Los últimos de Filipinas: The Spatio-temporal Coordinates of Francoism
Keyword(s):
Los últimos de Filipinas (Last Stand in the Philippines, Antonio Román, 1945) is one of the most popular Spanish films of all times. Drawing from Henri Bergson’s notion of temporality, this chapter argues that the film revolves around a politics of time both informing and informed by totalitarian kitsch aesthetics. The film’s portrayal of a besieged colonial church standing defiantly against a Tagalog rebellion in the small town of Baler during the Spanish-American War in1898 transformed the colonial reality of the Philippines into political myth; a myth which, I argue, condensed to perfection Francoist kitsch ideology.
Keyword(s):
“What Are the Philippines Going to Do to Us?” E. L. Godkin on Democracy, Empire and Anti-imperialism
2012 ◽
Vol 46
(3)
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pp. 711-727
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2010 ◽
Vol 83
(2)
◽
pp. 313-338
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Keyword(s):