scholarly journals De la Flandre insolite au fantastique, une spécialité de la littérature belge francophone

2021 ◽  
Vol 16 (2) ◽  
pp. 158-167
Author(s):  
Renata Bizek-Tatara

This paper shows how the image of the uncanny Flanders, elaborated in the early nineteenth century by Madame de Staël as well as by French writers and voyagers contributed to the specificity of Belgian francophone literature and especially to the creation of the concept of the Belgian school of the bizarre. He examines the impact of the hetero-image on self-image and the role of literature in the formation and perpetuation of the stereotype of Belgium, land of strange. It reveals how Belgian writers used, petrified and propagated this image to build their difference and show their belgité in order to make it a specificity of Belgium.

1992 ◽  
Vol 25 (4) ◽  
pp. 397-430 ◽  
Author(s):  
Jonathan Topham

As is widely known, theBridgewater Treatises on the Power, Wisdom and Goodness of God as Manifested in the Creation(1833–36) were commissioned in accordance with a munificent bequest of the eighth Earl of Bridgewater, the Rev. Francis Henry Egerton (1756–1829), and written by seven leading men of science, together with one prominent theological commentator. Less widely appreciated is the extent to which theBridgewater Treatisesrank among the scientific best-sellers of the early nineteenth century. Their varied blend of natural theology and popular science attracted extraordinary contemporary interest and ‘celebrity’, resulting in unprecedented sales and widespread reviewing. Much read by the landed, mercantile and professional classes, the success of the series ‘encouraged other competitors into the field’, most notably Charles Babbage's unsolicitedNinth Bridgewater Treatise(1837). As late as 1882 the political economist William Stanley Jevons was intending to write an unofficialBridgewater Treatise, and even an author of the prominence of Lord Brougham could not escape having hisDiscourse of Natural Theology(1835) described by Edward Lytton Bulwer as ‘thetenthBridgewater Treatise’.


Author(s):  
Neil G. W. Curtis

This chapter aims to show that ideas of the sacred, the numinous, and the contested, rather than of the rational, are most important in understanding how the meanings of material culture are formed and the role of museums. It considers how museums have offered rich contexts in which the changing, conflicting, and multiple meanings of material culture have developed. Scottish national identity, contested and unsettled, is shown in the contribution of museums and objects to discussions about a link between the Classical past and Scottish history in the early nineteenth century, the creation of a national museum in the second half of the nineteenth century, a temporary exhibition of Scottish history as part of a Great Exhibition in 1911, and two repatriation cases at the beginning of the twenty-first century. Recent developments in museum practice are discussed, including the impact of both growing professionalism and the recognition of the rights of groups in museums. The chapter concludes by arguing that objects generate and embody meanings that are shared, entangled, and co-constitutive. Instead of attempting to identify the “correct” meaning, it is therefore the responsibility of museums to explore the range of personal and shared rights that objects engender.


2015 ◽  
Vol 35 (2) ◽  
pp. 155-188 ◽  
Author(s):  
Eric R. Cregeen

This article was first drafted by its author, Eric R. Cregeen, in 1973; by his untimely death in 1983 it remained still untouched, and it is presented here in a re-cast form. Cregeen's object in writing this article was to ‘trace the beginnings of the crofting townships in the island of Tiree and to examine the forces which led to their creation’. Although elements of the crofting experience have been extensively written on, its origins have seen less investigation, particularly the regional and chronological variations of experience. This work is vital, therefore, in contributing to a fuller understanding of what was happening on one of the great Scottish estates in the age of improvement, and why. This article tracks the development of estate policy on Tiree, the role of the island's owners, the dukes of Argyll, and the nature of the entanglement of ideal and reality in the early nineteenth century.


2020 ◽  
Author(s):  
Christopher Welker ◽  
David France ◽  
Alice Henty ◽  
Thalia Wheatley

Advances in artificial intelligence (AI) enable the creation of videos in which a person appears to say or do things they did not. The impact of these so-called “deepfakes” hinges on their perceived realness. Here we tested different versions of deepfake faces for Welcome to Chechnya, a documentary that used face swaps to protect the privacy of Chechen torture survivors who were persecuted because of their sexual orientation. AI face swaps that replace an entire face with another were perceived as more human-like and less unsettling compared to partial face swaps that left the survivors’ original eyes unaltered. The full-face swap was deemed the least unsettling even in comparison to the original (unaltered) face. When rendered in full, AI face swaps can appear human and avoid aversive responses in the viewer associated with the uncanny valley.


Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


2013 ◽  
Vol 10 (11) ◽  
pp. 7411-7422 ◽  
Author(s):  
P. G. Brewer

Abstract. This review covers the development of ocean acidification science, with an emphasis on the creation of ocean chemical knowledge, through the course of the 20th century. This begins with the creation of the pH scale by Sørensen in 1909 and ends with the widespread knowledge of the impact of the "High CO2 Ocean" by then well underway as the trajectory along the IPCC scenario pathways continues. By mid-century the massive role of the ocean in absorbing fossil fuel CO2 was known to specialists, but not appreciated by the greater scientific community. By the end of the century the trade-offs between the beneficial role of the ocean in absorbing some 90% of all heat created, and the accumulation of some 50% of all fossil fuel CO2 emitted, and the impacts on marine life were becoming more clear. This paper documents the evolution of knowledge throughout this period.


2011 ◽  
Vol 21 (2) ◽  
pp. 177-198
Author(s):  
SANA HAROON

AbstractThis paper is a reconsideration of the career of the north-Indian Sayyid Ahmed Shaheed (1786–1831). I argue that Sayyid Ahmed used a Sufi devotional premise to understand and explain principles of orthodoxy. He also applied a concept of innate spiritual knowledge to reformed practice, suggesting that ordinary people, without scholarly training, could determine and apply the principles of orthodox practice of Islam for themselves and for others. His movement modified traditional seminary-centred teaching and leadership through the creation of a popular and easily transferrable system of practice rooted in the community and imprinted with the obligation to spread reformist teachings.


2021 ◽  
Vol 16 (1) ◽  
pp. 1-12
Author(s):  
Ernad Kahrović ◽  
Emina Kahrović

The goal of the paper is to point to the role and importance of organization design as a tool for strategy implementation, together with a dominant, role of technology in shaping the design. Namely, the development, of modern information and communication technology (ICT) is accompanied by the creation of new organizational forms, which enable the management, and employees to carry out, a significant, portion of work from home. The central focus of this paper is the impact, of technology on the creation of new forms of design, with a virtual organization taking up a particularly prominent, position. We underline the fact, that, among many changes that, the coronavirus pandemic has produced in everyday life, working from home can be considered as the most, drastic one; hence, its harmful effects are underscored, such as those relating to negative psychological effects, anxiety disorders, health issues, job loss, decreased efficiency and reduced satisfaction of the employees.


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