scholarly journals Overview of Exhibition Work of the First Jinan International Biennale

2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Wei Mu
Keyword(s):  
Art Museum ◽  
Shandong Province ◽  
Art Exhibitions ◽  
Technical Parameters ◽  
Complex Varieties ◽  
Equipment Type ◽  
The Rich

"Harmony Power: The First Jinan International Biennale" was officially presented on December 12, 2020. The rich and complex varieties of exhibition works are unique in art exhibitions in recent years in Shandong province. This paper summarizes the characteristics of biennale exhibition with summary of the experience of biennale exhibition, hoping to bring some enlightenment for the industry colleagues through the combination of the size of the work, weight, equipment type, quantity, the number of participants, the length of lines in the exhibition, the number of types of construction and other technical parameters based on the biennial exhibition in Shandong Art Museum.

scholarly journals Book graphics in the creation of the plastic artist Liudmyla Kozhokar

2021 ◽  
Author(s):  
Victoria Rocaciuc ◽  
Keyword(s):  
Fine Arts ◽  
Art Museum ◽  
Art Exhibitions ◽  
Full Member ◽  
Republic Of Moldova ◽  
Illustrated Books ◽  
The Arts ◽  
Publishing Houses ◽  
The Republic ◽  
Children's Stories

The fine arts artist Liudmyla Kozhokar had professional studies in Ukraine: the Arts Studio in Kherson (1975–1978) and the Ukrainian Polygraphic Institute „I. Fyodorov” in Lvov (1978–1983). Since 1984, Liudmyla Kozhokar participates in fine art exhibitions in Chisinau and abroad. Since then, the artist has collaborated with various Moldovan publishing houses, combining publishing with teaching in the field of fine arts. Since 1999 Liudmyla Kozhokar is a full member of the UAP of the Republic of Moldova, and since 2001 – a member of the A.I.A.P. UNESCO, Paris, France. Liudmyla Kozhokar’s works are in the collections of the National Art Museum of Moldova and in private ones in Romania, the Republic of Moldova, France, USA, Iraq, Italy, Germany, Japan, England, etc. The graphic designer illustrated books of different kinds: ABC books, textbooks, children’s stories, encyclopedic literature, etc. Liudmyla Kozhokar perceives each graphic book separately, finding new plastic formulas and stylistic methods, delving into the text and studying it to the last sentence.

Performance Enquiries Regarding Traditional and Contemporary Indonesian Architecture: A Holistic Approach

2019 ◽  
Vol 887 ◽  
pp. 273-281
Author(s):  
Ulrich Pont ◽  
Ulrike Herbig ◽  
Ardeshir Mahdavi
Keyword(s):  
Interdisciplinary Research ◽  
Residential Buildings ◽  
Research Effort ◽  
Rapid Change ◽  
Holistic Approach ◽  
Art Museum ◽  
Humid Climate ◽  
Rich Diversity ◽  
The Pacific ◽  
The Rich

This contribution sheds light on recent research efforts that pertain to the built environment in Indonesia. Within the rich diversity of cultures in the Nusantara archipelago interesting examples can be found that illustrate the adaptation to the challenging environmental conditions. Through this research the possibilities for sophisticated solutions for future are investigated, focusing on the building performance. Architecture and planning tasks in Indonesia have to consider the following preconditions: (i) The prevailing hot and humid climate, which will be strongly influenced by the climate change in the future; (ii) the country’s geography, which consists of a number of wide-spread islands; (iii) the rich and diverse historical development, including a very diverse architectural heritage; (iv) the location within the “Pacific Ring of Fire”, causing recurring natural disasters (e.g. volcano eruptions, earthquakes); (v) a currently ongoing rapid change in socioeconomic key data (economic growth rate, population growth, digitalization); (vi) a strong tendency to urbanization. Whereas these facts are known, as well as the need for energy efficient buildings, the level of knowledge about the performance of buildings in different regions of Indonesia is rather limited. Specifically, regional building traditions are often treated only in historical discourse. Thus, an interdisciplinary research effort that aims to examine Indonesian architecture in a comprehensive and holistic way has been undertaken in the past years, based on works dating back to 2005. In this paper we present parts of these efforts, namely (i) the assessment of a contemporary art museum in the city of Yogyakarta using monitored indoor conditions, and conception of potential future improvement; (ii) Further data collection efforts currently performed on a number of traditional residential buildings, (iii) a review of current, exemplary re-development efforts including the utilization and adaptation of traditional architectural concepts in Indonesia, and (iv) the details of the recently started incentive on interdisciplinary research on Indonesian architecture.

scholarly journals Accessible Visual Artworks for Blind and Visually Impaired People: Comparing a Multimodal Approach with Tactile Graphics

Electronics ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 297 ◽  
Author(s):  
Luis Cavazos Quero ◽  
Jorge Iranzo Bartolomé ◽  
Jundong Cho
Keyword(s):  
Visually Impaired ◽  
Art Museum ◽  
Multimodal Approach ◽  
Art Exhibitions ◽  
Touch Gestures ◽  
Blind And Visually Impaired ◽  
Visually Impaired People ◽  
Impaired People ◽  
Design Requirements ◽  
Tactile Graphics

Despite the use of tactile graphics and audio guides, blind and visually impaired people still face challenges to experience and understand visual artworks independently at art exhibitions. Art museums and other art places are increasingly exploring the use of interactive guides to make their collections more accessible. In this work, we describe our approach to an interactive multimodal guide prototype that uses audio and tactile modalities to improve the autonomous access to information and experience of visual artworks. The prototype is composed of a touch-sensitive 2.5D artwork relief model that can be freely explored by touch. Users can access localized verbal descriptions and audio by performing touch gestures on the surface while listening to themed background music along. We present the design requirements derived from a formative study realized with the help of eight blind and visually impaired participants, art museum and gallery staff, and artists. We extended the formative study by organizing two accessible art exhibitions. There, eighteen participants evaluated and compared multimodal and tactile graphic accessible exhibits. Results from a usability survey indicate that our multimodal approach is simple, easy to use, and improves confidence and independence when exploring visual artworks.

scholarly journals A REVIEW ON THE MOVIE “THE SQUARE” IN THE CONTEXT OF CONTEMPORARY ART DISCUSSIONS

2018 ◽  
Vol 7 (46) ◽  
Keyword(s):  
Contemporary Art ◽  
Art Museum ◽  
Multiple Channels ◽  
Art World ◽  
Film Festival ◽  
Art Exhibitions ◽  
Art Cinema ◽  
Dark Room ◽  
Contemporary Art Museum

Contemporary art and cinema have been crossing paths in contemporary art exhibitions. Videography & cinematography works started to be more frequent in galleries, biennales and in museums where we can see contemporary art. They can be seen either singular or on multiple screens, either fixed to a wall or mounted, either with singular channel or multiple channels projected to either walls or curtains or in a dark room like in movie theatres. Ruben Östlund’s movie The Square, is awarded “Golden Palm” in 70th Cannes Film Festival. With his movie, he is showing us the insights of contemporary art museum and its curator. By doing so, he is inviting his viewers to the contemporary art world and moves the contemporary art environment and actors & actresses to cinema world. The aim of this study is to analyse the contemporary art environment in the movie and how it has been reflected to its audience. Overall, discussions and definitions about contemporary art have been searched through a literature and with all the information found, connections have been made with contemporary art world in the movie. All comments on contemporary art and diatribes about art have intersections and disintegrations with the ones in the movie. Keywords: contemporary art; cinema; The Square; museum; curator

Remixing

2017 ◽  
Author(s):  
Karen Mary Davalos
Keyword(s):  
Los Angeles ◽  
Art Museum ◽  
Art Exhibitions ◽  
New Information ◽  
To Receive

This chapter remixes the exhibition record in Los Angeles and documents new information about Chicana/o art exhibitions in mainstream museums. Looking at an exhibition long forgotten, most likely because it could not satisfy the current expectations about Chicana/o art and artists, the chapter proposes another index for Chicana/o art. This new index brings to light new understandings of Los Four, a celebrated arts collective and the first group to receive a major exhibition in a mainstream art museum.

On the Issue of Non-Fatal Loss of Artistic Values on the Example of Nikolai Milioti’s Works

2021 ◽  
Vol 18 (2) ◽  
pp. 164-173
Author(s):  
Snezhana I. Fokina
Keyword(s):  
Art Museum ◽  
Early 20Th Century ◽  
Art Exhibitions ◽  
Russian Art ◽  
Relevant Today ◽  
History Of ◽  
Soviet Russia ◽  
The Baltic ◽  
Artistic Values ◽  
The City

The article introduces one of the episodes in the life of Nikolai Dmitryevich Milioti (1874—1962), an artist and active participant in art exhibitions of the early 20th century. N.D. Milioti left Soviet Russia in 1921 and remained an emigrant until the end of his life. This circumstance largely explains the fact that his life and work are still poorly studied, including the episode described in this article. The study of Nikolai Milioti’s diary entries and correspondence, stored in different archives, allows us to reconstruct some stages of the artist’s life. Specifically, this publication highlights his participation in the Baltic Exhibition of 1914, after which some of his works “stuck” in the Art Museum of the city of Malmö. Usually, researchers who write on this topic are interested in the fate of that exhibition’s works by Valentin Serov, Alexander Golovin, Vasily Kandinsky, Pavel Kuznetsov, Konstantin Korovin, Kuzma Petrov-Vodkin, Nicholas Roerich, and others. Nevertheless, the name Milioti was then among the artists who would eventually be recognized as the luminaries of Russian art, for his role in the artistic life of that time was considerable as well. The article describes the problem of loss of the artistic values that have not been destroyed or stolen, are not completely disappeared, but are lost, most likely, irretrievably. This problem is still relevant today. As an example, there is offed the history of paintings by Nikolai Milioti, which, along with other Russian artists’ works, were sent to the international Baltic Exhibition in Malmö (Sweden) in 1914, but never returned to Russia. Over the years, attempts have been made to return the works to Russia, but even today, the circumstances indicate that the probability of their return is almost zero.

Poor and Hidden Among the Rich and Not So Rich

PsycCRITIQUES ◽  
2006 ◽  
Vol 51 (49) ◽  
Author(s):  
Patricia M. Berliner
Keyword(s):  
The Rich
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