11. Anatomy Collections in and of the Mind: Science, the Body, and Language in the Writings of Durs Grünbein and Thomas Hettche

2016 ◽  
pp. 275-297
Keyword(s):  
The Body ◽  
The Mind ◽  
2020 ◽  
Vol 28 (1) ◽  
pp. 53-72
Author(s):  
Roi Bar

Phenomenology is not dead yet, at least not from the viewpoint of the “phenomenology-friendly”approach to the mind that has recently emerged in cognitive science: the “enactive approach” or “enactivism.” This approach takes the mental capacities, such as perception, consciousness and cognition, to be the result of the interaction between the brain, the body and the environment. In this, it offers an alternative to reductionist explanations of the mental in terms of brain activities, like cognitivism, especially computationalism, while overcoming the Cartesian dualism mind-world. What makes this approach so fruitful for a renewed philosophical consideration is its ongoing reference to Husserl’s and Merleau-Ponty’s phenomenologies. It was said to be “consistent with Husserl and Merleau-Ponty on virtually every point,” to be the “revival” of phenomenology, even a “Kuhnian revolution.” Evan Thompson argues that this approach “uses phenomenology to explicate mind science and mind science to explicate phenomenology. Concepts such as lived body, organism, bodily selfhood and autonomous agency, the intentional arc and dynamic sensorimotor dependencies, can thus become mutually illuminating rather than merely correlational concepts.” The phenomenological works seem to strike a chord with the enactive theorists. Are we witnessing the dawn of “The new Science of the Mind”? 


2018 ◽  
Vol 32 (1) ◽  
pp. 30-42 ◽  
Author(s):  
Claudia Traunmüller ◽  
Kerstin Gaisbachgrabner ◽  
Helmut Karl Lackner ◽  
Andreas R. Schwerdtfeger

Abstract. In the present paper we investigate whether patients with a clinical diagnosis of burnout show physiological signs of burden across multiple physiological systems referred to as allostatic load (AL). Measures of the sympathetic-adrenergic-medullary (SAM) axis and the hypothalamic-pituitary-adrenal (HPA) axis were assessed. We examined patients who had been diagnosed with burnout by their physicians (n = 32) and were also identified as burnout patients based on their score in the Maslach Burnout Inventory-General Survey (MBI-GS) and compared them with a nonclinical control group (n = 19) with regard to indicators of allostatic load (i.e., ambulatory ECG, nocturnal urinary catecholamines, salivary morning cortisol secretion, blood pressure, and waist-to-hip ratio [WHR]). Contrary to expectations, a higher AL index suggesting elevated load in several of the parameters of the HPA and SAM axes was found in the control group but not in the burnout group. The control group showed higher norepinephrine values, higher blood pressure, higher WHR, higher sympathovagal balance, and lower percentage of cortisol increase within the first hour after awakening as compared to the patient group. Burnout was not associated with AL. Results seem to indicate a discrepancy between self-reported burnout symptoms and psychobiological load.


2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


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