scholarly journals A digitális korszak orosz prózairodalmának tendenciái: az interaktív irodalom kérdéséhez

2020 ◽  
Vol 59 (1–2) ◽  
Author(s):  
Marija Csernyak ◽  
József Goretity

The paper focuses on the analysis of e-literature, which is also present in contemporary Russian literature. It defines e-literature as a modern cultural phenomenon which heavily builds upon the readers’ activity and choices, as well as interactivity. It reviews the characteristics of e-literature and its place in today’s literature, primarily based upon Mikhail Epstein’s theories. The article introduces the genre diversity and potentials of e-literature through one of the most characteristic works in Russian e-literature, Boris Akunin’s Octopus project.

2019 ◽  
pp. 110-116
Author(s):  
Nikolai S. Poliakov ◽  

The paper presents the analysis of religious themes in the lyrics of Russian rap artists. The songs of such musical groups and artists as “Kasta”, Detsl, FACE, Husky, Noize MC, “Sol’ Zemli”, “25/17” are considered. The article proves that rap in Russia has become a significant cultural phenomenon, and the lyrics of rap artists can be interpreted as poetry, inscribing it in the tradition of Russian literature. The article demonstrates that in Russian rap we can find such religious themes as God-seeking, anti-clericalism, criticism of religion as an institution, philippics against its individual representatives, a premonition of the coming Apocalypse, expressing a general sense of impending disaster. Musicians sensitively capture the atmosphere of the era and reflect it in their lyrics. Despite the fact that rap is a new form of art, in the world’s poetic tradition, dating back to the biblical texts, is reflected the works of Russian rap musicians, and at the same time it has a clear and sharp social character.


Author(s):  
Zukhra Kuchukova ◽  
Liana Berberova

The article is a conceptual assessment and thematic review of the literary space of the Internet, designated in modern humanities by the synthetic term «neterature». The authors of the article indicate the names of specific sites intended for lovers of foreign and Russian literature, potential participants in creative contests, as well as those who want to publish their own poetic or prose works in electronic «self-publish books». In some cases, the phenomenon of digitalization of literature is considered on the example of the activities of students of Kabardino-Balkarian State University.


Author(s):  
M.A. Dudareva ◽  

The object of the article is apophatics as a cultural phenomenon. The subject is the national topic in the works by N. A. Nekrasov, this year they celebrate the 200th anniversary of his birth. The material for the article is the poem “Who Can Be Happy and Free in Russia?”. The ethoses of life and death are hermeneutically reconstructed in the work. Much attention is paid to the Russian folklore tradition in the poem, which was expressed both explicitly and implicitly. The research methodology is reduced to a holistic onto-hermeneutic analysis aimed at highlighting the folklore, ethnographic paradigm of this literary text. Much attention is paid to a path-road mythologeme. Parallels are drawn with the Russian fairy tale, which is characterized by an otherworldly paradigm, the search for “another kingdom”. The research results are to identify the cultural potential of the poem for the further study of the national topic, national existence and otherness,apophatics as a phenomenon of Russian culture associated with the phenomenon of death. The results of the work can also be used in teaching courses in Russian literature, cultural studies, philosophy.


2020 ◽  
Vol 22 ◽  
Author(s):  
Chadwick Auriol Gaspard

Hip Hop is a cultural phenomenon that is constantly evolving and has made a worldwide impact in a short time. While it continues to change Hip Hop at its core remains the same. Victor Quijada artistic director of the Rubberband Dance company posed the question of “What more could Hip Hop be”. With those words in mind the focus of my research is to examine the movement and concepts/ideologies of the breakdancing subculture of Hip Hop; to create a fusion with contemporary dance. As such a brand-new system of movement with its own concepts and life could be created. The dance world is continuously shifting, and different skill sets, as well as ideologies, have been valued at different times and places. This exploration will challenge the mainstream ideals of what is currently considered “technique” and “foundation”


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