scholarly journals The Ways in Which I Never Thought About My Great-Grandfather: An Essay on the Potentials of Photography as a Historical Document∗

2020 ◽  
Vol 28 (3/2020) ◽  
pp. 247-268
Author(s):  
Filip MITRIČEVIĆ

This paper is on the trail of answering the theoretical question of the potential of photography as a historical source. The paper does not aim for a historical reconstruction in the classical sense but is an attempt to show the reach of this visual media in historical research, based on the correlation of a sample of family photographs, oral history, and theory. By employing the author’s “personal voice,” the paper attempts to correlate particularities with a broader context and general theory. The author uses photographs of his great-grandfather, made at a prisoner-of-war camp during the World War II, to show the limitations of photography as a historical source.

Mammalia ◽  
2019 ◽  
Vol 83 (4) ◽  
pp. 343-351 ◽  
Author(s):  
Christian Haberland ◽  
Oliver Hampe ◽  
Marijke Autenrieth ◽  
Manja Voß

Abstract The whereabouts of the Balaenoptera borealis holotype, the skeleton of a 1819 stranded specimen, have been unknown since the World War II (WWII). Due to nomenclatural confusion, deficient documentation, and finally WWII bombing, which destroyed predominantly cetacean material in the Museum für Naturkunde Berlin (MfN), the type skeleton of the sei whale sank into oblivion. Construction activities enabled a recent search and study on the remaining whale material. Here, we provide evidence that the type specimen was not destroyed. On the basis of species-wide and individual characters of the type material such as the shape of cranial elements and the pattern of the maxillary foramina, we show that the skull and mandibles, the vertebral column (except the atlas), and the ribs of the holotype remain intact. Further evidence that these skeletal remains belong to the previously missing holotype is provided by the characteristics of the spine. In addition, we analyzed ancient DNA from bone samples and confirm they are B. borealis, and the occurrence of same mitochondrial haplotypes indicate that the bones belong to the same individual. Additionally, a blue inscription was discovered at the caudal epiphysis of a thoracic vertebra; historical research matched this inscription with the material belonging to the former Anatomical-Zootomical Museum, from which the holotype was once bought.


2010 ◽  
Vol 122 (2) ◽  
pp. 130 ◽  
Author(s):  
Ruth E. Lawrence ◽  
Marc P. Bellette

The Rushworth Forest is a Box and Ironbark open sclerophyll forest in central Victoria that has been subject to a long history of gold mining activity and forest utilisation. This paper documents the major periods of land use history in the Rushworth Forest and comments on the environmental changes that have occurred as a result. During the 1850s to 1890s, the Forest was subject to extensive gold mining operations, timber resource use, and other forest product utilisation, which generated major changes to the forest soils, vegetation structure and species cover. From the 1890s to 1930s, concern for diminishing forest cover across central Victoria led to the creation of timber reserves, including the Rushworth State Forest. After the formation of a government forestry department in 1919, silvicultural practices were introduced which aimed at maximising the output of tall timber production above all else. During World War II, the management of the Forest was taken over by the Australian Army as Prisoner of War camps were established to harvest timber from the Forest for firewood production. Following the War, the focus of forestry in Victoria moved away from the Box and Ironbark forests, but low value resource utilisation continued in the Rushworth Forest from the 1940s to 1990s. In 2002, about one-third of the Forest was declared a National Park and the other two-thirds continued as a State Forest. Today, the characteristics of the biophysical environment reflect the multiple layers of past land uses that have occurred in the Rushworth Forest.


2008 ◽  
Vol 37 (S1) ◽  
pp. 65-72
Author(s):  
Noah Riseman

Abstract Did you know that a Bathurst Islander captured the first Japanese prisoner of war on Australian soil? Or that a crucifix saved the life of a crashed American pilot in the Gulf of Carpentaria? These are excerpts from the rich array of oral histories of Aboriginal participation in World War II. This paper presents “highlights” from Yolngu oral histories of World War II in Arnhem Land, Northern Territory. Using these stories, the paper begins to explore some of the following questions: Why did Yolngu participate in the war effort? How did Yolngu see their role in relation to white Australia? In what ways did Yolngu contribute to the security of Australia? How integral was Yolngu assistance to defence of Australia? Although the answers to these questions are not finite, this paper aims to survey some of the Yolngu history of World War II.


2014 ◽  
Vol 1 (1) ◽  
pp. 51-67
Author(s):  
Gary Evans

This manuscript investigates the facts of publication of the images of the Nanking Atrocity (December 1937–January 1938) in <em>LIFE </em>and <em>LOOK</em> magazines, two widely read United States publications, as well as the Nanking atrocity film clips that circulated to millions more in American and Canadian newsreels some years later. The publishers of these images were continuing the art of manipulation of public opinion through multimodal visual media, aiming them especially at the less educated mass public. The text attempts to describe these brutal images in their historical context. Viewing and understanding the underlying racial context and emotive impact of these images may be useful adjuncts to future students of World War II. If it is difficult to assert how much these severe images changed public opinion, one can appreciate how the emerging visual culture was transforming the way that modern societies communicate with and direct their citizens' thoughts.


Jazz in China ◽  
2018 ◽  
pp. 67-78
Author(s):  
Eugene Marlow

During World War II, the Japanese constructed prisoner of war camps in fifteen countries, including China. These camps numbered approximately 240. The Japanese—whose attack on Pearl Harbor in 1941 brought the United States into World War II— saw their global role as manifest destiny, particularly with respect to China. Militarist Japan's attempt to conquer China began by seizing Manchuria in 1931 and became a full-fledged invasion from 1937 [when they attacked Shanghai] to 1945. This chapters shows that American jazz musicians—all of whom were playing in Shanghai—were not immune to the Japanese invasion and occupation. Some landed in internment camps in China and the Philippines.


Urban History ◽  
2020 ◽  
pp. 1-17
Author(s):  
Simon Briercliffe

Abstract The recreation of urban historical space in museums is inevitably a complex, large-scale endeavour bridging the worlds of academic and public history. BCLM: Forging Ahead at the Black Country Living Museum is a £23m project recreating a typical Black Country town post-World War II. This article uses case-studies of three buildings – a Civic Restaurant, a record shop and a pub – to argue that urban-historical research methodology and community engagement can both create a vivid sense of the past, and challenge pervasive prejudices. It also argues that such a collaborative and public project reveals much about the urban and regional nature of industrial areas like the Black Country in this pivotal historical moment.


Author(s):  
Pavlo Leno

In 1944 – 1946, during the preventive Sovietization of Transcarpathian Ukraine, the local communist authorities initiated radical changes in its symbolic landscape in order to influence the collective memory of the population. The result of this policy was the appearance in the region in 1945 of monuments in honor of the Heroes of the Carpathians (soldiers of the Red Army), who died as a result of active hostilities in October 1944. Officially, the perpetuation of the memory of the fallen Red Army soldiers took place as a manifestation of the people's initiative of the local population in gratitude for the liberation from fascism, including from the “centuries-old Hungarian slavery”. However, archival materials and oral historical research prove that this process was an element of the traditional Soviet policy of memory, initiated by the command of the 4th Ukrainian Front. As a result, a number of memorial resolutions of the People's Council of Transcarpathian Ukraine were adopted in a short time. As a result, the graves of the Red Army were enlarged, fundraising was organized among the population, and the construction of monuments to the fallen liberators was started and successfully completed in all regional centers of the region. The peculiarity was that the installation of monuments in honor of the Heroes of the Carpathians took place long before the end of the Great Patriotic War / World War II, which was not observed in other territories of the Ukrainian SSR. One of the other paradoxes was that, so, the representatives of the Hungarian minority of the region demonstrated their appreciation for their "liberation from Hungarian domination".


2018 ◽  
pp. 131-142
Author(s):  
Adam Cathcart ◽  
Robert Winstanley-Chesters

This article analyses scholarship and memoir writing by German geographer Gustav Fochler-Hauke with respect to Korean settlement in Manchuria, and along the Tumen and Yalu/Amnok rivers in the 1930s and early 40s. The research note demonstrates that while Focher-Hauke’s work has its value—not least due to the access he received thanks to the Japanese military government—his concepts of geopolitics and the influence of his mentor and collaborator, Karl Haushofer, renders the work flawed; its value as a historical source for scholars today is therefore limited. The research note begins with Fochler-Hauke’s rising profile within German geopolitical studies and turns toward that field’s documentation of Koreans in Manchuria, the role of borders between Korea and Manchuria, the blind eye turned toward Korean resistance to Japan, and the rehabilitation of some of these scholars and works after World War II.


2015 ◽  
Vol 55 (2) ◽  
pp. 143-171
Author(s):  
Petra Svoljšak

WORLD WAR I AND SLOVENIANS: 1994–2014The paper examines the Slovenian historiographic production about the topic of World War I from 1994 to 2014 and represents a continuation of a commented bibliography, which encompassed the period from 1918 to 1993. The time between 1994 and 2014 was characterised by enormous production and a shift of the contents from the »Yugoslav« themes, which had tailored the statehood remembrance after World War I; the decline of the World War I themes as the focus shifted to the historiographic examination of World War II; and the very diversified research in the last period. The central theme of the historical writings is the Soča/Isonzo Front, but not merely as a military process: the focus shifted on the level of the soldiers’ experience, gender studies, the role of the Church, fatalities among soldiers, and remembrance of World War I. All of these issues have been subjected to historical research as well.


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