scholarly journals A STRAIN OF SENEQUISMO IN LATE-MEDIEVAL LITERATURE OF THE CATALAN DOMAIN: THE CASE OF FRA FRANCESC MONER (1463-1492)

2006 ◽  
Vol 20 (1) ◽  
pp. 229-261
Author(s):  
Peter Cocozzella
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Medieval Literature ◽  
Literary Text ◽  
Human Existence ◽  
Late Medieval ◽  
Late Middle Ages ◽  
Late Medieval Literature ◽  
Points Of Coincidence ◽  
The Moment

This essay is an exploration of Seneca’s influence on the bilingual (Catalan and Castilian) production, including poems and prose works, of Fra Francesc Moner, an extraordinarily talented Catalan writer of the late Middle Ages. After sampling Moner’s pithy renditions of Seneca’s sententious rhetoric, this essay delves into Moner’s assimilation of the salient topics and motifs that distinguish the Stoic philosophical system of Senecan vintage. The essay takes into account, particularly, some points of coincidence between Moner’s senequismo and that of Ausiàs March, the incomparable Valencian poet of the first half of the fifteenth century. An analysis of these coincidences suggests that Moner inherits from March a keen sensitivity to the metaphysical bond between the literary text as an icon of subjectivity and the moment-to-moment unfolding of human existence.

Knights, Cooks, Monks and Tourists: Elite and Popular Experience of the Late-Medieval Jerusalem Pilgrimage

2006 ◽  
Vol 42 ◽  
pp. 99-109 ◽  
Author(s):  
Kathryne Beebe
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Lower Class ◽  
Late Medieval ◽  
Beliefs And Practices ◽  
Late Middle Ages ◽  
Popular Interest ◽  
Multiple Levels ◽  
The Church

The Church of the Holy Sepulchre in the late Middle Ages was the centre of a range of pilgrimage activity in which elite and popular beliefs and practices overlapped and complicated each other in exciting ways. The Jerusalem pilgrimage, in the fourteenth and fifteenth centuries in particular, abounded in multiple levels of ‘elite’ and ‘popular’ experience. Through the pilgrimage writings of a fifteenth-century Dominican pilgrim named Felix Fabri, this paper will explore two specific levels: the distinction between noble and lower-class experiences of the Jerusalem pilgrimage (both physical and spiritual), and the distinction between spiritually ‘elite’ and ‘popular’ conceptions of pilgrimage itself – that uneasy balance between the spiritually-sophisticated, contemplative experience of pilgrimage promoted by St Jerome and the more ‘popular’ interest in traditional ‘tourist’ activities, such as gathering indulgences or stocking up on holy souvenirs and relics to take home. However, as we will see, even these tourist acts were grounded in the orthodox spirituality of late-medieval piety, and the elite and popular experiences of pilgrimage, whether social or spiritual, were not so distinct as they may first appear.

German-Italian Literary Connections in the Late Middle Ages: Boccaccio’s The Decameron in Light of Some Late Medieval German Narrative Precedents

2020 ◽  
Vol 55 (2) ◽  
pp. 260-278
Author(s):  
Albrecht Classen
Keyword(s):  
Middle Ages ◽  
Comparative Research ◽  
German Literature ◽  
Old French ◽  
Medieval Literature ◽  
Middle High German ◽  
Motif Analysis ◽  
Late Medieval ◽  
Late Middle Ages

AbstractComparative research focused on medieval literature continues to be characterized by many desiderata, especially with regard to the fruitful relationships between late medieval verse narratives, mæren, and the famous Italian storyteller Boccaccio and his Decameron. This paper brings to light four significant Middle High German verse narratives from the 13th or early-14th century that demonstrate remarkable similarities with stories contained in Boccaccio’s Decameron. While the study of Boccaccio’s sources has traditionally been focused primarily on Old French (fabliaux) or Latin sources, here I introduce a number of texts that were composed just a few decades earlier and which express, in surprising parallel, strikingly similar themes that could be straight from the textbook the Italian poet might have drawn from. We have, of course, no specific evidence as to Boccaccio’s direct familiarity with late-medieval German literature, but the motif analysis reveals major parallels between the examples in The Decameron and in those mæren.

Multiple Options: The World of the Fifteenth-Century Church

2008 ◽  
Vol 77 (2) ◽  
pp. 257-284 ◽  
Author(s):  
John Van Engen
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Late Antiquity ◽  
Church History ◽  
Historical Period ◽  
Late Medieval ◽  
Past Generation ◽  
Late Middle Ages ◽  
The World ◽  
Before And After

Any historical period called “late” is headed for interpretive trouble, and one called “late medieval” is probably doomed. Periodization is an artifice, as we know, yet also an art. Historians have entirely reconceived “late antiquity” over the past generation, transforming Roman decadence into an imperial and Christian culture three centuries long embracing the whole Mediterranean world, creative in its culture and foundational for societies that followed. But what of “late medieval”? In most textbooks the term comes paired still with “decline.” Humanists and Reformers first created the artifice of a “middle time,” a dismissive gesture toward the thousand years that separated them from the golden ages of antiquity and/or the early church. Nineteenth-century scientific historians introduced art into this artifice by dividing that amorphous millennium into semi-coherent sub-periods: “early” (400–1000), “high” (1000–1300), and a rump called “late” (1300–1500). Church history entered importantly into the characterizations, with the “late” period traditionally told as a series of catastrophes beginning with destructive confrontations between Pope Boniface VIII (d. 1303) and King Philip the Fair. The storyline for the two centuries that followed, whether treated as deepening darkness (traditional) or as an overripe autumn (Huizinga), depended on what came before and after. Early in the twentieth century, church historians introduced ecumenical and even ironic reversals: Catholic scholars, looking to their own reforms, conceded late medieval deviance and the need sometimes for reform; Protestant scholars, looking to a reform born of strength rather than decline, found a late Middle Ages full of flourishing religiosity and even modernizing initiatives. Others, skeptical of the Reformation as marking any decisive turn toward modernity (vs. Hegel), delighted in finding all manner of cults, relics, prophecies, and zealots still among these new Protestants. Oberman and McGinn by contrast have reconceived the fields of theology and mysticism, Huizinga's autumnal evanescence becoming a golden harvest. All the same—and this only a bit overstated—many Reformation histories still essentially start the world anew in the 1520s, now speaking German, and too many medieval histories still close their story with fourteenth-century “decline,” an apocalyptic onslaught of plague, revolt, schism, and war.

Cracking the Code: the Warden Abbey Morses, Luxury Metalwork and Patronage at a Cistercian Abbey in the Late Middle Ages

2011 ◽  
Vol 91 ◽  
pp. 175-193 ◽  
Author(s):  
Michael Carter
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
British Museum ◽  
Late Medieval ◽  
Late Middle Ages ◽  
Cistercian Order

AbstractThe three copper-gilt and enamel plaques from Warden Abbey are the most important examples of late medieval metalwork from an English Cistercian abbey. They are currently exhibited at the British Museum and dated to the mid-fifteenth century. A reinterpretation of the monograms decorating the plaques allows their patron to be identified as Abbot Walter Clifton (c1377–97). An analysis of the plaques’ style and iconography also suggests a late fourteenth-century date. Clifton's personal devotions and an unusual aspect of the plaques’ iconography can be explained by reference to the spirituality of the Cistercian Order. The plaques’ closest parallel is a roundel decorated with the badge of Richardii. Evidence from inventories and comparison with Continental material suggests that the Warden plaques were, in all probability, morses, used to fasten a cope.

Domina Paupertas: the praise of voluntary poverty by St. Francis of Assisi and its reflection in late medieval Spanish painting

2014 ◽  
Vol 14 (2) ◽  
pp. 105
Author(s):  
José María Salvador González
Keyword(s):  
San Francisco ◽  
Middle Ages ◽  
Jesus Christ ◽  
Large Set ◽  
Late Medieval ◽  
Late Middle Ages ◽  
Perfect Model ◽  
Material Goods ◽  
Potential Impact ◽  
Francis Of Assisi

As is well known, St. Francis of Assisi heroically embraced evangelical poverty, renouncing material goods and living in abject poverty, in imitation of Jesus Christ. Furthermore, through his writings and oral testimonies collected by his disciples, the saint fervently urged Christians to live to some degree voluntary poverty , of which Christ was the perfect model. By basing this reading on some Poverello’s quotations, this paper intends to show the potential impact that these exhortations from San Francisco to poverty may have had in the late medieval Spanish painting, in some iconographic themes so significantly Franciscan as the Nativity and the Passion of the Redeemer. Through the analysis of a large set of paintings representing both issues, we will attempt to put into light if the teachings of St. Francis on evangelical poverty are reflected somehow in Spanish painting of the late Middle Ages.

A Crooked Mirror for Princes

2018 ◽  
Author(s):  
Pavlína Rychterová
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Political Discourse ◽  
Late Middle Ages ◽  
Bourgeois Culture ◽  
Mirrors For Princes

This chapter examines the growing importance of the vernacular languages during the later Middle Ages in shaping the form, content, and audiences of political discourse. It presents a famously wicked king of the late Middle Ages, Wenceslas IV (1361–1419), as a case study and traces the origins of his bad reputation to a group of fourteenth- and fifteenth-century writings. These have often been dismissed as fictions or studied solely as literature, but in fact they represent new modes of articulating good and bad kingship. The chapter shows that, in the context of an increasingly literate bourgeois culture, especially in university cities, these vernacular works transformed Latin theological approaches to monarchy, while rendering mirrors for princes and related literatures accessible to an unprecedented audience.

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