scholarly journals CONSUMERISM PRACTICES OF KOREAN POP FANS COMMUNITY ANNISA WIDOWATI SUNDARI DANCERS IN JAKARTA

2020 ◽  
pp. 39
Author(s):  
Diana Rosca Apria ◽  
A.A. Anom Kumbara ◽  
I Nyoman Darma Putra
Keyword(s):  
Data Collection ◽  
South Korea ◽  
Cultural Study ◽  
Pop Culture ◽  
Culture Industry ◽  
Culture Industries ◽  
Music Drama ◽  
Community Or ◽  
Study Approach ◽  
Consumptive Behavior

Globalization facilitates the spread of culture from one country to another. From globalization, K-Pop has finally begun to be enjoyed by Indonesian society. One of the effects of the Korean culture fever in Indonesia is the consumptive behavior or lifestyle among teenagers who are K-Pop fans. Annisa Widowati Sundari Dancers Community or what is commonly called as AWS Dancers community is one of them. The reason why this community has been chosen as the object of this research is because AWS Dancers community is popular among K-Pop fans in Jakarta. This study used a cultural study approach that is analyzed qualitatively. Data collection is carried out by the method of observation, interviews, and document studies related to K-pop culture in Indonesia. Data were analyzed with hegemony theory and culture industry theory. The results of this study show that the emergence of the K-Pop culture industry ultimately inspired K-Pop fans to form a community, namely AWS Dancers who performed dance cover activities. In addition, K-Pop culture industries such as music, drama, food, cosmetics and electronic goods made teenagers who are members of the AWS Dancers community was hegemonied to buy and consume these things. As a result, various implications arise, such as dissipation among the members of AWS Dancers, hyperreality towards South Korea, the increasingly eroded Indonesian culture and celebritization among members of the AWS Dancers community. Keywords : consumerism practices, korean pop, AWS community, hegemony, culture industry

scholarly journals STIGMATIZATION TOWARD TATTOOED BALINESE WOMEN IN DENPASAR

2018 ◽  
pp. 17
Author(s):  
Putu Dewi Ariantini ◽  
A.A. Ngurah Anom Kumbara ◽  
Ni Luh Arjani
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Cultural Study ◽  
Public Spaces ◽  
Theoretical Framework ◽  
Relation Theory ◽  
Collection Method ◽  
Study Approach ◽  
Cultural Ideology ◽  
Reporting And Verification

The phenomenon of Tattooed Balinese Woman has been increasingly frequent in public spaces in Denpasar. Tattooed Balinese women want to convey or express their feelings through tattoo on their body, but this is not fully accepted by the society who has different judgement and perception encapsulated in what we call as Stigma. Stigma is viewed as a struggle between dominant and sub-cultural ideology within discourses which may cause marginalization and discrimination of tattooed Balinese woman psycho-socially and culturally. The research is aimed to faind out the forms and implications of stigmatization of tattooed Balinese woman in Denpasar. The data collection method uses observation technique, indepth interview, and document study. The data analysis adopts cultural study approach through reduction, reporting, and verification processes. The researcher uses Power-Knowledge Relation Theory, Stigma Theory, and Identity Theory as theoretical framework. The result of this research concludes that the form of the stigma of tattooed Balinese woman in Denpasar is labeling, stereotyping, separation and discrimination. The implication of the stigma is personal worthlessness and alienation, psychological instability, paradoxical attitudes in relationships and association, and sense of proving oneself as an expression of resistance against the stigma. Keyword: stigma, Balinese Woman, Tattoo, resistance

scholarly journals MENEMUKAN BUDAYA TABE’ BUGIS-MAKASSAR PADA KOREAN WAVE

2021 ◽  
Vol 1 (1) ◽  
pp. 8
Author(s):  
Nur Kisti Suhada ◽  
Windhy Ekawardhani ◽  
Alvina Nurulita
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
South Korea ◽  
Key Words ◽  
Pop Culture ◽  
Research Subjects ◽  
Daily Lives ◽  
Wave Data ◽  
Korean Wave ◽  
Polite Culture

ABSTRACTThe Bugis-Makassar’s tabe’ culture is a polite culture that is highly valued by ancestors. However, some research and based on observation in the field by researchers shows that the existance of local culture is starting to decline especially among adolescents. One country that has a culture of courtesy that does not deviate from Indonesian culture and still exists in the daily lives of its people is South Korea. Korean pop culture or Korean wave originating from South Korea has been known globally and interested by teenagers, including Makassar’s teenagers. This research aims to find Bugis-Makassar’s tabe’ culture on the Korean wave. Data collection uses observation and interview techniques conducted in Makassar. The informants or research subjects were students of SMP Negeri 12 Makassar in 7  grade as many as 5 people and SMA Negeri 1 Makassar in 11 grade as many as 7 people. Data that has been collected is then analyzed. The data analysis shows that  Bugis-Makassar’s tabe’ culture is in koren waves both in the form of action and the words in different contexts but has the same meaning. Through the Korean wave which is many interested by people in specific youth communities can be an example for them to apply the tabe’ culture in their daily lives. Key Words : Bugis-Makassar’s tabe’ culture; Korean Wave

scholarly journals Kabbalah, and the Popular Culture Industry: Exploring Identity and Spiritual Satisfaction

2019 ◽  
Author(s):  
Nurhairunnisa .
Keyword(s):  
Popular Culture ◽  
Pop Culture ◽  
Phenomenological Approach ◽  
Culture Industry ◽  
Public Image ◽  
Global Culture ◽  
Culture Industries ◽  
Jewish Mysticism ◽  
The Media ◽  
Spiritual Satisfaction

Todays popular culture is a part of global culture. Kabbalah, a form of popular spirituality derived from orthodox Jewish mysticism has gained popularity because of its association with the activists and celebrities in the pop culture industries. This paper examines the influence of this organization, which is still mysterious, through the public image of the spirituality of pop culture actors who became followers of Kabbalah and express their identity in the implied meanings contained in music and lyrics of the song and as the media to express those feeling, thought, or social and religious experince, also how popular culture as a criticism of religious institutions. In strengthening and deepening this research, will applies social and phenomenological approach as my theoretical framework to make a deep analysis in this topic. This study is important to give alternative perspectives to pop culture and the media as inseparable linked to identity, culture, politic, religion and gender which is related to common society nowadays.

Cultura Panamericana

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Anthony Macías
Keyword(s):  
Los Angeles ◽  
Sense Of Place ◽  
American Culture ◽  
Pop Culture ◽  
Mixed Race ◽  
Urban Spaces ◽  
Expressive Culture ◽  
Culture Industries ◽  
Latin Americans ◽  
Pan American

I am writing this analytical appreciation of cultura panamericana, or pan-American culture, to propose a wider recognition of how its historical linkages and contemporary manifestations confront colonialism, honor indigenous roots, and reflect multiple, mixed-race identities. Although often mediated by transnational pop-culture industries, expressive cultural forms such as art and music articulate resonant themes that connect US Latinos and Latinas to Latin Americans, pointing the way toward a hemispheric imaginary. In US murals, for example, whether in the Chicago neighborhood of Pilsen or the Los Angeles neighborhood of Highland Park, pan-American expressive culture offers alternative representations by embracing indigeneity, and it creates a sense of place by tropicalizing urban spaces.

Deskripsi Budaya Organisasi dalam Amal Usaha Muhammadiyah (Studi Kasus Universitas Muhammadiyah Gorontalo)

ARISTO ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 34
Author(s):  
Muh. Firyal Akbar ◽  
Sri Handyani Suprapto ◽  
Widya Kurniati Mohi
Keyword(s):  
Organizational Culture ◽  
Data Collection ◽  
Qualitative Method ◽  
Hard Work ◽  
Case Study Approach ◽  
Study Approach ◽  
Objective Description

This research is generally aimed at strengthening Muhammadiyah union institution in one of Muhammadiyah's business charity in Gorontalo Province, whereas specifically the purpose of this research is to know objective description about reality that happened at campus of Muhammadiyah University of Gorontalo from organizational culture that developed on campus This, taking into account the organizational culture found in Muhammadiyah in accordance with the PHIWM. This research uses qualitative method with case study approach. Data collection techniques used are observation, interview and documentation. Research time started from January to June 2017 From the results show that the employees have not implemented properly. Indicators of hard work still have not shown good results because most employees still do not understand the main duties and functions in work. Discipline indicators are also not well implemented where there are still many employees who enter the campus through the provisions of the time set as well while attending events on campus and when entering the time of prayer still not heed these things. The last indicator is the optimization in the work also has not shown the maximum results because only a few who are able to work effectively in accordance with the work agenda that they set previously.

Strategi Humas Partai Gerindra dalam Membangun Citra Partai pada Pemilu 2014

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Rialdo Rezeky ◽  
Muhammad Saefullah
Keyword(s):  
Data Collection ◽  
Public Relations ◽  
Media Relations ◽  
Executive Board ◽  
The Public ◽  
Community Or ◽  
The Subject ◽  
Main Components ◽  
The Right ◽  
Participatory Observation

The approach of this research is qualitative and descriptive. In this study those who become the subject of research is an informant (key figure). The subject of this study is divided into two main components, consisting of internal public and external public that is from the Board of the Central Executive Board of Gerindra Party, Party Cadres, Observers and Journalists. The object of this research is the behavior, activities and opinions of Gerindra Party Public Relation Team. In this study used data collection techniques with interviews, participatory observation, and triangulation of data. The results of this study indicate that the Public Relations Gerindra has implemented strategies through various public relations programs and establish good media relations with the reporters so that socialization goes well. So also with the evaluation that is done related to the strategy of the party. The success of Gerindra Party in maintaining the party’s image in Election 2014 as a result of the running of PR strategy and communication and sharing the right type of program according to the characteristics of the voting community or its constituents.Keywords: PR Strategy, Gerindra Party, Election 2014

scholarly journals ‘Gaijin Mangaka’: The boundary-violating impulse of Japanized “art comics”

2019 ◽  
pp. 3-26
Author(s):  
Ana Matilde de Sousa
Keyword(s):  
Coming Of Age ◽  
Pop Culture ◽  
First Century ◽  
Cultural Appropriation ◽  
Visual Artists ◽  
Culture Industries ◽  
Avant Garde ◽  
Graphic Narratives ◽  
Negative Identity

This paper investigates the artistic strategies of Japanised visual artists by examining the emerging movement of manga-influenced international “art comics”—an umbrella term for avant-garde/experimental graphic narratives. As a case study, I take the special issue of the anthology š! #25 ‘Gaijin Mangaka’ (July 2016), published by Latvian comics publisher kuš! and co-edited by Berliac, an Argentinian neo-gekiga comics artist. I begin by analysing four contributions in ‘Gaijin Mangaka’ to exemplify the diversity of approaches in the book, influenced by a variety of manga genres like gekiga, shōjo, and josei manga. This analysis serves as a primer for a more general discussion regarding the Japanisation of twenty-first-century art, resulting from the coming of age of millennials who grew up consuming pop culture “made in Japan”. I address the issue of cultural appropriation regarding Japanised art, which comes up even on the margins of hegemonic culture industries, as well as Berliac’s view of ‘Gaijin Mangaka’ as a transcultural phenomenon. I also insert ‘Gaijin Mangaka’ within a broader contemporary tendency for using “mangaesque” elements in Western “high art”, starting with Pierre Huyghe and Philippe Parreno’s No Ghost Just a Shell. The fact that the link to Japanese pop culture in ‘Gaijin Mangaka’ and other Japanised “art comics” is often more residual, cryptic, and less programmatic than some other cases of global manga articulates a sense of internalised foreignness, embedding their stylistic struggles in an arena of clashing definitions of “high” and “low,” “modern,” “postmodern”, and “non-modern”, subcultures and negative identity.

Sign in / Sign up

Export Citation Format

Share Document