Jerusalem’s Alternative Collective Memory Agents

2020 ◽  
Vol 35 (1) ◽  
pp. 1-16
Author(s):  
Menachem Klein

Jerusalem played an important role in the establishment of collective memory studies by Maurice Halbwachs in the early twentieth century. Recent studies in this field draw attention to the contribution of a variety of agents to building, maintaining, and challenging collective memory realms. Following suit, this article deals with the methods that agents of an alternative collective memory for Jerusalem use to challenge the Israeli hegemonic narrative. Before reviewing their activities in East and West Jerusalem and their resources and impact, I summarize the hegemonic narrative as presented in four memory realms. Special attention is given to both sides’ use of the Internet as a means of overcoming the physical limitations of memory realms.

2020 ◽  
pp. 249-272
Author(s):  
Ines Weinrich

Nashīd in its English spelling nasheed and mediatised on the internet is a relatively new phenomenon. Nashīd as a musical practice, by contrast, is old. This chapter analyses nashīd as both a technical term and as a vocal genre. Today, the term nashīd may denote quite different sonic manifestations, ranging from traditional praise songs to the prophet Muḥammad and prayers to religious pop songs and military marches. The chapter focuses on the developments since the early twentieth century and examines the musical roots and styles of the different types of nashīd that are known today. It offers a brief glimpse into traditional practices of nashīd (i.e. inshād) and suggests a categorisation for the different manifestations of modern nashīd, based on musical characteristics and functions. These are (1) political hymns, (2) traditional inshād, (3) popularised nasheed and, finally, (4) the Jihadi anāshīd (sg. nashīd), which musically draw from all three preceding categories.


Author(s):  
Maria C. Fellie

Alfred Noyes’s “The Highwayman” (1906) and Federico García Lorca’s “Romance sonámbulo” (1928), two early twentieth-century ballad poems, serve as literary vessels for the collective memory of historical periods and share aesthetic and narrative similarities. Common images and colors (red, green) also illustrate both texts. The shared imagery calls attention to the ballads’ roles in preserving and transmitting collective memories. This study references the way that ballads stabilize in cultural memory, in line with David Rubin’s assessments of memory and literature in Memory in Oral Traditions (1995), as well as the studies of other scholars (e.g., Benjamin, Boyd, Connerton).


2018 ◽  
Vol 44 (3) ◽  
pp. 116-137
Author(s):  
Kyri W. Claflin

In the early twentieth century, French academic veterinarians launched a meat trade reform movement. Their primary objective was the construction of a network of regional industrial abattoirs equipped with refrigeration. These modern, efficient abattoirs-usines would produce and distribute chilled dead meat, rather than livestock, to centers of consumption, particularly Paris. This system was hygienic and economical and intended to replace the insanitary artisanal meat trade centered on the La Villette cattle market and abattoir in Paris. The first abattoirs-usines opened during World War I, but within 10 years the experiment had begun to encounter serious difficulties. For decades afterward, the experiment survived in the collective memory as a complete fiasco, even though some abattoirs-usines in fact persisted by altering their business models. This article examines the roadblocks of the interwar era and the effects of both the problems and their perception on the post-1945 meat trade.


2008 ◽  
Vol 10 ◽  
Author(s):  
John Barwick

The Christian colleges founded in China by Protestant missionaries in the early twentieth century constituted a major nexus of cultural exchange between East and West, but also raised complex issues of identity and power both for the missionaries and their students. The tragic killing of eleven student protesters in Shanghai by British troops in May of 1925, an event that came to be known as the May Thirtieth Incident, brought many of these tensions to the surface. Tin's paper examines the impact of this event on three of the Christian colleges—Yenching University in Beijing, St. John's University in Shanghai, and Lingnan University in Canton. The reaction of each school was different, reflecting not only the influence of geography and political factors, but the vision of mission education embraced by their respective leaders. In the end. however, none of the institutions were left untouched by the incident, which triggered a shift in lines of identity and power that favoured Chinese interests. The resulting changes at the colleges can be seen as a harbinger of a coming era in which Western imperial domination would meet a similar fate.


Author(s):  
THEARA THUN

Abstract The Kan narrative presents a series of events that are believed, by many Cambodians today including top leaders, to be the historical contestation for kingship between a commoner named Kan and members of the royal family during the early sixteenth century. Discussing the contents, the formats, the epistemology, and key figures bound up in the Kan narrative, this article provides insights on its contextual origins and reception as well as the texts that recount it. Rather than a proven historical episode, the narrative was effectively re-constructed by two groups of chronicle writers during the early 1900s in order to promote ideas about ‘treason’ and ‘loyalty’ to the throne. Uncovering the contextual origins and reception of the narrative not only allows us to understand the process whereby a long-held body of local scholarship lying outside the scholarly practice of ‘history’ in the present-day sense was used to shape collective knowledge, but also to see its profound impact on colonial and post-independence collective memory and culture.


2020 ◽  

A Cultural History of Memory in the Twentieth Century cannot be written without taking into account the massive impact of the nation state on collective memory formation. This volume explores the power of the nation as a framework for the operation of collective memory but, in line with recent memory theory, the contributions also warn against the pitfalls of ‘methodological nationalism’ which risks subsuming society under the rubric of the nation-state. Likewise, it would be hard to imagine a cultural history of twentieth century memory which did not accord the Holocaust a central place in that history. As such, several chapters in this volume address this genocide. One key concern which emerges in this book is the question of periodization: how should we conceive of patterns in memory over the course of the twentieth century? Many developments in memory across the globe are connected by the fact that political, social and cultural forces in the twentieth century have been and remain global in reach. As such, this volume underlines the importance of progressing the agenda of ‘transnational memory’ studies. In doing so, A Cultural History of Memory in the Twentieth Century emphasizes the need to move beyond a focus on memory of war and genocide and seeks to offer a rich and diverse study of memory in the modern world.


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