scholarly journals Taking a Pass on Assessment Grades for a Career Focused Tour of the Middle East

2021 ◽  
Vol 33 (1) ◽  
pp. 148-167
Author(s):  
Mat Hardy ◽  
Sally Totman

The Middle East Study Tour (MEST) is a capstone elective unit that stands alone as a credit module towards an undergraduate degree. The tour has the dual purposes of exposing students to the Middle East region's political challenges and better illuminating potential career paths for life after university. But is one student's personal discovery (or their ability to express it in writing) more valuable than another's? Attaching a numerical grade to such endeavours would seem to indicate that. For this reason the MEST uses an 'Ungraded Pass' approach to the assessments. That is, the students pass the assignments (and the module) by submitting their work, but without any score being awarded. This article explains the mechanisms the MEST uses for assessment and how this aligns with the goal of the program to expose students to the real world of political struggles and career development.

Author(s):  
Samuel Araújo

This chapter questions the politico-epistemological potentials of and challenges notions of dialogue and collaboration in current scholarship on sound praxis. It addresses variable meanings of both dialogue and collaboration as general signifiers central both to social processes and the ethnographic experience. What motivates dialogue and collaboration, and how do variable motivations play (or not) in contexts of struggle for political recognition and valuing of forms of knowledge and practices under pressure from exploitation, inequality, and criminalization of the oppressed? The argument proceeds through three basic steps: (a) a synthetic examination of recent reviews of collaborative/dialogic/advocacy/applied/engaged work in both soundscape and music scholarship vis-à-vis the increasing and generalized self-awareness of local-global political struggles and tensions; (b) highlighting the role often ascribed to the so-called arts in mediating the negotiation of human coexistence in conflictive and post-conflict contexts; and (c) opening a debate on political-epistemological alternatives to research on sound praxis drawing on the theorists Paulo Freire, Orlando Fals Borda, and Luis Guillermo Vasco Uribe.


1984 ◽  
Vol 18 (2) ◽  
pp. 151-174 ◽  
Author(s):  
Paul E. Chevedden

Praising the photographs of Francis Frith, the grocery wholesaler-turned-photographer who undertook three photographic expeditions to the Middle East between 1856 and 1860, an Athenaeum critic wrote: “Mr. Frith, who makes light of everything, brings us the Sun’s opinion of Egypt, which is better than Champollion’s, Wilkinson’s, Eōthen’s, or Titmarsh’s.” Viewed as re-creations of nature itself, unmeditated reproductions of the real world fashioned by the direct agency of the sun, photographs were extolled as truthful and unbiased representations of reality. This conviction, which ignored the input of the human operator, imbued early photography with a passionate enthusiasm and mission: to reproduce the world in its own image, to make light of everything. Photography emerged not as an art form, still less as the result of certain developments in painting as proposed recently by Peter Galassi, but as an accurate and highly efficient means of transmitting visual information.


2010 ◽  
Vol 20 (3) ◽  
pp. 100-105 ◽  
Author(s):  
Anne K. Bothe

This article presents some streamlined and intentionally oversimplified ideas about educating future communication disorders professionals to use some of the most basic principles of evidence-based practice. Working from a popular five-step approach, modifications are suggested that may make the ideas more accessible, and therefore more useful, for university faculty, other supervisors, and future professionals in speech-language pathology, audiology, and related fields.


2006 ◽  
Vol 40 (7) ◽  
pp. 47
Author(s):  
LEE SAVIO BEERS
Keyword(s):  

2016 ◽  
Author(s):  
Lawrence A. Cunningham
Keyword(s):  

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