Queer Aesthetics
Arguing against critical views of Lawrence, which regard him as a sexual conservative, this chapter suggests that his questioning of the coherence of sexual identity anticipates contemporary queer theory. It considers recurrent tensions in Lawrence’s writing between a desire to affirm the supremacy of sexual relationships between men and women and his persistent fascination with same-sex desire and same-sex love. The chapter argues that despite Lawrence’s tendency to disparage lesbianism, his 1923 short novel The Fox contains a tender portrayal of love between women. It closes with a discussion of a range of works in which Lawrence aestheticises love between men, while respecting the taboo against homosexuality. The persistent queer aesthetics in Lawrence’s work are seen as undermining his metaphysical championing of ‘true phallic marriage’.