A Canadian Girl in South Africa: A Teacher's Experiences in the South African War, 1899–1902 by E. Maud GrahamA Canadian Girl in South Africa: A Teacher's Experiences in the South African War, 1899–1902. E. Maud Graham. Michael Dawson, Catherine Gidney, and Susanne M. Klausen, eds. Edmonton: University of Alberta Press, 2015. Pp. 264, $34.95 paper

2016 ◽  
Vol 97 (4) ◽  
pp. 596-597
Author(s):  
Carman Miller
2017 ◽  
Vol 25 (1) ◽  
pp. 4-25 ◽  
Author(s):  
Peter Donaldson

This article explores the relationship between sport and war in Britain during the South African War, 1899–1902. Through extensive press coverage, as well as a spate of memoirs and novels, the British public was fed a regular diet of war stories and reportage in which athletic endeavour and organized games featured prominently. This contemporary literary material sheds light on the role sport was perceived to have played in the lives and work of the military personnel deployed in South Africa. It also, however, reveals a growing unease over an amateur-military tradition which equated sporting achievement with military prowess.


2006 ◽  
Vol 11 (1) ◽  
pp. 14-50 ◽  
Author(s):  
Liz Stanley ◽  
Sue Wise

Feminist fractured foundationalism has been developed over a series of collaborative writings as a combined epistemology and methodology, although it has mainly been discussed in epistemological terms. It was operationalised as a methodology in a joint research project in South Africa concerned with investigating two important ways that the experiences of children in the South African War 1899-1902, in particular in the concentration camps established during its commando and ‘scorched earth’ phase, were represented contemporaneously: in the official records, and in photography. The details of the research and writing process involved are provided around discussion of the nine strategies that compose feminist fractured foundationalism and its strengths and limitations in methodological terms are reviewed.


Author(s):  
John Boje

This book concludes with a discussion of three critical variables that determine the success of any military occupation and whether they were all met in the case of Winsburg after the end of the South African War: the total devastation of a country that compels it to acknowledge its need for help in reconstruction; the perception of a common threat to both parties; and credible guarantees of the occupying power’s intention to withdraw. If an occupying power adds an ideological element to its primary concern of establishing a dispensation that poses no threat to its interests, occupation is prolonged and nationalism is stimulated. This conclusion also shows that blacks continued to suffer after the war, with the Boers and British both blocking any suggestion of advance. Finally, it considers the evolution of a system of racial oppression in South Africa that was to bedevil the country for much of the twentieth century, lending credence to the notion that Britain’s occupation of Winsburg was an imperfect one.


Author(s):  
Riaan Oppelt

This chapter offers an historical reading of injustices in South Africa. Drawing on South African fiction as well as the medium of film, it documents the injustice of the sociohistorical constellation after the South African War on to the one during apartheid. The chapter analyses C. Louis Leipoldt's novel The Mask, a depiction of perceived injustice on the part of early twentieth-century Afrikaners in South Africa, along with the book A Human Being Died That Night by Pumla Gobodo-Madikizela and the film Invictus for their contributions to the concept of African humanism. The chapter also discusses the legacy of Nelson Mandela's humanism, with its emphasis on the communal effort against mass injustice.


2020 ◽  
pp. 305-324
Author(s):  
Sarah LeFanu

This chapter explores the period of creativity Kipling entered into on his return from South Africa in 1900, and in particular the farewell stories he wrote to – and about – his daughter Josephine, who had died in 1899. The reader is shown how, at the same time, Kipling was becoming increasingly embittered with the South African War, and how angry he was made by the Treaty of Vereeniging in 1902. The chapter analyses the stories that came out of the war, and argues that with a few exceptions Kipling failed to find inspiration in South Africa and was turning instead to England, its landscape and pre-history. The chapter ends with an examination of Kipling’s famous poem ‘If–’.


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