Shared Media Histories in the British Isles: Irish-Language Media, 1900–2018

2020 ◽  
pp. 333-355
Author(s):  
Regina Uí Chollatáin

This analysis of content, forums, and writing styles in the Irish language press spans the creation of an Irish reading public in the Irish Revival and Revolutionary period to the literary advances in the mid-twentieth century and the challenges of journalism in a minority language in twenty-first century Ireland. The first Irish language newspaper An Claidheamh Soluis (1899-1932) created a forum for public discourse and literature. Professional recognition aided high standard journalistic practices while provincial periodicals, An Lóchrann (1907), An Crann (1916), An Stoc (1917) and An Branar (1919) also brought new vision to an embryonic Irish language press. Despite a minority reading public, the Irish language print press carved its niche during the twentieth century and the English language press was a valuable ally in creating a modern Irish literature. Transnational journalism re-emerged in the 1980s with Domhnall Mac Amhlaigh’s columns from Liverpool published in the Irish Times. Foinse (1996) and Lá (1980) demonstrate that professional and community journalism had come of age by the end of the twentieth century. A necessary change of direction ensured that online journals, Beo.ie, Nósmag and Gaelscéal flagged a new era in twenty-first century Irish language journalism providing international dimensions.

English Today ◽  
2011 ◽  
Vol 27 (2) ◽  
pp. 58-64 ◽  
Author(s):  
Anne O'Keeffe

The first decade of the twenty-first century has been characterised in Irish English studies by a diversification of research agendas. Whereas studies before 2000 were largely concerned with internal issues in the development of Irish English, more recent research has been marked by the desire to view Irish English in the context of international varieties of English, as demanded by Barker and O'Keeffe (1999). Much has changed in the study of Irish English in the last decade or so. This is in part due to a broader perspective adopted by researchers and also to the emergence of new ways of looking at Irish English: see Barron and Schneider (eds) 2005; Hickey, 2005, 2007a; Corrigan, 2010; Amador-Moreno, 2006, 2010. There seems to be a less exclusive concern with Irish English within the strict orbit of British English and the effects of contact with the Irish language. This is perhaps aided by looking at Irish English in the context of English as a global language (Kirkpatrick ed. 2010). A function of this globalisation is variation and that in itself brings richness and diversity. In the context of English language teaching, Irish English is one of many types of English.


2013 ◽  
Vol 10 (25) ◽  
pp. 53-69
Author(s):  
Ronan Paterson

William Shakespeare has been part of the cinema since 1899. In the twentieth century almost a thousand films in some way based upon his plays were made, but the vast majority of those which sought to faithfully present his plays to the cinema audience failed at the box office. Since the start of the twenty-first century only one English language film using Shakespeare’s text has made a profit, yet at the same time Shakespeare has become a popular source for adaptations into other genres. This essay examines the reception of a number of adaptations as gangster films, teen comedies, musicals and thrillers, as well as trans-cultural assimilations. But this very proliferation throws up other questions, as to what can legitimately be called an adaptation of Shakespeare. Not every story of divided love is an adaptation of Romeo and Juliet. Different adaptations and assimilations have enjoyed differing degrees of success, and the essay interrogates those aspects which make the popular cinema audience flock to see Shakespeare in such disguised form, when films which are more faithfully based upon the original plays are so much less appealing to the audience in the Multiplexes.


2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Sven Kunisch ◽  
Markus Menz ◽  
David Collis

Abstract The corporate headquarters (CHQ) of the multi-business enterprise, which emerged as the dominant organizational form for the conduct of business in the twentieth century, has attracted considerable scholarly attention. As the business environment undergoes a fundamental transition in the twenty-first century, we believe that understanding the evolving role of the CHQ from an organization design perspective will offer unique insights into the nature of business activity in the future. The purpose of this article, in keeping with the theme of the Journal of Organization Design Special Collection, is thus to invigorate research into the CHQ. We begin by explicating four canonical questions related to the design of the CHQ. We then survey fundamental changes in the business environment occurring in the twenty-first century, and discuss their potential implications for CHQ design. When suitable here we also refer to the contributions published in our Special Collection. Finally, we put forward recommendations for advancements and new directions for future research to foster a deeper and broader understanding of the topic. We believe that we are on the cusp of a change in the CHQ as radical as that which saw its initial emergence in the late nineteenth/early twentieth century. Exactly what form that change will take remains for practitioners and researchers to inform.


2013 ◽  
Vol 138 (1) ◽  
pp. 129-174 ◽  
Author(s):  
Matthew Pritchard

AbstractThis article examines a range of writings on the status of musical interpretation in Austria and Germany during the early decades of the twentieth century, and argues their relevance to current debates. While the division outlined by recent research between popular-critical hermeneutics and analytical ‘energetics’ at this time remains important, hitherto neglected contemporary reflections by Paul Bekker and Kurt Westphal demonstrate that the success of energetics was not due to any straightforward intellectual victory. Rather, the images of force and motion promoted by 1920s analysis were carried by historical currents in the philosophy, educational theory and arts of the time, revealing a culturally situated source for twenty-first-century analysis's preoccupations with motion and embodiment. The cultural relativization of such images may serve as a retrospective counteraction to the analytical rationalizing processes that culminated specifically in Heinrich Schenker's later work, and more generally in the privileging of graphic and notational imagery over poetic paraphrase.


1993 ◽  
Vol 36 (3) ◽  
pp. 130
Author(s):  
K. P. Moseley ◽  
Ann Seidman ◽  
Frederick Anang

2021 ◽  
Vol 165 (3-4) ◽  
Author(s):  
Tao Yamamoto ◽  
So Kazama ◽  
Yoshiya Touge ◽  
Hayata Yanagihara ◽  
Tsuyoshi Tada ◽  
...  

AbstractThis study aimed to evaluate the impact of climate change on flood damage and the effects of mitigation measures and combinations of multiple adaptation measures in reducing flood damage. The inundation depth was calculated using a two-dimensional unsteady flow model. The flood damage cost was estimated from the unit evaluation value set for each land use and prefectures and the calculated inundation depth distribution. To estimate the flood damage in the near future and the late twenty-first century, five global climate models were used. These models provided daily precipitation, and the change of the extreme precipitation was calculated. In addition to the assessment of the impacts of climate change, certain adaptation measures (land-use control, piloti building, and improvement of flood control level) were discussed, and their effects on flood damage cost reduction were evaluated. In the case of the representative concentration pathway (RCP) 8.5 scenario, the damage cost in the late twenty-first century will increase to 57% of that in the late twentieth century. However, if mitigation measures were to be undertaken according to RCP2.6 standards, the increase of the flood damage cost will stop, and the increase of the flood damage cost will be 28% of that in the late twentieth century. By implementing adaptation measures in combination rather than individually, it is possible to keep the damage cost in the future period even below that in the late twentieth century. By implementing both mitigation and adaptation measures, it is possible to reduce the flood damage cost in the late twenty-first century to 69% of that in the late twentieth century.


2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.


2021 ◽  

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.


Author(s):  
Ovidiu Creangă

This chapter tracks the shift in reading approaches to the book of Joshua, from the more traditional criticisms of source and form during the twentieth century to the “new” literary methods that have characterized the transition to the twenty-first century in biblical scholarship. The poetics stance that gradually emerged within the field of Joshua scholarship opened up the book to constructivist as well as deconstructivist readings. The narrative studies mentioned in the chapter exhibit not only remarkable literary depth, but also a strong social and cultural sensitivity that trouble the book’s colonial and androcentric outlook. Using the lens of postmodern spatial theory (“Thirdspace”), the reading of Joshua’s conquest at the end of the chapter decenters the book’s core construction of Israel’s identity around violence, land acquisition, and memorialization of the conquest. The critique “from the margin” gives way to a more compassionate “center.”


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