Three Guineas and the Cassandra Project – Christa Wolf’s Reading of Virginia Woolf during the Cold War
Against the background of the Cold War and a period of elevated tension between the East and West Bloc states at the end of the 1970s, this chapter explores the fascination of the East German writer Christa Wolf for Virginia Woolf’s Three Guineas. By introducing findings from Christa Wolf’s private library, the chapter offers evidence that Wolf turned her attention to Woolf’s book-length essay while she started to write her novel Cassandra and pre-pared her Lectures on Poetics, also known as the Cassandra Project. I argue that Woolf and Wolf were strongly influenced by their reflections on politics under the threat of war. In order to promote new ideas both writers searched for innovative literary forms that involved their audiences and readers with their arguments. The essay and autobiographical forms become crucial parts of their writing. Both writers drew their attention to female protagonists from ancient mythology like Cassandra and Antigone and brought these stories into communication with their own questions during intense political contexts. I show how both writers put feminist community-building at the centre of anti-militarism and were both convinced that writers have a social responsibility, and how literature can bring about a change in thinking.