Accounting Status and Improvement Plan of Film Culture Industry : Focusing on South Korea Film Culture Industry

2020 ◽  
Vol 20 (2) ◽  
pp. 1-9
Author(s):  
Dong-Jin Jung ◽  
Ah-Ram Kim
Keyword(s):  
South Korea ◽  
Culture Industry ◽  
Film Culture ◽  
Improvement Plan

scholarly journals Improvement Plan for Problems of Franchise Industry in South Korea

2021 ◽  
Vol 16 (2) ◽  
pp. 267-281
Author(s):  
Donghun Yoon
Keyword(s):  
South Korea ◽  
Conflict Management ◽  
Performance Management ◽  
Self Management ◽  
Research Model ◽  
Regression Analyses ◽  
Improvement Plan ◽  
Model Reliability ◽  
And Performance ◽  
Interaction Fairness

Abstract In this paper, the various problems of the franchise industry in South Korea are discussed and analyzed, and solutions to these based on the research results are presented and discussed. In this study, hypotheses were formulated for creating a model. Conflict, management, fairness, and performance were designated as variables, and how these variables affect one another was investigated. A research was conducted to verify the research model, reliability analysis was conducted through the Cronbach’s coefficient, and the study hypotheses were verified using factor and regression analyses. The conflicts between and the achievements of franchisors and franchisees were examined, along with the relationships among conflict, management, fairness, and performance. Management was subdivided into the overall management by the franchisor and the franchisee’s self-management and autonomy while fairness was subdivided into distribution, procedure, and interaction fairness between the franchisor and franchisee.

scholarly journals CONSUMERISM PRACTICES OF KOREAN POP FANS COMMUNITY ANNISA WIDOWATI SUNDARI DANCERS IN JAKARTA

2020 ◽  
pp. 39
Author(s):  
Diana Rosca Apria ◽  
A.A. Anom Kumbara ◽  
I Nyoman Darma Putra
Keyword(s):  
Data Collection ◽  
South Korea ◽  
Cultural Study ◽  
Pop Culture ◽  
Culture Industry ◽  
Culture Industries ◽  
Music Drama ◽  
Community Or ◽  
Study Approach ◽  
Consumptive Behavior

Globalization facilitates the spread of culture from one country to another. From globalization, K-Pop has finally begun to be enjoyed by Indonesian society. One of the effects of the Korean culture fever in Indonesia is the consumptive behavior or lifestyle among teenagers who are K-Pop fans. Annisa Widowati Sundari Dancers Community or what is commonly called as AWS Dancers community is one of them. The reason why this community has been chosen as the object of this research is because AWS Dancers community is popular among K-Pop fans in Jakarta. This study used a cultural study approach that is analyzed qualitatively. Data collection is carried out by the method of observation, interviews, and document studies related to K-pop culture in Indonesia. Data were analyzed with hegemony theory and culture industry theory. The results of this study show that the emergence of the K-Pop culture industry ultimately inspired K-Pop fans to form a community, namely AWS Dancers who performed dance cover activities. In addition, K-Pop culture industries such as music, drama, food, cosmetics and electronic goods made teenagers who are members of the AWS Dancers community was hegemonied to buy and consume these things. As a result, various implications arise, such as dissipation among the members of AWS Dancers, hyperreality towards South Korea, the increasingly eroded Indonesian culture and celebritization among members of the AWS Dancers community. Keywords : consumerism practices, korean pop, AWS community, hegemony, culture industry

Western Culture in Korean Wave

2019 ◽  
Author(s):  
Fariha Azalea ◽  
Adib Rifqi Setiawan
Keyword(s):  
Popular Culture ◽  
South Korea ◽  
Cultural Context ◽  
Western Culture ◽  
Culture Industry ◽  
Music Video ◽  
Analysis Method ◽  
Cultural Elements ◽  
Korean Wave ◽  
Original Culture

Korean Wave is a product of the culture industry comes from South Korea. The emergence of popular culture is also one of the effects of the occurrence of the phenomenon of globalization in a culture consumed globally and at domination by the Western culture. This research seeks to elaborate the elements of American culture are assumed to be found in the products of the Korean wave. This analysis method using semiotics Roland Barthes to know the visual signs that lead to the western cultural context in the music video of 2NE1 which is idol girlband Korea. The focus in this study is the costumes, hairstyles, and setting the symbols shown 2NE1 personnel in the music video. The results showed that Western cultural elements that exist in the music video is more dominate than any element of the culture of Korea. The concept of the music video, how to dress, settings and appearance of existing personnel in the music video appearance more like Westerners. 2NE1 music video in personnel described as a strong, courageous woman but still accentuates the side of beauty. The appearance of the displayed setting personnel and fickle and leads to the western cultural elements. Western cultural elements have dominated and diimitasi as well as produced back in the form of a Korean Wave her through one of the music video for 2NE1. The presence of Korean Wave popular culture as a redirect on the cultural industries that showcase not only the work, but the visual aspects and meanings that play an important role in the Korean Wave. The use of elements of western in the Korean wave is done in order to be accepted by the international community. Overall music video 2NE1 adopt and represent the elements of western in his meaning shows that 2NE1 is a representation of the culture of western that getting away from the original culture of South Korea.

“Humanities Content” and Its Discontent

2019 ◽  
pp. 118-139
Author(s):  
Yongsoo Kim
Keyword(s):  
South Korea ◽  
Digital Media ◽  
Digital Humanities ◽  
Culture Industry ◽  
Computer Assisted ◽  
Building Projects ◽  
South Korean ◽  
History Of ◽  
Contemporary Development ◽  
Humanities Landscape

This chapter provides an overview of the remarkable but peculiar history of digital humanities and its contemporary development in South Korea. Computer-assisted humanities research in Korean studies began with the Wagner-Song Munkwa Project, which was launched in 1967 and lasted for more than three decades. This landmark achievement inspired many database-building projects, including the Sillok Project, in the following years. In the early 2000s, as a new discourse of “digital humanities” emerged in response to the “crisis” of the humanities in South Korean academia, another effort to connect the humanities through digital media to the culture industry gained momentum. “Humanities content” has since dominated the South Korean digital humanities landscape for over a decade. While recovering major digital humanities-related accomplishments, this chapter reveals that constant tension between the non-commercial, academic digital humanities and the commercial, industrial humanities content has been shaping and reshaping computer-assisted humanities scholarship in South Korea.

scholarly journals How Can Personnel Performance Evaluation Systems Be Improved?

SAGE Open ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 215824402098653
Author(s):  
Donghun Yoon
Keyword(s):  
Performance Evaluation ◽  
South Korea ◽  
Public Organizations ◽  
Evaluation Methods ◽  
Cognitive Responses ◽  
Evaluation Systems ◽  
The Public ◽  
Improvement Plan ◽  
Five Factors ◽  
Improvement Measures

In the same way that it is difficult for individuals to develop a way of evaluating themselves, it is also difficult for organizations and their employees to develop a perfect way of evaluating the performances of their personnel. As such, research on this is still actively being carried out at present, and the personnel performance evaluation methods continue to evolve from the methods that have been developed through research. Discussed in this article are measures of improving personnel performance evaluation. The existing performance evaluation theories and pitfalls are discussed and presented, and the public organizations in South Korea are analyzed to derive practical improvement measures and to improve the personnel performance evaluation methods they are currently employing. The five factors of effectiveness can be considered to encompass the emotional and cognitive responses of the employee, and to cover both the human and the impersonal aspects of evaluation as well as tool usability. Based on the results of the study, a personnel performance evaluation improvement plan was formulated, as presented in this article. It is hoped that this study will be able to make several academic contributions and that the proposed personnel performance evaluation improvement measures will prove useful.

Crazy Rich Asians and pan-Asian screen cosmopolitanism

2020 ◽  
Vol 6 (2) ◽  
pp. 195-215 ◽  
Author(s):  
Mark Gallagher
Keyword(s):  
Hong Kong ◽  
North America ◽  
South Korea ◽  
Southeast Asia ◽  
Asian American ◽  
American Film ◽  
Film Culture ◽  
Box Office ◽  
Cultural Markers ◽  
East And Southeast Asia

Crazy Rich Asians (2018), a box-office hit in North America, provoked celebration particularly from Asian American commentators and actors. Shot in Singapore and Malaysia with an Asian and Asian American cast, it was a success too in Singapore itself and in territories such as Hong Kong, Taiwan and Australia but not in East Asia’s largest markets, those of China, Japan and South Korea. Focusing on the phenomenon of Crazy Rich Asians’ release, particularly its engagement with and circulation in East and Southeast Asia and its polarized reception among different Asian American and Asian communities, this article traces a series of discursive flashpoints to understand the film’s position in Asian and Asian American film culture. Arguing that the fortunes of US releases with Asian and Asian American casts reveal cosmopolitanism’s invisible borders, the article proposes a model of pan-Asian screen cosmopolitanism. This model recognizes that even globally hybrid screen texts such as Crazy Rich Asians bear cultural markers that may inhibit their appeal in territories with shared ethnic heritages but discrete social histories.

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