Jacques Rancière and the Politics of Art Cinema

2018 ◽  
Author(s):  
James Harvey
Keyword(s):  
New York ◽  
Case Studies ◽  
Social Order ◽  
The Political ◽  
Political Structure ◽  
Art Cinema ◽  
Art And Politics ◽  
Jacques Ranciere ◽  
The World ◽  
Jacques Rancière

In Jacques Rancière and the Politics of Art Cinema, James Harvey contends that Rancière’s writing allows us to broach art and politics on the very same terms: each involves the visible and the invisible, the heard and unheard, and the distribution of bodies in a perceivable social order. Between making, performing, viewing and sharing films, a space is constructed for tracing and realigning the margins of society, allowing us to consider the potential of cinema to create new political subjects. Drawing on case studies of films including Charlie Kaufman’s Synecdoche, New York, Nuri Bilge Ceylan’s Climates and John Akomfrah’s The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it?

Demokrasi Radikal Menurut Jacques Rancière

2016 ◽  
Vol 15 (2) ◽  
pp. 130
Author(s):  
Sri Indiyastutik
Keyword(s):  
Social Order ◽  
Democratic Politics ◽  
The Political ◽  
New Order ◽  
Jacques Ranciere ◽  
The Social ◽  
Jacques Rancière ◽  
Order Equality

Abstrak: Jacques Rancière, pemikir Prancis kelahiran Aljazair (1940-sekarang), konsisten dengan gagasannya tentang kesetaraan bagi setiap orang dan semua orang. Baginya, demokrasi bukanlah bentuk pemerintahan atau tatanan sosial. Kesetaraan yang kontingen dalam tatanan sosial, menurut Rancière, menjadikan demokrasi dapat terjadi kapan saja dan di mana saja, tidak dapat diprediksi. Rancière mengajak kita untuk terbuka pada gangguan-gangguan demos dan kemunculan subyek-subyek baru di masa datang sebagai dinamika dalam tatanan sosial yang tidak perlu ditumpas atau dihambat. Politik demokrasi adalah sebuah perselisihan. Namun perselisihan tersebut bukan tindakan revolusi untuk menghancurkan tatanan sosial yang telah ada menjadi tatanan yang sama sekali baru. Demokrasi adalah subyektivasi politik yang mengganggu tatanan sosial dominan yang dilakukan oleh demos untuk memverifikasi kesetaraan. Kemunculan demos mentransformasi tatanan sosial menjadi bentuk yang berbeda, yang mengakomodasi keberadaan mereka yang tidak terhitung (the wrong, yang salah). Kata-kata Kunci: Demokrasi, kesetaraan, demos, perselisihan, subyektivikasi, yang salah. Abstract: Jacques Rancière, a French philosopher born in Algeria (1940-present), affirms the equality of anyone and everyone. He analyzes the so-called democracy not as a kind of state or social order. Equality which is contingent in the social order, for Rancière, shows that democracy could occurs everytime and everywhere, democracy could not be predicted. Rancière brings us to have an open eye in front of dispute of the demos and the subjectification of any new subjects. This is an inherent and a dynamic of the social order that should not be repressed or stopped. The democratic politics is a dispute. But the dispute is not an act of revolution to destroy the existing social order to create an entirely new order. Democracy is the political subjectification that disrupts the police order by the demos to verify the equality of anyone and everyone. The emergence of the demos transforms the social order into a different form when this order accommodates the existence of the wrong. Keywords: Democracy, equality, demos, dispute, subjectification, the wrong.

scholarly journals Riotous Performances

2021 ◽  
pp. 17-29
Author(s):  
Blair A. Ruble
Keyword(s):  
New York ◽  
Social Order ◽  
Background Noise ◽  
The Political ◽  
Concert Hall ◽  
The World ◽  
Theater Audiences

Theater audiences have been expressing their opinions about what is happing on stage and in the world around them for centuries. In some instances, uproarious behavior bordering on — and including — full-fledged riots, have provided early indications of profound conflicts taking shape within society that eventually can gather to overturn the political and social order. As the cases discussed here — drawn from Naples, London, Brussels, New York, Dublin, Paris, Miami, and Kyiv — suggest, such disturbances can reflect economic discontent, the rise of nationalist identities, and the emergence of new artistic movements. A night at the theater, the concert hall, or the club is always about more than the background noise of our lives. What happens when performers meet their audiences signals how we see our futures; and ourselves; and how we like what we see, or not.

The New Terrain of International Law

2014 ◽  
Author(s):  
Karen J. Alter
Keyword(s):  
International Law ◽  
Case Studies ◽  
Domestic Politics ◽  
Political Influence ◽  
The Political ◽  
International Courts ◽  
Constitutional Review ◽  
Delegation Of Authority ◽  
The World ◽  
The Law

In 1989, when the Cold War ended, there were six permanent international courts. Today there are more than two dozen that have collectively issued over thirty-seven thousand binding legal rulings. This book charts the developments and trends in the creation and role of international courts, and explains how the delegation of authority to international judicial institutions influences global and domestic politics. The book presents an in-depth look at the scope and powers of international courts operating around the world. Focusing on dispute resolution, enforcement, administrative review, and constitutional review, the book argues that international courts alter politics by providing legal, symbolic, and leverage resources that shift the political balance in favor of domestic and international actors who prefer policies more consistent with international law objectives. International courts name violations of the law and perhaps specify remedies. The book explains how this limited power—the power to speak the law—translates into political influence, and it considers eighteen case studies, showing how international courts change state behavior. The case studies, spanning issue areas and regions of the world, collectively elucidate the political factors that often intervene to limit whether or not international courts are invoked and whether international judges dare to demand significant changes in state practices.

An Electronic Conversation between Thomas Hirschhorn and Jacques Rancière: Presupposition of the Equality of Intelligences and Love of the Infinitude of Thought

2014 ◽  
Vol 31 (7-8) ◽  
pp. 101-110 ◽  
Author(s):  
Thomas Hirschhorn
Keyword(s):  
Vital Function ◽  
Art And Politics ◽  
Jacques Ranciere ◽  
Collaborative Art ◽  
Jacques Rancière

This article is an email conversation between the artist Thomas Hirschhorn and the philosopher Jacques Rancière that took place from December 2009 to February 2010. The images of ‘The Bijlmer Spinoza-Festival’, an artwork by Thomas Hirschhorn that occurred in the outskirts of Amsterdam in 2009, portray the levels of engagement by the local participants and the interaction with invited speakers and performers. The interview with Jacques Rancière addresses the problem of classifying collaborative art projects within the conventional categories of art and politics. It explores the vital function of artistic presence and the possibility of establishing a mode of aesthetic exchange that proceeds from the experience of equality.

Anarchism, Violence and Civil Disorder

Worldview ◽  
1968 ◽  
Vol 11 (6) ◽  
pp. 6-12
Author(s):  
Paul W. Blackstock
Keyword(s):  
Civil Rights ◽  
Social Order ◽  
New Left ◽  
Western World ◽  
The Political ◽  
Robinson Crusoe ◽  
Moral Indignation ◽  
The World ◽  
Civil Disorder ◽  
Sensitive Individual

The Liberal's Dilemma and the Anarchism of Youth. The sensitive individual in the Western world has nearly always been impelled to protest the injustices of. the political and social order in which he finds himself. For example, very early in life Stephen Spender observed that "to be born is to be a Robinson Crusoe, cast up by elemental powers upon an island," that "all men are not free to share what nature offers here … are not permitted to explore the world into which they are born." Throughout their lives they are "sealed into leaden slums as into living tombs." To this general awareness of the plight of the poor, the New Left in this country has added a sense of burning moral indignation that the colored minority has also been sealed into ghettos and deprived of civil rights and human dignity.

scholarly journals (Im)possible Escape? H. G. Wells, Utopia and the World State

2021 ◽  
Vol 6 ◽  
pp. 235-241
Author(s):  
Barbara Klonowska
Keyword(s):  
New York ◽  
The Other ◽  
The Political ◽  
Nation State ◽  
World State ◽  
Political Ideas ◽  
Utopian Studies ◽  
The World ◽  
The One ◽  
Recent Monograph

This article reviews the recent monograph by Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State (New York: Routledge, 2020) in the context of utopian studies on the one hand, and the political ideas of the nation state vs. world state on the other.

Aesthetic Revolution and Modern Democracy: Rancière’s Historiography

2016 ◽  
Author(s):  
Gabriel Rockhill
Keyword(s):  
Alternative Account ◽  
Modern Democracy ◽  
Art And Politics ◽  
Jacques Ranciere ◽  
Jacques Rancière ◽  
History Of ◽  
Historical Relationship ◽  
The Aesthetic

This chapter turns to the work of Jacques Rancière, who has, perhaps more than any other prominent living philosopher, extended the historical and historiographical work of Foucault by proposing an archeology of aesthetics, with a particular concern for its relationship to the history of politics. In doing so, however, he has stalwartly refused to provide a genealogical account of the emergence of aesthetics, which appeared at more or less the same time as modern democracy. This chapter thereby sets as its task a critical reassessment of the genealogical limitations of Rancière’s account of the historical relationship between art and politics. It is in this light that it advances an alternative account of historical causality by examining the variable conjuncture of determinants that contributed to the emergence of what Rancière calls the aesthetic regime of art.

Digitization, Virtual Collections, and Total Archives in the Twenty-First Century

2021 ◽  
pp. 148-173
Author(s):  
Jason Lustig
Keyword(s):  
New York ◽  
World War Ii ◽  
Case Studies ◽  
Jewish History ◽  
First Century ◽  
World War ◽  
Historical Materials ◽  
The World ◽  
Cairo Genizah

This final chapter argues that struggles over archival ownership and the possibility of archival totality continue far beyond the years immediately following World War II. It considers three case studies to consider new forms of total archives being created through virtual collections and digitization: The Center for Jewish History in New York City (formed in 1994/1995 and opened in 2000), the efforts by the YIVO Institute for Jewish Research to digitize materials found in Lithuania and reunite them with their own files, and the Friedberg Genizah Project’s initiative to digitize and join together fragments of the Cairo Genizah found in repositories around the world. These case studies showcase enduring visions of monumentality and indicate how archival construction is not merely the province of the past. Instead, the process of gathering historical materials is a continual process of making and remaking history.

Continuity and Change in the Belfast Press, 1900–1994

2020 ◽  
pp. 377-395
Author(s):  
Nora Moroney ◽  
Stephen O’Neill
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
The Political ◽  
World War ◽  
National Library ◽  
News Letter ◽  
Irish History ◽  
Continuity And Change ◽  
The World ◽  
The Creation

This chapter examines the political and textual transformations of the Belfast Telegraph, the Irish News, and the Belfast News Letter in the twentieth century. It discusses the creation and expression of separate forms of national and editorial identities in regard to the northern Unionist-leaning Telegraph and News Letter, and the nationalist Irish News. All three would eventually be transformed by their reportage of the World War, and the later Troubles. Describing the enduring popularity of all three papers as platforms for political expressions across the spectrum of twentieth century Irish history and politics, it argues that their longevity speaks to the success of their readjustments during these tumultuous years. Drawing on archives in the National Library of Ireland and the Belfast Central Library, the chapter includes case studies focusing on how each paper reported the failure of the Boundary Commission in 1925, the Belfast Blitz in 1941, and the IRA Ceasefire in 1994.

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