scholarly journals British Official First World War Photographs, 1916-1918: Arranging and Contextualizing a Collection of Prints at the Art Gallery of Ontario

2021 ◽  
Author(s):  
Carla-Jean Stokes
Keyword(s):  
First World War ◽  
World War ◽  
Art Gallery ◽  
Practical Project ◽  
The Social ◽  
Art Gallery Of Ontario ◽  
Historical Photographs ◽  
First World

This thesis approaches a body of 520 British official First World War photographs in the collection of the Art Gallery of Ontario, to ask how access to this material can be enhanced. The practical project involves physically arranging the works as well as improving their catalogue records. Additionally, this thesis examines the social and political causes for wartime censorship, leading to the appointment of “official” photographers. It compares the work of Britain’s two most prolific First World War photographers to illustrate the benefits of physically arranging historical photographs by maker and to understand their individual approaches to capturing subjects of war.

scholarly journals British Official First World War Photographs, 1916-1918: Arranging and Contextualizing a Collection of Prints at the Art Gallery of Ontario

2021 ◽  
Author(s):  
Carla-Jean Stokes
Keyword(s):  
First World War ◽  
World War ◽  
Art Gallery ◽  
Practical Project ◽  
The Social ◽  
Art Gallery Of Ontario ◽  
Historical Photographs ◽  
First World

This thesis approaches a body of 520 British official First World War photographs in the collection of the Art Gallery of Ontario, to ask how access to this material can be enhanced. The practical project involves physically arranging the works as well as improving their catalogue records. Additionally, this thesis examines the social and political causes for wartime censorship, leading to the appointment of “official” photographers. It compares the work of Britain’s two most prolific First World War photographers to illustrate the benefits of physically arranging historical photographs by maker and to understand their individual approaches to capturing subjects of war.

scholarly journals Photographic Censorship In The First World War : A Comparison Between The Realistic Travels Stereograph Set And British Personal Photograph Albums From The Collection Of The Art Gallery Of Ontario

2021 ◽  
Author(s):  
Emma Leverty
Keyword(s):  
First World War ◽  
World War ◽  
Art Gallery ◽  
Public And Private ◽  
Photograph Albums ◽  
Western Front ◽  
The First World War ◽  
Art Gallery Of Ontario ◽  
First World

This thesis compared a group of personal photograph albums compiled by British soldiers during the First World War to a set of stereographs produced during the war and published after by the British company Realistic Travels, both from the collection of the Art Gallery of Ontario. The development of British censorship restrictions during the First World War had a profound effect on who, what, where and how individuals were able to photograph the conflict. This thesis examines how these restrictions affected stereograph photographers and soldiers as they documented the war in order to ascertain how these effects shaped the construction of each type of photographic object. By comparing and analyzing both bodies of work as they were produced in three theatres of war -- the Western Front, Gallipoli and within Britain -- we see that objects created for public and private audiences are more similar than they initially appear.

scholarly journals Unlocking the past: an analysis of sixteen Russian First World War Albums from the photography collection of the Art Gallery of Ontario, including enhanced cataloguing records.

2021 ◽  
Author(s):  
Ekaterina Belilovskaia
Keyword(s):  
Visual Information ◽  
Survey Methodology ◽  
First World War ◽  
World War ◽  
Art Gallery ◽  
The Past ◽  
The First World War ◽  
Item Level ◽  
Art Gallery Of Ontario ◽  
First World

This thesis includes theoretical and practical components. The theoretical part examines sixteen Russian photographic albums produced during the First World War. The albums form a part of the Art Gallery of Ontario’s (AGO) photography collection related to the First World War. In Part I, a literature survey, methodology section and historical chapter provide essential contextual and historical information about the objects. Part II consists of four essays that analyze the albums, divided into four groups. Based on the author’s translation of the available captions and her interpretation of the visual information found in the albums, the essays demonstrate how the critical events of Russian history during the period from 1910 to the 1920s are reflected through the photographs in these personal albums. The practical part of the thesis (Part III) provides a sampling of cataloguing records on an item level for the two Hospital Train albums in Appendix A and updated cataloguing records for all sixteen albums in Appendix B.

scholarly journals Photographic Censorship In The First World War : A Comparison Between The Realistic Travels Stereograph Set And British Personal Photograph Albums From The Collection Of The Art Gallery Of Ontario

2021 ◽  
Author(s):  
Emma Leverty
Keyword(s):  
First World War ◽  
World War ◽  
Art Gallery ◽  
Public And Private ◽  
Photograph Albums ◽  
Western Front ◽  
The First World War ◽  
Art Gallery Of Ontario ◽  
First World

This thesis compared a group of personal photograph albums compiled by British soldiers during the First World War to a set of stereographs produced during the war and published after by the British company Realistic Travels, both from the collection of the Art Gallery of Ontario. The development of British censorship restrictions during the First World War had a profound effect on who, what, where and how individuals were able to photograph the conflict. This thesis examines how these restrictions affected stereograph photographers and soldiers as they documented the war in order to ascertain how these effects shaped the construction of each type of photographic object. By comparing and analyzing both bodies of work as they were produced in three theatres of war -- the Western Front, Gallipoli and within Britain -- we see that objects created for public and private audiences are more similar than they initially appear.

scholarly journals Unlocking the past: an analysis of sixteen Russian First World War Albums from the photography collection of the Art Gallery of Ontario, including enhanced cataloguing records.

2021 ◽  
Author(s):  
Ekaterina Belilovskaia
Keyword(s):  
Visual Information ◽  
Survey Methodology ◽  
First World War ◽  
World War ◽  
Art Gallery ◽  
The Past ◽  
The First World War ◽  
Item Level ◽  
Art Gallery Of Ontario ◽  
First World

This thesis includes theoretical and practical components. The theoretical part examines sixteen Russian photographic albums produced during the First World War. The albums form a part of the Art Gallery of Ontario’s (AGO) photography collection related to the First World War. In Part I, a literature survey, methodology section and historical chapter provide essential contextual and historical information about the objects. Part II consists of four essays that analyze the albums, divided into four groups. Based on the author’s translation of the available captions and her interpretation of the visual information found in the albums, the essays demonstrate how the critical events of Russian history during the period from 1910 to the 1920s are reflected through the photographs in these personal albums. The practical part of the thesis (Part III) provides a sampling of cataloguing records on an item level for the two Hospital Train albums in Appendix A and updated cataloguing records for all sixteen albums in Appendix B.

Western Ethnic Borderlands in the Influence of Russian-Soviet Propagangda Before and in the Years of the Second World War

2017 ◽  
Vol 2 (46) ◽  
pp. 32-39
Author(s):  
Igor Lyubchyk
Keyword(s):  
First World War ◽  
Second World War ◽  
World War ◽  
Russian Orthodoxy ◽  
The Social ◽  
The First World War ◽  
Post War ◽  
Second World ◽  
First World ◽  
Russian Identity

The research issue peculiarities of wide Russian propaganda among the most Western ethnographic group – Lemkies is revealed in the article. The character and orientation of Russian and Soviet agitation through the social, religious and social movements aimed at supporting Russian identity in the region are traced. Tragic pages during the First World War were Thalrogian prisons for Lemkas, which actually swept Lemkivshchyna through Muscovophilian influences. Agitation for Russian Orthodoxy has provoked frequent cases of sharp conflicts between Lemkas. In general, attempts by moskvophile agitators to impose russian identity on the Orthodox rite were failed. Taking advantage of the complex socio-economic situation of Lemkos, Russian campaigners began to promote moving to the USSR. Another stage of Russian propaganda among Lemkos began with the onset of the Second World War. Throughout the territory of the Galician Lemkivshchyna, Soviet propaganda for resettlement to the USSR began rather quickly. During the dramatic events of the Second World War and the post-war period, despite the outbreaks of the liberation movement, among the Lemkoswere manifestations of political sympathies oriented toward the USSR. Keywords: borderlands, Lemkivshchyna, Lemky, Lemkivsky schism, Moskvophile, Orthodoxy, agitation, ethnopolitics

scholarly journals EL NACIONALISMO FRANQUISTA. Catolicismo, antiliberalismo, fascismo

Cliocanarias ◽  
2021 ◽  
pp. 1-43
Author(s):  
Miguel Ángel Perfecto García ◽  
Keyword(s):  
Catholic Church ◽  
First World War ◽  
The Political ◽  
World War ◽  
Francisco Franco ◽  
The Social ◽  
The First World War ◽  
Political Model ◽  
First World ◽  
Social Level

The regime of general Francisco Franco imposed a nationalist model from two ideological sources: the nationalcatholicism, an antiliberal proposal of the Catholic Church that identified Spain with catholicism; and the anti-liberal and fascist alternatives born in the heat of the European political-social crisis and Spanish of the First World War. The political model was strongly centralist, authoritarian and interventionist around Castile and the Castilian language, rejecting the other nationalist models. At the social level, the corporate proposal stood out by means of the compulsory framing of workers and businessmen in the Spanish Organización Sindical, the unique trade union of Francoism led by the unique party Falange Española Tradicionalista y de las JONS

scholarly journals Historical Significance of the Spanish Neutrality in the First World War

2014 ◽  
pp. 26-34
Author(s):  
I. Y. Mednikov
Keyword(s):  
Social Stratification ◽  
Social Evolution ◽  
Negative Impact ◽  
First World War ◽  
World War ◽  
The Public ◽  
Historical Significance ◽  
The Social ◽  
The First World War ◽  
First World

The article deals with an insufficiently studied problem, Spanish neutrality during the First World War. The author analyzes its historical significance in the international context, as well in the context of political, economical and social evolution of Spain. Spain was one of the few major European Powers that maintained its neutrality throughout the First World War. Although all Spanish governments during the conflict declared strict neutrality, it was, in actual fact, benevolent towards the Entente Powers, and by the end of hostilities Spain turned into "neutral ally" of Entente. This benevolence towards the future winners and a wide humanitarian campaign supported and headed by the King Alfonso XIII enabled Spain to improve her position in the postwar system of international relations; Spain became one of the non-permanent members of the League of Nations Council. Nevertheless the Spanish neutrality had a negative impact upon the social, political and economical evolution of Spain. The social stratification was increased, the public opinion was deeply divided and the social conflicts were aggravated, that considerably affected the further evolution of the Spanish society.

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