Intangible Memories: Creating the New York University (NYU) Tisch Asia School of the Arts Archive. Possible Models for Future Research and Collaboration between Film Schools

2015 ◽  
Vol 9 (1) ◽  
pp. 71-77
Author(s):  
Gabrielle Kelly
Keyword(s):  
New York ◽  
Future Research ◽  
New York University ◽  
The Arts

Children's Perceived Value: Conceptualization, Scale Development, and Validation

2020 ◽  
Author(s):  
Janine Williams ◽  
A Gazley ◽  
N Ashill
Keyword(s):  
New York ◽  
Perceived Value ◽  
Internal Consistency Reliability ◽  
Future Research ◽  
New York University ◽  
Consumer Decisions ◽  
Managerial Implications ◽  
Stage Process ◽  
Development And Validation ◽  
Value Measure

© 2020 New York University Perceived value among children is an important concept in consumer decisions, yet surprisingly no research has operationalized value for this consumer group. To address this omission, and following the guidelines of DeVellis (2016), this investigation reports the findings of a seven-stage process to develop a valid and reliable instrument for measuring perceived value among children aged 8–14 years. Value for children is conceptualized as a multidimensional construct capturing perceptions of what is received and what is given up, which differs from adult measures in terms of its composition and complexity. A 24-item scale is developed that shows internal consistency, reliability, construct validity, and nomological validity. We also demonstrate the validity of the new scale beyond an existing adult perceived value measure. Directions for future research and managerial implications of the new scale for studying children's consumer behavior are discussed.

JOSEPH SCHILLINGER – A DISCIPLE'S REMINISCENCES OF THE MAN AND HIS THEORIES: AN INTERVIEW WITH PROF. ZVI KEREN

Tempo ◽  
2010 ◽  
Vol 64 (251) ◽  
pp. 17-27
Author(s):  
Alona Keren-Sagee
Keyword(s):  
New York ◽  
Social Research ◽  
The United States ◽  
Musical Composition ◽  
Columbia University ◽  
New York University ◽  
Mathematical Basis ◽  
Teachers College ◽  
New School ◽  
The Arts

Joseph Schillinger (1895–1943), the eminent Russian-American music theorist, teacher and composer, emigrated to the United States in 1928, after having served in high positions in some of the major music institutions in the Ukraine, Khar'kov, Moscow, and Leningrad. He settled in New York, where he taught music, mathematics, art history, and his theory of rhythmic design at the New School for Social Research, New York University, and the Teachers College of Columbia University. He formulated a philosophical and practical system of music theory based on mathematics, and became a celebrated teacher of prominent composers and radio musicians. Schillinger's writings include: Kaleidophone: New Resources of Melody and Harmony (New York: M. Witmark, 1940; New York: Charles Colin, 1976); Schillinger System of Musical Composition, 2 vols. (New York: Carl Fischer, 1946; New York: Da Capo Press, 1977); Mathematical Basis of the Arts (New York: Philosophical Library, 1948; New York: Da Capo Press, 1976); Encyclopedia of Rhythms (New York: Charles Colin, 1966; New York: Da Capo Press, 1976).

Running to Touch the Horizon

1992 ◽  
Vol 8 (31) ◽  
pp. 261-263
Author(s):  
Ryszard Cieslak
Keyword(s):  
New York ◽  
Visual Art ◽  
Whole Body ◽  
New York University ◽  
Daily Lives ◽  
Complete Control ◽  
Important Thing ◽  
The Arts ◽  
Experimental Theatre ◽  
The Moment

At the moment, you're working with young actors teaching a course in experimental theatre at New York University. What are you trying to teach them?How to be true in performance, that above all. I struggle to plant in them the principle that Grotowski handed on to me: we act so much in our daily lives that to make theatre what we need to do is to stop acting. Another very important thing to understand is that an actor must concentrate on his own body. The actor's instrument is not his voice or his diction, it's his whole body. Theatre can be a combination of all the arts – music, dance, painting, writing – but above all it is moving visual art. So long as an actor has elementary problems with his body, he is limited. So just as a musician has to exercise his fingers every day, so an actor has to exercise his body almost to the point of overcoming it, that is, being in complete control of it.

scholarly journals Ritual, Schechner e performance

2005 ◽  
Vol 11 (24) ◽  
pp. 67-85
Author(s):  
Regina Polo Müller
Keyword(s):  
New York ◽  
New York University ◽  
Victor Turner ◽  
The Arts

O artigo trata da experiência realizada no estágio pós-doutoral com Richard Schechner no Departamento de Estudos da Performance da Tisch School of the Arts/New York University, abordando a natureza da pesquisa desenvolvida pela autora, seus antecedentes e desdobramentos. O objetivo é apresentar de modo biográfico resultados da pesquisa e do processo de criação em performance realizados com o apoio das teorias da performance de Victor Turner e Richard Schechner. A pesquisa compreendeu trabalho de campo como observadora participante do processo de criação e montagem da peça teatral YokastaS, dirigida por Schechner. A criação pela autora de uma performance apresentada em Congresso científico é abordada como a etapa final de um percurso de transformações e passagens como pretende considerar o estágio realizado, visando caracterizar um fazer antropológico construído através de depoimentos da experiência pessoal.

Children's Perceived Value: Conceptualization, Scale Development, and Validation

2020 ◽  
Author(s):  
Janine Williams ◽  
A Gazley ◽  
N Ashill
Keyword(s):  
New York ◽  
Perceived Value ◽  
Internal Consistency Reliability ◽  
Future Research ◽  
New York University ◽  
Consumer Decisions ◽  
Managerial Implications ◽  
Stage Process ◽  
Development And Validation ◽  
Value Measure

© 2020 New York University Perceived value among children is an important concept in consumer decisions, yet surprisingly no research has operationalized value for this consumer group. To address this omission, and following the guidelines of DeVellis (2016), this investigation reports the findings of a seven-stage process to develop a valid and reliable instrument for measuring perceived value among children aged 8–14 years. Value for children is conceptualized as a multidimensional construct capturing perceptions of what is received and what is given up, which differs from adult measures in terms of its composition and complexity. A 24-item scale is developed that shows internal consistency, reliability, construct validity, and nomological validity. We also demonstrate the validity of the new scale beyond an existing adult perceived value measure. Directions for future research and managerial implications of the new scale for studying children's consumer behavior are discussed.

scholarly journals CORPO TECNOLÓGICO: SOBRE AS RELAÇÕES ENTRE DANÇA, TECNOLOGIA E VIDEODANÇA

Cena ◽  
2014 ◽  
Author(s):  
Silvia Susana Wolff
Keyword(s):  
New York ◽  
New York University ◽  
The Arts

Este texto apresenta um histórico sobre as relações entre a dança e a tecnologia com enfoque na videodança. A partir deste histórico procede-se a uma reflexão sobre os efeitos desta relação para o fazer em dança na contemporaneidade, seus efeitos nas relações entre intérprete e público e concepções de corpo consequentes destas questões. O olhar para concepções de corpo é apresentado através de uma trajetória histórica da dança abordando o balé, o moderno e o pósmoderno até chegar a uma discussão sobre o corpo na dança contemporânea e sua relação com a tecnologia. O texto é resultado de uma pesquisa bibliográfica, documental e iconográfica incluindo fotos, vídeos, entrevistas, artigos de jornal e revista, sites e espetáculos de dança relevantes aos temas abordados. A autora vem investigando esta área de estudo desde seu mestrado em Artes na New York University / Tisch School of the Arts, onde pesquisou, entre outros temas, a videodança e obteve bolsa para explorar, na prática, as relações aqui apresentadas.

Towards a Language of the Stage: the Work of DV8 Physical Theatre

1995 ◽  
Vol 11 (44) ◽  
pp. 371-380 ◽  
Author(s):  
Fiona Buckland
Keyword(s):  
New York ◽  
The Body ◽  
Audience Response ◽  
New York University ◽  
The Arts ◽  
Award Winning ◽  
Part Time ◽  
The Media ◽  
Experimental Dance ◽  
The University

In the following article Fiona Buckland describes how the leading British experimental dance company, DV8 Physical Theatre, was formed out of a disillusionment with its own dance medium, and how DV8 now works towards a reinvestment of creative need in stage performance. The first part reviews the company's work, methodology, and content to date, while the second offers a detailed analysis and explication of their award-winning and provocative Dead Dreams of Monochrome Men (1988), which expresses the paradox of gay male cruising as a need for security and desire for risk, both in terms of content and as an exhilarating contact-release form. The article explores the dynamism and theatricality of a style in which the body is both subject and mode of performance, and also the media, critical, and audience response DV8 performances have evoked. The author, Fiona Buckland, received her MA in Film and Theatre from the University of Sheffield in 1993, after which she worked there and at Sheffield College as a part-time lecturer in movement and choreography. She has also held workshops in Loughborough, Sheffield, and New York, and is currently the recipient of a Fulbright award on the doctoral programme in Performance Studies at Tisch School of the Arts, New York University.

scholarly journals Complementary biobank of rodent tissue samples to study the effect of World Trade Center exposure on cancer development

2019 ◽  
Vol 17 (1) ◽  
Author(s):  
Wil Lieberman-Cribbin ◽  
Stephanie Tuminello ◽  
Christina Gillezeau ◽  
Maaike van Gerwen ◽  
Rachel Brody ◽  
...  
Keyword(s):  
New York ◽  
World Trade ◽  
World Trade Center ◽  
Tissue Bank ◽  
Future Research ◽  
New York University ◽  
Tissue Samples ◽  
Trade Center ◽  
Mount Sinai ◽  
Bank System

Abstract World Trade Center (WTC) responders were exposed to mixture of dust, smoke, chemicals and carcinogens. New York University (NYU) and Mount Sinai have recreated WTC exposure in rodents to observe the resulting systemic and local biological responses. These experiments aid in the interpretation of epidemiological observations and are useful for understanding the carcinogenesis process in the exposed human WTC cohort. Here we describe the implementation of a tissue bank system for the rodents experimentally exposed to WTC dust. NYU samples were experimentally exposed to WTC dust via intratracheal inhalation that mimicked conditions in the immediate aftermath of the disaster. Tissue from Mount Sinai was derived from genetically modified mice exposed to WTC dust via nasal instillation. All processed tissues include annotations of the experimental design, WTC dust concentration/dose, exposure route and duration, genetic background of the rodent, and method of tissue isolation/storage. A biobank of tissue from rodents exposed to WTC dust has been compiled representing an important resource for the scientific community. The biobank remains available as a scientific resource for future research through established mechanisms for samples request and utilization. Studies using the WTC tissue bank would benefit from confirming their findings in corresponding tissues from organs of animals experimentally exposed to WTC dust. Studies on rodent tissues will advance the understanding of the biology of the tumors developed by WTC responders and ultimately impact the modalities of treatment, and the probability of success and survival of WTC cancer patients.

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