Étranges contagions
It is by now a mere commonplace to observe that Baudelaire portrayed classical Beauty as a matron of ‘sickening health and virtue’ (New Notes on Edgar Poe). He had, after all, long opened up Aesthetics to the morbid. Few of his readers doubted that his sickly Flowers were, themselves, a dangerous source of infection. Baudelaire's poetics exacerbate and embody a veritable ‘anxiety of perpetual disquiet’ (‘Twilight’). Gazing at the work of Brueghel the elder (‘the Droll’), Baudelaire joyously exclaims that they too ‘seem to spread contagion,’ imparting a pressing practical lesson: ‘often in history […] we find proof of the immense power of contagion’ (‘Some Foreign Caricaturists’). This article examines the multiple forms and uses that contagion takes in Baudelaire's œuvre. It suggests that its transformative agency—vital and viral—is not only a health-hazard, but also an epistemological risk that needs to be contained.