Winnifred Eaton Babcock Reeve (b. 1875–d. 1954) was a Chinese North American author best known for fiction published under the faux-Japanese penname “Onoto Watanna.” In her forty-year career, Eaton published nineteen novels, many of which were critically acclaimed and translated into many languages. Eaton also published hundreds of stories, poems, and articles in US, Canadian, Jamaican, and English magazines and newspapers. She was born in Montreal to a white British father and a Chinese mother who married in China and, after brief stays in England and the United States, emigrated to Canada. Whereas Winnifred pretended to be Japanese, Eaton’s older sister Edith wrote sympathetically about diasporic Chinese using the pen name “Sui Sin Far”; with her sister Sara, Winnifred co-wrote Chinese-Japanese Cook Book (1914), one of the first Asian American cookbooks. Sara’s experiences also inspired Winnifred Eaton’s novel Marion (1916). In 1895, Eaton began her writing career working as a reporter in Jamaica. Soon afterward, she moved to Cincinnati, where she first assumed the identity of a half-Japanese, and then to Chicago. Writing as “Onoto Watanna,” Eaton published prolifically about Japanese life, exploring romantic encounters between Americans and Japanese and the experiences of mixed-race children and interracial kinship. Her Miss Numè of Japan (1898) is the first novel in English by a writer of Asian descent published in North America. In 1901, when she was living in New York, Eaton married journalist Bertrand Babcock and published her novel A Japanese Nightingale, which skyrocketed her to fame, inspiring a play, a film, and an opera. After reviewers expressed doubts about her Japanese identity, however, Eaton tried to leave Japanese subjects behind her. She submitted Diary of Delia (1907) to publishers under another pseudonym, published Me (1915) and Marion (1916) anonymously, and published one final Japanese-themed text, Sunny-San, in 1922. In 1917, after divorcing Babcock, Eaton married American businessman Francis Reeve, moved to Alberta, and rebranded herself as “Winnifred Reeve,” rancher’s wife and Canadian literary nationalist. There, Eaton wrote Cattle, a powerful naturalist novel about a girl raped by her employer, and His Royal Nibs, a romance between an English aristocrat and a young Alberta woman, and tried her hand at writing screenplays. Eaton received her first film credit in 1921 on Universal’s “False Kisses.” When the Reeves’ ranch failed, Eaton joined the East Coast scenario department of Universal, a then-minor film producer, and soon afterward was made its Hollywood editor-in-chief and literary advisor. Eaton collaborated on dozens of screenplays and adaptations, translating her experience writing Japanese romances into scripts featuring exotic locales and peoples, as well as commissioned scripts during Universal’s transition from “silents” to “talkies”. She also ghostwrote scripts for Metro-Goldwyn-Mayer (MGM). Eaton left Hollywood and returned to Alberta in 1931 after a brief estrangement from Reeve. At her death, most of Eaton’s works were out of print. Yet she remains significant to North American literary history as the first Asian American novelist and screenwriter and as an early Canadian author and woman journalist.
Jeffrey Lawrence, Anxieties of Experience: The
Literatures of the Americas from Whitman to Bolaño (New York:
Oxford UP, 2018), 298 pp. Oxford Studies in American Literary
History
