle, through the way of architectural, urbanism transplant, seemed to serve as a potent symbol of China authority’s ability to control and rearrange the worldwide intelligence for their citizen. The authors investigated Taiyuan and its performance spaces, examine the Shanxi Grand Theatre in terms of designs, layouts and uses, expectations, and disappointments in spatial terms both within and in relation to urban spaces, which epitomized China’s strategy on balancing the elite cultural monuments and social welfare.


2018 ◽  
Vol 68 (4) ◽  
pp. 556-580
Author(s):  
Cory Crawford

Abstract I address here the still-vexing problem of why the Priestly narrator in Genesis 1 separates the fiat lux that opens the process of creation from the creation of sun, moon, and stars three days later, on day four. I organize ancient and modern explanations under four rubrics (polemical; functional; phenomenological; mystical) and find them relevant but ultimately insufficient to explain the way light operates in the logic of the Priestly creation narrative. I argue instead that we must attend first to the logic and narrative irregularity of the text itself in order to discern compositional motivations. The structure of Genesis 1 points toward an understanding of the nonsolar light (and its separation from darkness) in spatial terms, analogous to the separation of waters on day two and dry land on day 3, the sun, moon, and stars populating their spaces as do the birds, fish, land animals and humans.


2021 ◽  
pp. 70-89
Author(s):  
Cipriano López Lorenzo

RESUMEN Lo que pretendemos en estas páginas es ahondar en las estrategias retóricas que articuló Lope para describir la condición de Francisco Pérez de Amaya, jurista antequerano, en las epístolas “primera” y “octava” de La Filomena; el modo en que lo atacó recurriendo a metáforas y símiles que se han pasado por alto en los estudios relacionados. Al analizar tales imágenes, observaremos el desplazamiento profesional y el vejamen personal que Lope le encaja en este peculiar retrato, y saldrán a flote referencias cruzadas y otros aspectos interesantes sobre el imaginario de nuestro poeta y su posicionamiento frente a los cultos. ABSTRACT Throughout theses pages we will intend to examine the rhetorical strategies displayed by Lope when describing Francisco Pérez de Amaya, a lawyer from Antequera, in the first and eighth epistles included in La Filomena. We will examine, therefore, the way in which the poet attacked him drawing on metaphores and similes that, up to now, have been overlooked in specialised and related papers. Once analyzed those images, we will discover the peculiar portrait made by Lope, full of professional displacements and personal satires. Together with it, some cross-references and interesting aspects on our poet’s imaginary will arise, as well as his stance against the “cultos”.


2018 ◽  
Vol 41 ◽  
Author(s):  
Maria Babińska ◽  
Michal Bilewicz

AbstractThe problem of extended fusion and identification can be approached from a diachronic perspective. Based on our own research, as well as findings from the fields of social, political, and clinical psychology, we argue that the way contemporary emotional events shape local fusion is similar to the way in which historical experiences shape extended fusion. We propose a reciprocal process in which historical events shape contemporary identities, whereas contemporary identities shape interpretations of past traumas.


2020 ◽  
Vol 43 ◽  
Author(s):  
Aba Szollosi ◽  
Ben R. Newell

Abstract The purpose of human cognition depends on the problem people try to solve. Defining the purpose is difficult, because people seem capable of representing problems in an infinite number of ways. The way in which the function of cognition develops needs to be central to our theories.


1976 ◽  
Vol 32 ◽  
pp. 233-254
Author(s):  
H. M. Maitzen

Ap stars are peculiar in many aspects. During this century astronomers have been trying to collect data about these and have found a confusing variety of peculiar behaviour even from star to star that Struve stated in 1942 that at least we know that these phenomena are not supernatural. A real push to start deeper theoretical work on Ap stars was given by an additional observational evidence, namely the discovery of magnetic fields on these stars by Babcock (1947). This originated the concept that magnetic fields are the cause for spectroscopic and photometric peculiarities. Great leaps for the astronomical mankind were the Oblique Rotator model by Stibbs (1950) and Deutsch (1954), which by the way provided mathematical tools for the later handling pulsar geometries, anti the discovery of phase coincidence of the extrema of magnetic field, spectrum and photometric variations (e.g. Jarzebowski, 1960).


Author(s):  
W.M. Stobbs

I do not have access to the abstracts of the first meeting of EMSA but at this, the 50th Anniversary meeting of the Electron Microscopy Society of America, I have an excuse to consider the historical origins of the approaches we take to the use of electron microscopy for the characterisation of materials. I have myself been actively involved in the use of TEM for the characterisation of heterogeneities for little more than half of that period. My own view is that it was between the 3rd International Meeting at London, and the 1956 Stockholm meeting, the first of the European series , that the foundations of the approaches we now take to the characterisation of a material using the TEM were laid down. (This was 10 years before I took dynamical theory to be etched in stone.) It was at the 1956 meeting that Menter showed lattice resolution images of sodium faujasite and Hirsch, Home and Whelan showed images of dislocations in the XlVth session on “metallography and other industrial applications”. I have always incidentally been delighted by the way the latter authors misinterpreted astonishingly clear thickness fringes in a beaten (”) foil of Al as being contrast due to “large strains”, an error which they corrected with admirable rapidity as the theory developed. At the London meeting the research described covered a broad range of approaches, including many that are only now being rediscovered as worth further effort: however such is the power of “the image” to persuade that the above two papers set trends which influence, perhaps too strongly, the approaches we take now. Menter was clear that the way the planes in his image tended to be curved was associated with the imaging conditions rather than with lattice strains, and yet it now seems to be common practice to assume that the dots in an “atomic resolution image” can faithfully represent the variations in atomic spacing at a localised defect. Even when the more reasonable approach is taken of matching the image details with a computed simulation for an assumed model, the non-uniqueness of the interpreted fit seems to be rather rarely appreciated. Hirsch et al., on the other hand, made a point of using their images to get numerical data on characteristics of the specimen they examined, such as its dislocation density, which would not be expected to be influenced by uncertainties in the contrast. Nonetheless the trends were set with microscope manufacturers producing higher and higher resolution microscopes, while the blind faith of the users in the image produced as being a near directly interpretable representation of reality seems to have increased rather than been generally questioned. But if we want to test structural models we need numbers and it is the analogue to digital conversion of the information in the image which is required.


1979 ◽  
Vol 44 (1) ◽  
pp. 3-30 ◽  
Author(s):  
Carol A. Pruning

A rationale for the application of a stage process model for the language-disordered child is presented. The major behaviors of the communicative system (pragmatic-semantic-syntactic-phonological) are summarized and organized in stages from pre-linguistic to the adult level. The article provides clinicians with guidelines, based on complexity, for the content and sequencing of communicative behaviors to be used in planning remedial programs.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
pp. 5-7 ◽  
Author(s):  
Patty Prelock

Children with disabilities benefit most when professionals let families lead the way.


Sign in / Sign up

Export Citation Format

Share Document