A History of the Resilience of Black Girls

2019 ◽  
Vol 12 (2) ◽  
pp. 133-136
Author(s):  
Courtney Cook

Nazera Sadiq Wright. 2016. Black Girlhood in the Nineteenth Century. Urbana, University of Illinois Press.Black girls have a history of resilience. Nazera Sadiq Wright, in Black Girlhood in the Nineteenth Century (2016), analyzes accounts of the experiences of black girls from what she refers to as “youthful” girlhood to the conscious or “prematurely knowing” (44) age of 18. Setting out to recover overlooked accounts of black girlhood during the nineteenth century, a tumultuous epoch of transition for the black community, Wright uses contemporaneous literary and visual texts such as black newspapers, novels, poetry, and journals to reconstruct this lost narrative. By engaging in a close reading of these texts, in which black people, emerging from slavery, communicated with each other about personal and community goals, Wright examines the ways in which the instruction of black girls operated in between the lines of literature to convey codes of conduct to the black community. She argues that with the emergence of literature written by and for black women, the role of the black girl morphed from docile homemaker to resilient heroine for herself and her people. In discussing this more complex role, Wright does not deny that black girls were vulnerable to multiple forms of violence and hurt, but does point to a more nuanced experience. Black Girlhood in the Nineteenth Century is an intervention into the African American literary canon, filling in many of the gaps in the lost history of black girlhood, making it an essential text for those “who care” (22) about black girls as they engage in the process of rewriting and redeeming the narratives of an often-forgotten population.

2019 ◽  
Vol 8 (1) ◽  
pp. 15-31
Author(s):  
Gloria Swain

Throughout this paper, I use a political and activist lens to think about disability arts and its potential role in opening up a necessary conversation around how madness is produced by experiences of racism, poverty, sexism, and inter-generational trauma within the Black community. I begin by explaining how the Black body has a history of being the site of medical experimentation. From the perspective of my own experience, I suggest that this history of medical abuse has caused Black people to be suspicious and wary of the healthcare system, including the mental healthcare system, which forecloses discussions around the intersection of Blackness and mental health. I go on to argue that this discussion is further silenced through the trope of the ‘strong Black woman,’ which, in my experience works to perpetuate the idea that Black women must bear the effects of systemic racism by being ‘strong,’ rather than society addressing this racism, and she must not admit the toll that this ‘resilience’ might have on her mental health. I close with a discussion of how my art practice seeks to open up a conversation about madness in the Black community by suggesting that madness is political.


2021 ◽  
Vol 31 (1-2) ◽  
pp. 142-157
Author(s):  
Terri N. Watson ◽  
Gwendolyn S. Baxley

Anti-Blackness is global and present in every facet of society, including education. In this article, we examine the challenges Black girls encounter in schools throughout the United States. Guided by select research centered on Black women in their roles as mothers, activists and school leaders, we assert that sociologist Patricia Hill Collins’ concept of Motherwork should be an essential component in reframing the praxis of school leadership and in helping school leaders to rethink policies, practices, and ideologies that are anti-Black and antithetical to Blackness and Black girlhood. While most research aimed to improve the schooling experiences of Black children focuses on teacher and school leader (mis)perceptions and systemic racial biases, few studies build on the care and efficacy personified by Black women school leaders. We argue that the educational advocacy of Black women on behalf of Black children is vital to culturally responsive school leadership that combats anti-Blackness and honors Black girlhood. We conclude with implications for school leaders and those concerned with the educational experiences of Black children, namely Black girls.


Author(s):  
Moritz Ege ◽  
Andrew Wright Hurley

In this first essay, we delve into significant moments in the history (and pre-history) of twentieth century Afro-Americanophilia in Germany. We establish a periodisation stretching from the nineteenth century until the mid-1960s (from which point our second essay will continue), and take in the pre-colonial, the colonial, the Weimar, the Nazi; and the post-war eras.  We draw out some of the particularly significant moments, ruptures, and continuities within that time frame. We also identify some of the salient ways scholars have interpreted ‘Afro-Americanophilia’ during the period.  Focusing on a variety of practices of appropriation, communicative media, actors and forms of agency, power differentials, and sociocultural contexts, we discuss positive images of and affirmative approaches to black people in German culture and in its imaginaries. We attend to who was active in Afro-Americanophilia, in what ways, and what the effects of that agency were. Our main focus is on white German Afro-Americanophiles, but—without attempting to write a history of African Americans, black people in Germany, or Black Germans— we also inquire into the ways that the latter reacted to, suffered under the expectations levied upon them, or were able to engage with the demand for ‘black cultural traffic.’  


2020 ◽  
Vol 4 (3) ◽  
pp. 311-328 ◽  
Author(s):  
Jasmine Hines

In an age of social justice advocacy within education, the work of Black women continues to be excluded from the hegemonic educational canon despite the long history of Black feminists advocating for the eradication of systemic oppressive systems in education. By examining the livelihoods and music created by Black feminist musicians, music educators may begin to reflect on how Black women’s positionality within society has had a direct influence on the music they created within a White culturally dominant society. The purpose of this article is to conceptualize how the intersectional musicality of Nina Simone and Janelle Monáe – informed by the conceptual framework of Black Feminist Thought – can speak to the experiences that Black girls and women face within music education and society.


Author(s):  
Ruth Nicole Brown

This chapter shows how Black girlhood must be made—in SOLHOT the space of Black girlhood is made through time, a timing that is infused with the sacred and spirit. In SOLHOT, to “homegirl” means engaging Black girls in the name of Black girlhood as sacred work that implicates time. Sacred work acknowledges the ways spirit moves one to act, often beyond the material conditions of one's immediate circumstance. The chapter considers how homegirls remember SOLHOT as a sacred experience that makes Black girlhood possible. It then features a creative and collective memory constructed from the interview transcripts of eight SOLHOT homegirls and M. Jacqui Alexander's (2005) Pedagogies of Crossing: Mediations on Feminism, Sexual Politics, Memory, and the Sacred. The memory shows how homegirls' labor constructs SOLHOT as a methodology and cosmology that makes Black girlhood possible, affirms Black girls' lives, and enables personal and collective transformation.


Author(s):  
Ruth Nicole Brown

This chapter features a scene from a play entitled Endangered Black Girls (EBG), based on the lived experiences of Black girls the author has worked with in an after-school program (not SOLHOT) and has learned about through news stories. Theorizing the process of writing and performing EBG on through to subsequent productions made possible only because of the show's original cast, this chapter illustrates how creative means of expression make it possible to fully capture the complexities of Black girlhood and that attending to the complexities of Black girlhood is necessary to affirm Black girls' daily lives. Importantly, performances of EBG generated new ideas for ways Black women and girls could be present with each other, and the play was a primary catalyst for suggesting and co-organizing Saving Our Lives Hear Our Truths (SOLHOT) as transformative collective and creative work.


2020 ◽  
pp. 004208591989373
Author(s):  
Sherell A. McArthur ◽  
Gholnecsar E. Muhammad

Media culture is exploitative and damaging. It reinforces both racist and sexist stereotypes, which places Black young women’s unique racialized gender in a position to be overidentified in derogatory ways. The bodies of Black young women, as an example, are labeled with social stigmas that make them identifiable to society at large as deficient. Furthermore, their lives have been devalued and dehumanized in the public eye as their stories are often left untold, falsely reported, or overlooked in the wider media landscape. Using qualitative interview methods, we examine the current state of Black girlhood and womanhood and the racism that pervades their lives in the United States. With this backdrop, we also investigate the ways in which Black young women have responded with their writings when we, as Black women researchers, created spaces for them to use language to fight back and resist assaults against their humanity. Specifically, we illustrate the historical literacy practice of (re)claiming print authority through writing and how Black young women used their pens as a means to claim authority of language in ways to assert their voices, ideals, and truths. We conclude with a discussion of how educators can advance print authority within learning spaces for identity meaning making and empowerment so that Black girls and young women have an expressed voice in our current social and political context.


2020 ◽  
Vol 52 (4) ◽  
pp. 456-481
Author(s):  
Lauren Leigh Kelly

Research on Black girls’ and women’s literacies reveals how they utilize literacy practices to resist oppression and define their identities. Yet, these practices are frequently absent from or marginalized in formalized schooling spaces. In addition, Black girlhood is rarely placed at the center of equity interventions in schools. As the history of activism in the United States is tied to Black women’s struggles for freedom, research and practice involving racial equity must be attentive to the literacies and activism of Black girls. Grounded in Black feminist theory, this article describes a longitudinal study of the critical consciousness development of two young Black women as they engaged in distinct literacy practices to navigate and resist racial oppression in high school. The author analyzes interviews as well as literacy artifacts to explore how these girls enacted critical, digital, and subversive literacies to challenge intersecting oppressions of race and gender in a predominantly White, suburban school.


Author(s):  
Laura Fish

In A Room of One’s Own (1929) Virginia Woolf asserts: “Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size”. (34) The use of the mirror is key to Woolf’s arguments about the position of women in general and in particular that of women writers. Complicating Woolf’s view less than a century later, I examine how black women function as looking-glasses in a dual way: as blacks, we shared the past (and now share the current) fate of black people reflecting the “darker” side of white people, as many whites projected onto blacks the unacknowledgeable traits of their own nature. The mirror is also key then to the way in which racial oppression has been analysed in literature. My paper offers an account, by way of selected examples from the history of our literature, of indicating how the mirror has been essential to how black British women are viewed and reflected back. I suggest that the misshapen image in the looking glass created by white people and also black men, allows them to see an inflated reflection of themselves, to assume false feelings of superiority, and to perpetuate oppression against us. I focus on Mary Prince, Mary Seacole, Una Marson, Joan Riley and Helen Oeyemi–authors whose work either anticipates or relates to Woolf’s notion of mirroring, by seeking ways to addressor overcome the situation in which we are placed. The texts explored not only trace the development of the tradition of our writing - the shift from being represented to representing ourselves– but also present a range of cultural and political views and identify three recurring themes: firstly, the denigration in our portrayal; secondly, the assumed superiority white people and black men adopt over us; and thirdly our resistance in remonstrating against such treatment and exposure.


2018 ◽  
Vol 11 (02) ◽  
pp. 70
Author(s):  
Andina Ichsani ◽  
Zainal Rafli ◽  
Nuruddin Nuruddin

Abstract: Biography consists of life’s story in a unique record form, a narrative impulse, establishes the importance of stories, and provides an open illustrative example of the analysis of an adult learner's story. This paper provides a step-by-step account of how a researcher conducted a narrative research study analysis and developed an organizational structure useful for other qualitative researchers. Prof.Toni Morrison as purposeful sampling is widely recognized as a first lady of literature in American’s prominent novelist, who magnificently explores the minority life of the black people identity to the surface in The United States of America, especially that of black women story. Her Nobel Prize Lecture, in which she consistence tells a story of a black woman, history of slavery, racism, post colonialism, and education rights for all. Her life story and contributions in education through literature space can be regarded as a shaper of Prof. Morrison’s today and the look of education equality. In her 85th she is still teaching, being mother, and continue writing as her passions. Several interviews dialogue between the journalists through her novels and the young people is full of inspirational stories, wisdom and profoundness. Her life story is indeed worth to learn as a study material especially in English Language and Literature proficiency.   


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