Blurring Lines and Intersecting Realities in Barbara Kopple’s Fictional Work

Author(s):  
Susan Ryan

In addition to Barbara Kopple’s recognized contributions to documentary filmmaking, she directed several fictional works for both television broadcast and theatrical release. Although she often refers to herself as a director of both non-fiction and fiction, since both are important to her, very little critical attention has been paid to her fictional work such as the television episodes she directed for Homicide: Life on the Street, the PBS production Keeping On (1983), based on a screenplay by Horton Foote, and the independent feature Havoc (2005). This chapter examines the ways that she uses documentary techniques associated with cinema verite to establish a sense of place, character, realism, and social engagement within fictional stories. Rather than see her fictional work as an addendum to her acclaimed documentaries, the chapter argues that there is a continuum in which dramatic form and documentary practice inform one another as part of her style and approach to filmmaking.

Author(s):  
Marta Wójcik-Czerwińska

Abstract      Stephanie LeMenager, literature professor and author of Living Oil: Petroleum Culture in the American Century (2014), opens her study of America’s relationship with the resource by asserting that reports of its death have been exaggerated. Oil not only drive American modernity, but also inspire writers to explore it, in both fiction and non-fiction. While “petrofiction,” fiction with oil at its core, has received critical attention, certain new developments in non-fictional writing centred on petroleum call for more consideration. This article, therefore, probes representations of oil in contemporary American and Canadian non-fiction. It analyses William L. Fox’s essay “A Pipeline Runs through It” (2011), which is based on a trip along the Trans-Alaska Pipeline, and Andrew Nikiforuk’s article “Canadian Democracy: Death by Pipeline” (2012), which discusses the impact of the proposed Northern Gateway Pipeline from Alberta to British Columbia. Adopting an ecocritical perspective, the article puts to the test LeMenager’s thesis that journalists are “expert plotters against oil” and “conservationists.” To this aim, it analyses the specific means by which the two journalists expose the presence of oil, and highlight its micro and macro implications, from its impact on the landscape and the lives of people whose livelihoods and cultures have been shaped by the natural world, to that on democracy and our minds. Resumen      Stephanie LeMenager, profesora de literatura y autora de Living Oil: Petroleum Culture in the American Century (2014), abre su estudio sobre la relación de los Estados Unidos con el petróleo como recurso natural, mediante la afirmación de que los informes de su muerte han sido exagerados. El petróleo no sólo impulsa la modernidad americana sino también inspira a los escritores para explorarlo tanto en la ficción como en la no-ficción. Mientras que la “petroficción,” ficción centrada en el petróleo, ha sido objeto de atención crítica, algunos nuevos desarrollos en la escritura de no-ficción centrada en el petróleo causan mayor interés. Este artículo trata de representar al petróleo en la no-ficción contemporánea americana y canadiense. Analiza el ensayo de William L. Fox “A Pipeline Runs through It” (2011), basado en un viaje a lo largo del sistema de oleoducto Trans-Alaska, y el artículo de Andrew Nikiforuk “Canadian Democracy: Death by Pipeline” (2012), discutiendo el impacto de la propuesta del oleoducto del Norte desde Alberta hasta la Columbia Británica. Adoptando una perspectiva ecocrítica, el artículo pone a prueba las tesis de LeMenager de que los periodistas como “expertos conspiradores contra el petróleo” y “conservacionistas”. Para ello, analiza los medios específicos por los cuales los dos periodistas exponen la presencia de petróleo y destacan sus macro y micro implicaciones, desde su impacto en el paisaje y en las vidas de las personas cuyos medios de vida y culturas han sido moldeadas por el mundo natural, hasta su impacto en la democracia y en nuestras mentes.


2020 ◽  
Vol 28 ◽  
pp. 33-43
Author(s):  
Leonor María Martínez Serrano

Widely acclaimed as one of the best living Canadian authors, Tim Bowling has cultivated several literary genres with great talent and verbal craftsmanship. He has published twelve poetry collections to date, two works of creative non-fiction, and five novels, including Downriver Drift (2000), The Paperboy’s Winter (2003), The Bone Sharps (2007), The Tinsmith (2012) and The Heavy Bear (2017). This article explores the epistemological power of Bowling’s fiction as a mode of knowing the self and the nonhuman environment. More specifically, bearing in mind fundamental ecocritical tenets, it analyses how his two earliest novels, Downriver Drift and The Paperboy’s Winter, evoke notions of dwelling and a compelling sense of place, as the natural environment in them is much more than mere backdrop to the narratives unfolding in their respective plots. Written in elegantly wrought language rich in poetic resonance, Bowling’s novels remind their readership that fiction is a powerful tool to investigate the human condition and our surrounding world, where the human and the nonhuman coexist on democratic terms.


Author(s):  
Tanja Cvetkovic

The paper focuses on Annie Proulx’s non-fiction work Bird Cloud and explores some of the ideas Proulx has postulated in her fiction, novels and short stories: a sense of place, home-ness, the history and archaeology of place, the sense of (non)-belonging, or conjunction and disjunction to use Slovic’s terms. Travel and relocation, prominent features of Proulx’s work, are what Barry Lopez describes as means of overcoming disjunction in remote locations and of cultivating intimacy with the landscape. Eventually they give rise to a fictional representation of landscape. We may conclude that for Proulx landscape writing becomes a “literature of hope” that


Author(s):  
Connie K. Porcaro ◽  
Clare Singer ◽  
Boris Djokic ◽  
Ali A. Danesh ◽  
Ruth Tappen ◽  
...  

Purpose Many aging individuals, even those who are healthy, report voice changes that can impact their ability to communicate as they once did. While this is commonly reported, most do not seek evaluation or management for this issue. The purpose of this study was to investigate the prevalence and differences in voice disorders in older adults, along with the effect of fatigue on their social interactions. Method This is a cross-sectional investigation of a community-dwelling sample of individuals aged 60 years or older. Participants completed the Questionnaire on Vocal Performance, the Social Engagement Index subset “Engagement in Social or Leisure Activities,” and the Fatigue Severity Scale. Results Results indicated 32.5% of the 332 participants reported symptoms of voice problems with no difference found between male and female respondents. A slight increase in report of voice problems was noted with each year of age. Participants who self-reported voice problems indicated less interaction in social activities involving communication than those who did not. Finally, as severity of self-reported voice problems increased, an increase was reported by the same individuals for signs of fatigue. Conclusions Voice problems and resulting decreased social interaction are commonly experienced by older individuals. Voice symptoms in older adults have been found to benefit from evidence-based treatment strategies. It is critical to provide education to encourage older individuals to seek appropriate evaluation and management for voice issues through a speech-language pathologist or medical professional.


1992 ◽  
Author(s):  
Rosanna Yamagiwa ◽  
Leita Hagemann Luchetti

2004 ◽  
Author(s):  
Deborah Keller-Cohen ◽  
Diane L. Miller ◽  
Katherine L. Fiori

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