Sowing Seeds of Justice

Author(s):  
Tonya Evette Walls ◽  
Malayka Neith Cornejo ◽  
Tara J. Plachowski ◽  
Erica Kristina Reid ◽  
Soo Park

Forming the basis for a provocative dialogue and written to illuminate teaching stories often pushed to the margins, this chapter provides a counter-narrative to the discourse surrounding leaky teacher-of-color pipelines and the national teacher crisis. Employing a critical race analytical lens, critical auto-ethnographic approach, and narrated through prose, five female educators committed to social justice share how they rely on unique and intersecting identities to sustain themselves in contested school spaces, while simultaneously exploring the cultural wealth they and their students bring into those spaces. Their collective stories reveal important lessons essential to our understanding of how to develop teachers for social justice. They also provide insight for those who teach in schools and classrooms meant to educate our most vulnerable and under-served students, and may answer the question, Why doesn't anyone want to teach anymore?

Author(s):  
Tonya Evette Walls ◽  
Malayka Neith Cornejo ◽  
Tara J. Plachowski ◽  
Erica Kristina Reid ◽  
Soo Park

Forming the basis for a provocative dialogue and written to illuminate teaching stories often pushed to the margins, this chapter provides a counter-narrative to the discourse surrounding leaky teacher-of-color pipelines and the national teacher crisis. Employing a critical race analytical lens, critical auto-ethnographic approach, and narrated through prose, five female educators committed to social justice share how they rely on unique and intersecting identities to sustain themselves in contested school spaces, while simultaneously exploring the cultural wealth they and their students bring into those spaces. Their collective stories reveal important lessons essential to our understanding of how to develop teachers for social justice. They also provide insight for those who teach in schools and classrooms meant to educate our most vulnerable and under-served students, and may answer the question, Why doesn't anyone want to teach anymore?


2021 ◽  
Vol 123 (13) ◽  
pp. 1-37
Author(s):  
Stephen D. Hancock ◽  
Ayana Allen-Handy ◽  
John A. Williams ◽  
Bettie Ray Butler ◽  
Alysha Meloche ◽  
...  

Background/Context Teaching to empower requires a critical focus on the unique challenges and opportunities of teaching in socially unjust educational environments. Effective teaching happens in an environment that engages students and teachers in critical investigation of content, knowledge, and activities. Critical learning environments simultaneously nurture the development of multiple perspectives and challenge the status quo. Establishing a critical learning environment is imperative in an educational system that is plagued with academic and social injustices. Therefore, teaching to empower necessitates that teachers, with the help of students, dismantle injustices through culturally responsive teaching, the development of agency and activism, the growth of multiple perspectives, and the capacity to challenge the status quo. Purpose/Objective/Research Question/Focus of Study The purpose of this chapter, a conceptual paper, is to lay the foundation for a framework of social justice action projects, which we differentiate from social action projects on the basis that social justice action projects are enveloped in critical race theory. Three educator vignettes are shared to illustrate how this framework functions in practice. We provide an example of a classroom teacher, a teacher educator, and a research perspective. Research Design This chapter, a conceptual paper, examines four components that we believe are essential for transforming social action projects into social justice action projects. Through personal narratives, we illuminate the challenges and successes of social justice action projects as they relate to learning, students, educators, and the community. Four of the authors, who are also researchers and educators, share autoethnographic experiences of their participation in social justice action projects in education. Data Collection and Analysis This chapter is a conceptual paper that seeks to illustrate the conceptual framework presented in the introduction of the chapter with three practical examples told from the point of view of the author teachers. Findings/Results When critical race theory acts as a framework for social action projects, these become social justice action projects, which, when properly applied, avoid many of the pitfalls that are common when social action projects do not serve the priorities of their community partners. For students, critical race-based pedagogies can serve to develop critical consciousness. Meanwhile, critical methods provide means by which students and community partners develop agency and activism. Conclusions/Recommendations Teaching through social justice action projects engages both students and teachers in critical dialogues that support empowered, action-oriented learning. While many effective teaching methods and strategies exist, the use of social justice action projects provides knowledge production, dialogue, and thinking beyond the whitewashed curriculum to create a world in which students, teachers, and community partners are empowered to make positive differences.


2020 ◽  
Vol 4 (3) ◽  
pp. 260-283
Author(s):  
Blossom Stefaniw

Two recently-published works involved in the representation of women in the Christian past show two contemporary but divergent historiographic modes. The following essay examines each study within a larger frame of inquiry as to how patriarchy continues to shape both the institutional and embodied orders within which feminist historiography of early Christianity and Late Antiquity takes place. Using Critical Race Theory as the best available perspective from which to engage with systems of oppression, I articulate certain revisions which should be made to current efforts towards equality and consider what it would mean to write feminist historiography as counter-narrative or counter-storytelling without that becoming a decorative or extra-curricular practice in the academy. When feminist historiography is treated simultaneously in institutional, embodied, and epistemic terms it becomes evident that the way we think about women is part of a high-stakes conflict around the use of the past.


2018 ◽  
Vol 1 (1) ◽  
Author(s):  
AM Hermien Kusmayati

AbstractThis study aims to analyze the background and sustainability of plurality or diversity of Indonesian art and culture in the form of implementation as a revitalization of traditional performing arts. Qualitative research with an ethnographic approach and an emic and ethical point of view are employed to observe it. The richness of art —both material and non-material with its various aspects are created through struggles against nature, space, and time which are not always easy to address. The cone-shaped cultural wealth as an art is created from the depths of consciousness, understanding, and insight which are not simple but bearing various symbols. The use of symbols in the form of art lengthens its roots from one generation to the next as a representation of the clarity and wisdom of the crystallization of the intelligence of feelings and thoughts. Informal and non-formal educations are efforts which can be done by the present generation to confirm its sustainability. In the vastness of a very open global era, as intercultural interactions intensify, a strong and resilient culture is needed. As something inherited, the future sustainability lies in the hands of the generation, i.e. the society of the recipients in the present and the future.Keywords: Indonesian art; traditional dance; batik; mamacaAbstrakKeberlanjutan dan Penguatan Seni-Budaya. Penelitian ini bertujuan untuk menganalisis latar belakang dan keberlanjutan pluralitas atau keberagaman seni budaya Indonesia dalam wujud pelaksanaan sebagai suatu revitalisasi seni pertunjukan tradisi. Penelitian kualitatif dengan pendekatan etnografis dan sudut pandang emik serta etik ditempatkan untuk mencermatinya. Kekayaan seni – budaya baik bendawi maupun non bendawi dengan berbagai aspeknya diciptakan melalui pergulatan terhadap alam, ruang, dan waktu yang tidak selalu mudah disikapi. Kekayaan budaya yang mengerucut sebagai seni yang diciptakan dari kedalaman kesadaran, pemahaman, serta penghayatan yang tidak sederhana bermuatan berbagai simbol. Penggunaan simbol-simbol dalam wujud seni, memanjangkan akarnya dari satu generasi ke generasi berikutnya sebagai representasi kejernihan dan kearifan dari kristalisasi kecerdasan perasaan dan pikiran. Melalui dan di dalam pendidikan baik formal maupun non formal adalah upaya yang dapat dilakukan oleh generasi sekarang untuk meneguhkan keberlanjutannya. Di keluasan era global yang sangat terbuka, ketika interaksi kebudayaan antarbangsa semakin intensif, sungguh diperlukan ketahanan budaya yang sangat kuat dan tangguh. Sebagai sesuatu yang diwariskan, maka kelanjutannya di masa depan berada di tangan generasi pewarisnya, yaitu masyarakat penerimanya pada saat sekarang maupun yang akan datang.Kata kunci: kesenian Indonesia; tari tradisi; batik; mamaca


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