Cinematic Time and Animal Worlds

Animal Worlds ◽  
2019 ◽  
pp. 42-65
Author(s):  
Laura McMahon

This chapter develops key aspects of the book’s theoretical framework, moving between philosophies of animal worlds and Deleuze’s account of cinematic time. It draws on the concept of the Umwelt proposed by Uexküll, and the different responses to this concept offered by Heidegger and Deleuze and Guattari. Focusing in particular on Deleuze and Guattari’s reworking of the Umwelt as a process of ‘desubjectified’ assemblages, the chapter links this to Deleuze’s thinking of the time-image as a shift from subject to world, and as a realm that is intricately bound up with questions of differing, becoming and the virtual. While suggesting ways of thinking through links between Deleuze, cinema and the slow animal film, the chapter also turns to recent accounts of the relation between animals and film, by Burt, Pick, Lippit, Sobchack and others. Engaging with yet also moving beyond the recourse to Bazin that has tended to shape the field thus far, it emphasises what Deleuze’s theory of cinematic time can add to this developing body of work, as well as what a more detailed and wide-ranging account of Deleuze and Guattari’s model of animal worlds can contribute to the field of critical animal studies.

2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


2021 ◽  
Vol 10 (2) ◽  
pp. 139-161
Author(s):  
Núria Almiron ◽  
Laura Fernández

In this paper we argue that adopting critical animal studies perspectives in critical public relations can not only be very fruitful, but that it is also a necessity if the aims of the latter are to be achieved. To this end, this text introduces the challenges and opportunities that the field of critical animal studies brings to critical public relations studies. First, a short explanation of what critical animal studies is and why it can contribute to critical public relations studies is provided. Then the main fields of research where this contribution can be most relevant are discussed, including ethics, discourse studies and political economy. The final aim of this theoretical paper is to expand research within the field of critical public relations by including a critical animal studies approach. Eventually, the authors suggest that embracing the animal standpoint in critical public relations is an essential step to furthering the study of power, hegemony, ideology, propaganda or social change and to accomplishing the emancipatory role of research.


2021 ◽  
Vol 10 (1) ◽  
pp. 11-29
Author(s):  
Alexandra Isfahani-Hammond

Covid-19 originates with humans’ instrumentalization of other animals, an “inconvenient truth” elided by scientists procuring a vaccine while refusing to contend with the captivity, slaughter and encroachment on wild animals’ habitats that brought the fatal disease upon us. The interlocking of homo sapiens’ and other species’ suffering is, of course, glaringly evidenced by disproportionate Black and brown death due to Covid-19 worldwide, itself intensifying the foundational pandemic of anti-Black violence. “Akbar, My Heart” contemplates transpecies loss in a relational frame, attending to the entanglement of white supremacy with anthropocentrism at the same time that I reflect on caregiving for my canine companion, Akbar, during his decline from neurological disease. My elderly friend’s worsening symptoms coincided with the pandemic’s spread, the Summer’s uproar against anti-Black violence and California’s wildfires. The vortex of these events is a point of departure for meditating about carceral logic, animalization and the seeming “end of days” together with another kind of ending, one centered on providing comfort and an honorable death. Mourning for Akbar through the preparation of this piece, I have called upon the wisdom of critical animal studies scholars as well as Sufi poets and even the texts of my dreams. Deciphering this bewildering time of transformation has been an invitation to imagine another world while abiding with Akbar in the threshold, attempting to see through the smoke, so to speak, to the other side of this scorched earth.


2021 ◽  
pp. 103985622110373
Author(s):  
William Lugg

Objective: The biopsychosocial (BPS) model remains the predominant theoretical framework underpinning contemporary psychiatric training and practice. Like all models, it has its limitations and its critics. In light of recent censure, The purpose of this article was to (a) review key aspects of the history, development and contemporary utility of the BPS model and, (b) review key contributions of George Engel. Conclusion: An aetiological model for mental disorders that involves psychological, biological and sociocultural factors has existed since at least the 1940s. The term “biopsychosocial” was arguably first coined by Roy Grinker in 1952. Spurred on by his interest in systems theory, Engel expanded upon the model in 1977 and used it to hypothesise about the integration of mind and body. Despite its shortcomings, the BPS model remains relevant and useful.


2021 ◽  
Author(s):  
Jonathan Saha

Animals were vital to the British colonization of Myanmar. In this pathbreaking history of British imperialism in Myanmar from the early nineteenth century to 1942, Jonathan Saha argues that animals were impacted and transformed by colonial subjugation. By examining the writings of Burmese nationalists and the experiences of subaltern groups, he also shows how animals were mobilized by Burmese anticolonial activists in opposition to imperial rule. In demonstrating how animals - such as elephants, crocodiles, and rats - were important actors never fully under the control of humans, Saha uncovers a history of how British colonialism transformed ecologies and fostered new relationships with animals in Myanmar. Colonizing Animals introduces the reader to an innovative historical methodology for exploring interspecies relationships in the imperial past, using innovative concepts for studying interspecies empires that draw on postcolonial theory and critical animal studies.


Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 18-27
Author(s):  
RINU KRISHNA K ◽  

Throughout the debated discourse of humanism, humans were considered as the only species endowed with reason and moral values. The result was an andro/anthropocentric humanism that divided everything into hierarchies and confined everything within boundaries. European model of higher education has undoubtedly been an enforcement of humanist ideas and ideologies which established certain humans as exceptional and superior to other ‘non-privileged’ humans and nonhuman animals. In this era of posthumanism all the imposed and imbibed boundaries between the human and nonhuman are being questioned, challenged and eliminated to create an open network of cross-species encounters. In this context this article through the theories of Posthuman philosophy and Critical Animal Studies proposes a shift towards posthuman ethics of inclusion and understanding in the field of classical humanities in India. This can be achieved by employing postontological methods to create and understand nonhuman representations. Theories and studies by posthuman scholars like Donna Haraway, Rosi Braidotti, Cary Wolfe, Graham Harman form the basis of this paper. This article is an acknowledgement as well as an advocation of the shift happening across disciplines from humanities to posthumanities, which however is yet to make a movement in education in India.


Screen Bodies ◽  
2021 ◽  
Vol 6 (1) ◽  
pp. 44-61
Author(s):  
Holly Cecil

This article explores the innovative use of virtual reality (VR) technology in nonfiction documentary film formats by animal-advocacy organizations. I examine the potential of the VR medium to communicate the living and dying environments of factory-farmed animals, and to generate viewer empathy with the animal subjects in their short, commodified lives from birth to slaughterhouse. I present a case study of the iAnimal short film series produced by Animal Equality, which made its public debut at the 2016 Sundance Film Festival. Employing a critical animal studies framework, I engage Kathryn Gillespie’s work on witnessing of the nonhuman condition as a method of academic research, and apply to it the embodied experience of virtual witnessing through virtual realty.


2020 ◽  
pp. 194-210
Author(s):  
Dov H. Levin

Chapter 7 continues the analysis of the effects of partisan electoral interventions by focusing on the local intervened election level—another method frequently utilized in order to estimate the effects of various factors on election results. Accordingly, it examines election surveys from two targets of overt electoral interventions where questions related to key aspects of the meddling were asked: the 1953 West German elections and the 1992 Israeli elections. An analysis of these surveys finds support for one of the main mechanisms specified in the book’s theoretical framework. It also finds evidence that the American interventions in both cases indeed played a key role in the election victory of the assisted side.


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