scholarly journals Mechanical Aid and Organic Aid

2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Fuqiang Yang

In the traditional sense, most of the aid has the characteristics of one-way free. With Europe's coming out of the haze of World War II and moving towards revival, most of the aid belongs to the two-way and mutually beneficial development, which is beneficial to both donors and recipients. Based on Durkheim's theory of organic unity and mechanical solidarity, the author tries to use organic aid and mechanical assistance to discuss China's assistance to Xinjiang.

2004 ◽  
Vol 32 (3) ◽  
pp. 373-400 ◽  
Author(s):  
Huub de Jonge

AbstractThe journalist and politician Abdul Rahman Baswedan has played a prominent role in the emancipation of the Indonesian Hadhramis and in the integration of the Hadhrami minority into the wider Indonesian society. During the early decades of the twentieth century, the comparatively small, and for outsiders relatively closed, community was in a constant state of dissension and confusion. It was divided by tensions that can be reduced to differences between the Hadhrami culture and the Indonesian cultures, and between loyalty to Hadhramaut, the region of their origin, and the country in which they were looking for a livelihood. It was only in the years leading up to World War II that the idea of being an Indonesian gained significance in these circles, not least of all thanks to Baswedan's efforts in this respect. This article examines Baswedan's childhood and school years in an Arab quarter, his journalistic training and political maturation, and his gradual realization that he belonged to a community that had no perception of its future identity. His "coming out" as an Indonesian; and his activities during the nationalist period, the Japanese occupation, and the years after independence in striving to break down the relative isolation of his Hadhrami compatriots will also be analyzed. Baswedan's life and career form a unique entry in the history of the problems that the Hadhrami community has experienced, both in the Dutch East Indies and in Indonesia.


2016 ◽  
Vol 47 ◽  
pp. 147-166
Author(s):  
Michael Burri

Rising from the ruins of a post-1918 Austria shed of its monarchical leadership and much of its former territory, the Salzburg Festival acquired a symbolic authority during the First Austrian Republic that continues to ensure its privileged place in Austrian politics and culture to this day. At the core of this privileged place are two signature legacies that, while grounded in the festival's prewar history, fortified a particular agenda of the Second Austrian Republic in defining Austrian history and national identity in the decades following World War II. The first, as expressed in 1919 by the festival's most articulate cofounder, Hugo von Hofmannsthal, is that with its Salzburg setting, the festival should be understood as situated in the “heart of the heart of Europe,” a place where the antitheses of Central European geography (German and Slavic, German and Italian), social class (commoner and elite), and aesthetic genre (dramatic theater and opera) encounter one another only to be dissolved through transcendence in an “organic unity.”


Author(s):  
Abigail C. Saguy

This chapter traces the origin of the term coming out to gay men in pre–World War II urban communities, who spoke of coming out into gay society. It recounts how, by the 1970s, coming out had become a political tactic by which people revealed their sexual orientation to friends, neighbors, and co-workers or—in the case of celebrities—more publicly via the mass media in an effort to challenge harmful stereotypes and gain sympathy. It reviews how, in the 1980s and 1990s, coming out was set up in explicit relation to the metaphor of the closet and how the mantra “Come Out, Come Out, Wherever You Are” became a demand for members of sexual minorities to declare their sexual orientation—bringing forth the “closet case” and “outing.” It considers critiques of the imperative to come out and arguments that gay men and lesbians have moved “beyond the closet.”


2010 ◽  
Vol 45 (2) ◽  
pp. 337-353
Author(s):  
JAMES GRAHAM WILSON

This article argues that the Jack Benny radio program reflected and illuminated America's sense of mission coming out of World War II by providing listeners with a conceptualization of a world in which the promotion of universal values was to usher in an era of lasting peace. A study of the Jack Benny Program from 1945 to 1950 illustrates how World War II changed the purpose of the show; how Jack Benny, his writers, and his cast understood notions of openness, pluralism, and internationalism; how the correlation they drew between social equality at home and international priorities abroad sometimes preempted official US policies; and how they provided, in the form of the show's central character, a model of supremely confident leadership in an era fraught with anxieties.


1996 ◽  
Author(s):  
Kimberly A. Lee ◽  
◽  
George E. Vaillant ◽  
William C. Torrey ◽  
Glen H. Elder

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