Introduction: Disabling the Human

Author(s):  
Stuart Murray

Introduces the central features of the book: a concentration of critical disability studies and posthuman theory; questions of embodiment and technology; the focus on twenty- and twenty-first- century literatures and twenty-first-century film. The introduction also outlines the contents of the chapters and has a particular focus on the writings of L. Frank Baum, especially The Wonderful Wizard of Oz.

2018 ◽  
pp. 205-222
Author(s):  
Paul R. Laird

This chapter brings new insights to Wicked, the most successful attempt to rework Baum’s story since the 1939 movie. Wicked is the biggest musical hit of the early twenty-first century, but its phenomenal success would never have been possible without its close ties to The Wizard of Oz. Based on Gregory Maguire’s novel by the same name that turns L. Frank Baum’s story on its head, the musical Wicked makes the Wicked Witch of the West a misunderstood young woman doing battle with a wizard who is an interloper from another world that has taken over Oz and made the Talking Animals scapegoats for all of the land’s ills. Despite their new interpretation of the familiar tale, the show’s creators wanted to include as many resonances as possible from the famed MGM film, a crusade that took them into difficult legal waters that resulted in unwelcome changes to the show courtesy of lawyers at Universal Pictures, the show’s principal producer. This chapter is a consideration of how Stephen Schwartz and Winnie Holzman, the writers of Wicked, appropriated narrative and musical aspects of Baum’s original book and the 1939 film, where they ran into problems in doing so, and how some of those problems were solved.


This new multiauthor volume will examine The Wizard of Oz and its surrounding culture, centering on three areas of study: early adaptations of Baum’s novels, insights into the MGM film, and the legacy of The Wizard of Oz on the popular stage. Although the articles will devote some attention to the genesis of the musical and the biographical profiles of the creative team, the book will prioritize critical and analytical readings. Authors will primarily illuminate the reasons why The Wizard of Oz has become iconic in the history of the movie musical, acknowledging the great lengths to which MGM went in making it an exceptional project, and why it continues to hold so much appeal in the twenty-first century. The development of the score will receive particularly close attention, filling an important gap in the literature and addressing the fact that the songs are key to the movie’s popularity. Two central chapters will address the music in the MGM film, considering the interaction between the songs and the underscore, and also reflecting on the enduring appeal of the musical numbers. But the significance of the music in early stage productions and later reinterpretations will also be given careful attention: several of the authors will question how the music is employed alongside other components—on stage and screen—and to what effect. Ultimately, the book will incorporate a variety of scholarly approaches, to present an authoritative and engaging understanding of one of the most significant movie musicals that will appeal to film lovers and academics alike.


2018 ◽  
pp. 223-240
Author(s):  
Walter Frisch

To paraphrase one of the most famous lines in movie history, we are not in Kansas—or in Oz—anymore. Nevertheless, the songs of The Wizard of Oz have continued to resonate well beyond the 1939 MGM film, extending deep into the political, cultural, and social contexts of the early twenty-first century. This chapter explores something of the afterlives of the songs, with a special focus on the most popular one, “Over the Rainbow,” which has achieved iconic status over the past eighty years. And if there is any overarching legacy of the songs, it is perhaps the idea that however much we dream or hope, we should not give up our home, our roots.


2006 ◽  
Author(s):  
Perri Six ◽  
Nick Goodwin ◽  
Edward Peck ◽  
Tim Freeman

Sign in / Sign up

Export Citation Format

Share Document