ПерманентнаяреволюцияТроцкого:глобальныйреволюционныйтранзитилиутопия?

2019 ◽  
pp. 210-221
Author(s):  
V.A. Ermakov

В статье анализируется теория перманентной революции о Льве Троцком и попытках реализовать его в условия международных отношений начала XIX в. век. Задача формулируется примерно следующим образом вопрос: был ли это реалистичный проект распространения революционности преобразования на глобальном уровне или это была его утопия создатель и большевистское руководство Проект перманентной революции Троцкого рассматривается как реализация общей установки на Большевики за мировую революцию. Она казалась своему создателю оптимальной способ распространения социальных преобразований на глобальном уровне. Материал факты показывают, как события в Европе способствовали развитию о политике большевиков по экспорту революций. Определяет причины, повлиявшие на неэффективность данной политики и ее превращение в утопиюThe article analyzes the theory of the permanent revolution of Leon Trotsky and attempts to implement it in the conditions of international relations of the early nineteenth century. The problem is formulated around the following question: was it a realistic project of spreading revolutionary transformations at the global level or was it a utopia of its creator and the Bolshevik leadership The draft of the permanent revolution of Trotsky is seen as the realization of the general installation of the Bolsheviks for the world revolution. It seemed to its creator as an optimal way of spreading social transformations at the global level. The material of the facts shows how the events in Europe contributed to the development of the policy of the Bolsheviks for the export of revolutions. Determines the reasons that have affected the ineffectiveness of this policy and its transformation into a utopia

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.


Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


PMLA ◽  
1955 ◽  
Vol 70 (3) ◽  
pp. 417-432
Author(s):  
Elisabeth Schneider

Among the reviews of poetry in the early nineteenth century few have been more celebrated, or more notorious, than the review of Coleridge's Christabel which appeared in the Edinburgh Review for September 1816. The Quarterly on Keats, Mr. Blackwood's young men on the Cockney School, Jeffrey's “This will never do” of the Excursion, and the Edinburgh Review's indirect and unwitting gift to the world of English Bards and Scotch Reviewers—perhaps only these have had greater fame, of sorts. The destroyers of new poets may have had an inkling of the vengeance of posterity, for the authorship of some of these reviews was a mystery exceptionally well preserved even for that age of anonymous criticism. Time, however, and amateur detectives have succeeded in fixing the responsibility for most of them; the review of Christabel is the chief remaining puzzle.


Perichoresis ◽  
2021 ◽  
Vol 19 (1) ◽  
pp. 39-47
Author(s):  
Ottó Pecsuk

Abstract The paper examines the very beginnings of Bible Mission in Hungary within the Habsburg Empire in the first part of the nineteenth century. It divides the first thirty years into two major epochs: the one before Gottlieb August Wimmer, Lutheran pastor of Felsőlövő (Oberschützen) and agent of the British and Foreign Bible Society (BFBS) and the one characterized by his work until the revolution of 1848. In the paper, I summarize the main obstacles of Bible Mission both political and religious as well as the main achievements and formations of policies and practices that still define Bible Mission of the Bible Societies in all around the world. The work of BFBS in Hungary in this period was also intertwined with the formative period of the Budapest Scottish Mission, a topic that I also touch in the paper.


Humanities ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 125
Author(s):  
Nicholas Birns

Despite huge sales and publicity on its issuance in 2004, Susanna Clarke’s Jonathan Strange & Mr Norrell has received comparatively little sustained critical attention. This article argues that much of this neglect proceeds from assumptions that the book is nostalgic for a sovereign magic, when in fact its historicity is a way of shaking up time itself. I argue Clarke is looking to the early nineteenth century as the earliest possible modernity, a time in which magic is intertwined with the world much as it would be today if magic arose now. Examining the sociable magician Norrell, the questionably resurgent medieval king John Uskglass and the African-descended manservant Stephen Black provide different models of what the interrelationship between magic and reality can be and serve to destabilize any sense of a sovereign past in the book. The book’s plural magical modernity’s counter any atavistic sovereignty. By taking the reading of Clarke’s novel beyond nostalgic sovereignty, one can understand how it participates in the twenty-first century revaluation of fantasy as politically progressive and epistemically radical.


1988 ◽  
Vol 9 (1) ◽  
pp. 181-199
Author(s):  
Laurence Fuchs

There is a large stretch of coastal land in Sonoma County, California, that belonged to the Kashaya Indians long before Russian traders came in the early nineteenth century to establish the settlement which is now called Fort Ross. Only about a dozen Kashaya families are left on a forty acre reservation approximately a half hour’s drive from the coast. On my way to it in April 1985, driving through magnificent hills in the thick, cool northern California fog along Tin Bard Road, I passed the enormous, resplendent temple of the Nyingma Buddhists, called Odiyan. The Nyingmas, under the leadership of a Tibetan monk, had obtained 650 acres on which to build their nearly completed temple of gold leaf, copper and beautiful California woods. Behind the high, locked fence which prevents visitors from entering without special permission, Odiyan would soon receive Buddhist disciplines from all over the world.


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