scholarly journals The Personal Albums Of Samuel Bourne At The National Media Museum And The Art Gallery Of Ontario

2021 ◽  
Author(s):  
Julienne Pascoe
Keyword(s):  
Management Strategies ◽  
Literature Survey ◽  
Extensive Literature ◽  
Collections Management ◽  
Art Gallery ◽  
Group Of Seven ◽  
Commercial Practice ◽  
National Media ◽  
Art Gallery Of Ontario ◽  
Personal Collection

This paper analyzed a group of seven photographic albums belonging to the personal collection of British photographer Samuel Bourne (1834-1912), which are now split between two public collections, the Art Gallery of Ontario in Toronto, Canada, and the Royal Photographic Society at the National Media Museum in Bradford, England. The project includes: contextual research on Bourne's commercial practice and nineteenth-century colonial photography in India, and an extensive literature survey discussing both primary and contemporary sources on Bourne and colonial photography, documentation of the albums' history and provenance, and a detailed analysis of the organization and contents of the albums as a complete and coherent record of Bourne's photographic achievement in India. Furthermore, the applied component of the project, which entailed the substantial documentation of all seven albums, in the form of a catalogue of their 705 albumen prints, is included an appendix. The paper also describes the collections management strategies used to reunite the collection and facilitate future access and research.

scholarly journals The Personal Albums Of Samuel Bourne At The National Media Museum And The Art Gallery Of Ontario

2021 ◽  
Author(s):  
Julienne Pascoe
Keyword(s):  
Management Strategies ◽  
Literature Survey ◽  
Extensive Literature ◽  
Collections Management ◽  
Art Gallery ◽  
Group Of Seven ◽  
Commercial Practice ◽  
National Media ◽  
Art Gallery Of Ontario ◽  
Personal Collection

This paper analyzed a group of seven photographic albums belonging to the personal collection of British photographer Samuel Bourne (1834-1912), which are now split between two public collections, the Art Gallery of Ontario in Toronto, Canada, and the Royal Photographic Society at the National Media Museum in Bradford, England. The project includes: contextual research on Bourne's commercial practice and nineteenth-century colonial photography in India, and an extensive literature survey discussing both primary and contemporary sources on Bourne and colonial photography, documentation of the albums' history and provenance, and a detailed analysis of the organization and contents of the albums as a complete and coherent record of Bourne's photographic achievement in India. Furthermore, the applied component of the project, which entailed the substantial documentation of all seven albums, in the form of a catalogue of their 705 albumen prints, is included an appendix. The paper also describes the collections management strategies used to reunite the collection and facilitate future access and research.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals Two 19th Century Japanese Souvenir Travel Albums At The Art Gallery Of Ontario

2021 ◽  
Author(s):  
Jenny Li
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Literature Survey ◽  
Future Research ◽  
Art Gallery ◽  
Woodblock Prints ◽  
Art Gallery Of Ontario ◽  
Early Photography

This paper analyzes two nineteenth-century Japanese souvenir travel albums from the Art Gallery of Ontario's collection of photography. The project includes: a literature survey discussing sources and researchers of early photography in Japan; contextual research on the introduction of photographic technology in nineteenth-century Japan and the influence that traditional woodblock prints may have had on the genre of commercial souvenir photographs of Japan; and a detailed description of both album with a potential attribution. Furthermore, the applied component of the project, which entailed documentation of both albums in the form of a catalogue of their 100 tinted albumen prints, is included as an appendix. The paper also provides recommendations for the optimal storage and preservation of both albums, as well as a housing solution. The cataloguing and housing of the two albums will enhance accessibility and facilitate future research of these albums.

scholarly journals The Arnold Newman Collection of Photographs at the Art Gallery of Ontario finding aid.

2021 ◽  
Author(s):  
Sean Fraser Corscadden
Keyword(s):  
Annotated Bibliography ◽  
Collections Management ◽  
Art Gallery ◽  
Research Project ◽  
Art Gallery Of Ontario

The Arnold Newman Collection of Photographs consists of 4820 photographs taken by photographer Arnold Newman between the years 1938 and 2004. This thesis acts as a research project investigating the collection and making it accessible to researchers and collections management at the Art Gallery of Ontario. The project includes research on the sitting subjects, an overview of the physical photographs, an annotated bibliography and the organization and housing of the collection for permanent accession into the Art Gallery of Ontario's photography collection. The paper consists of an analytical portion which outlines the methodology of creating the finding aid. The finding aid acts as a standalone paper designed to assist researchers navigating the collection.

scholarly journals Photographic retouching: the press picture editor's "invisible" tool 1930-1939 : a study of retouched press prints from the Art Gallery of Ontario's British Press Agencies Collection

2021 ◽  
Author(s):  
Rachel Verbin
Keyword(s):  
Survey Methodology ◽  
Descriptive Analysis ◽  
Literature Survey ◽  
Art Gallery ◽  
Historical Information ◽  
The Press ◽  
History Of ◽  
British Press ◽  
Art Gallery Of Ontario

Photographic Retouching investigates the mediatory work of the news picture editor during the 1930s. It considers what retouched press photographs add to the history of modern photojournalism, and offers a re-examination of the historiography of 1930s press photography. A descriptive analysis of sixteen representative, retouched photographs from the Art Gallery Of Ontario (AGO) British Press Agencies Collection (BPAC) and ten corresponding newspaper and magazine page spreads from the Daily Mirror, the Sunday Dispatch and Life is carried out in conjecture with press photography manuals published between the years 1930 and 1939. A literature survey, methodology section and description of the BPAC provide introductory contextual and historical information. Chapters 4 and 5, the main analytical sections, focus on two aspects of retouching: the technical difficulties that afflicted press photography during the 1930s and how retouching was employed as a corrective tool; and the ways in which retouching was utilized to strengthen and improve upon the photograph’s ability to consistently convey a clear and visually efficient narrative for use by the press.

scholarly journals Arrangement, description and presentation of the Fairlie Family collection at the Art Gallery of Ontario: a case study in collections management

2021 ◽  
Author(s):  
Laura C. Gentili
Keyword(s):  
Contextual Information ◽  
Historical Context ◽  
Collections Management ◽  
Art Gallery ◽  
Northern Ontario ◽  
The Family ◽  
The Creation ◽  
Art Gallery Of Ontario ◽  
Object Level

This thesis presents the results of an applied project in Collections Management, comprising the intellectual arrangement of the Fairlie Family fonds at the Art Gallery of Ontario (AGO), and the creation of a finding aid to facilitate future access and research. This project analyzes twelve Canadian family albums from the AGO’s collection of photography that were compiled by the Fairlie family between the years of 1880 and 1950. This project is comprised of three major parts: (1) an analytical paper, (2) extensive inventories and object-level cataloguing records, and (3) the creation of a finding aid for the family documents and related ephemera. The first part of this thesis consists of an analytical paper discussing the historical context of the albums and what they can tell us about the Fairlie family and the time and place in which they were created. The albums document the family’s exploits in photography, from mining in northern Ontario, various travel destinations, summer camping in Temagami, and life in upper-middle-class Toronto during the first half of the twentieth century. The practical component of this project includes genealogical research; detailed inventories for each of the twelve albums; the intellectual arrangement, rehousing, and creation of a finding aid for the textual records and related ephemera; and updated cataloguing records linking the albums with the Fairlie Family fonds in The Museum System database (TMS) so that both the photographic collection and contextual information are more accessible.

scholarly journals Working life in Canada, 1890–1930: rehousing the Edith Sarah Watson albums at the Art Gallery of Ontario

2021 ◽  
Author(s):  
Avery Steel
Keyword(s):  
Case Studies ◽  
20Th Century ◽  
Working Life ◽  
Early 20Th Century ◽  
Collections Management ◽  
Art Gallery ◽  
Historical Significance ◽  
The Creation ◽  
Art Gallery Of Ontario ◽  
Master Of Arts

Working Life in Canada, 1890–1930: Rehousing the Edith Sarah Watson Albums at the Art Gallery of Ontario, Avery Steel, Master of Arts, 2019, Film and Photography Preservation and Collections Management, Ryerson University. The Edith S. Watson albums, held in the photography collection at the Art Gallery of Ontario (AGO), are a collection of 16 scrapbook style photographic albums that contain 1,070 gelatin silver prints created by Edith Watson and dated from 1890 to 1930. This thesis project explores a method of rehousing photographic albums with a focus on preserving the albums’ structure, the photographs, and the tactile experience of viewing an album, as well as facilitating access to these albums within the AGO’s collection through the creation of facsimile albums. My thesis will be divided into three sections: first, I assess the historical significance and the condition of the albums; second, I examine three case studies, each an album dated from the late 19th to early 20th century and held in different institutions; third, I summarize the method of preservation and outline the steps for the rehousing of the Edith Watson albums.

scholarly journals Creating a guide and controlled vocabulary for cataloguing photographic jewellery

2021 ◽  
Author(s):  
Andrea J Beiko
Keyword(s):  
Literature Survey ◽  
Controlled Vocabulary ◽  
Art Gallery ◽  
Practical Project ◽  
The Subject ◽  
Art Gallery Of Ontario ◽  
Vocabulary List

This thesis is a practical project which consists of a guide and controlled vocabulary for cataloguing photographic jewellery. Although photographic jewellery has been around for over a century, there currently is no standard guide or controlled vocabulary with which to catalogue such items. Twenty-one institutions and private collectors were contacted in regards to their current cataloguing structure. Using their information, alongside museum registration methods and pre-existing regulations, a guide and vocabulary list has been created and can be implemented on current and future photographic jewellery collections. The accompanying essay takes into account the history, uses, and preservation concerns of photographic jewellery. The research, observations, and conclusions are derived from the collection within the Art Gallery of Ontario, the publications listed within the Literature Survey, and from numerous research sources in order to provide a resource for those interested in the subject of photographic jewellery, and the necessity of cataloguing them. This thesis is a practical project which consists of a guide and controlled vocabulary for cataloguing photographic jewellery. Although photographic jewellery has been around for over a century, there currently is no standard guide or controlled vocabulary with which to catalogue such items. Twenty-one institutions and private collectors were contacted in regards to their current cataloguing structure. Using their information, alongside museum registration methods and pre-existing regulations, a guide and vocabulary list has been created and can be implemented on current and future photographic jewellery collections. The accompanying essay takes into account the history, uses, and preservation concerns of photographic jewellery. The research, observations, and conclusions are derived from the collection within the Art Gallery of Ontario, the publications listed within the Literature Survey, and from numerous research sources in order to provide a resource for those interested in the subject of photographic jewellery, and the necessity of cataloguing them.

scholarly journals Creating a guide and controlled vocabulary for cataloguing photographic jewellery

2021 ◽  
Author(s):  
Andrea J Beiko
Keyword(s):  
Literature Survey ◽  
Controlled Vocabulary ◽  
Art Gallery ◽  
Practical Project ◽  
The Subject ◽  
Art Gallery Of Ontario ◽  
Vocabulary List

This thesis is a practical project which consists of a guide and controlled vocabulary for cataloguing photographic jewellery. Although photographic jewellery has been around for over a century, there currently is no standard guide or controlled vocabulary with which to catalogue such items. Twenty-one institutions and private collectors were contacted in regards to their current cataloguing structure. Using their information, alongside museum registration methods and pre-existing regulations, a guide and vocabulary list has been created and can be implemented on current and future photographic jewellery collections. The accompanying essay takes into account the history, uses, and preservation concerns of photographic jewellery. The research, observations, and conclusions are derived from the collection within the Art Gallery of Ontario, the publications listed within the Literature Survey, and from numerous research sources in order to provide a resource for those interested in the subject of photographic jewellery, and the necessity of cataloguing them. This thesis is a practical project which consists of a guide and controlled vocabulary for cataloguing photographic jewellery. Although photographic jewellery has been around for over a century, there currently is no standard guide or controlled vocabulary with which to catalogue such items. Twenty-one institutions and private collectors were contacted in regards to their current cataloguing structure. Using their information, alongside museum registration methods and pre-existing regulations, a guide and vocabulary list has been created and can be implemented on current and future photographic jewellery collections. The accompanying essay takes into account the history, uses, and preservation concerns of photographic jewellery. The research, observations, and conclusions are derived from the collection within the Art Gallery of Ontario, the publications listed within the Literature Survey, and from numerous research sources in order to provide a resource for those interested in the subject of photographic jewellery, and the necessity of cataloguing them.

Sign in / Sign up

Export Citation Format

Share Document