scholarly journals MILANO E LE ESPOSIZIONI UNIVERSALI: TRA LAVORO, TECNICA E CONSUMI

Author(s):  
Emanuela Scarpellini

The paper analyzes the reasons that made Milan the “City of Fairs” for over a century. The hypothesis is that the city has been able to interpret and disseminate the cultural paradigms linked to the idea of development that have led the growth of the city itself and the entire country. It deals primarily with the cultural factors underlying the creation of large international exhibitions, starting with the London Fair in1951 and the Paris Fair in 1889, showing their presence in the International Fair of Milan in 1906. Particularly strong are the aspects linked to nationalistic affirmation, faith in science and work, and the use of new forms of spectacle. The essay then analyzes the fracture caused by World War II and the many changes following it, both regarding the places of fairs and the underlying cultural messages. It emerges a new awareness about the role of consumption and, over time, different forms of spectacle trying to adapt to the new media. In this context also the Milan Fair in 2015 seems to be fully representative of the actual cultural change.

2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


Author(s):  
Roberta Gold

In postwar America, not everyone wanted to move out of the city and into the suburbs. For decades before World War II, New York's tenants had organized to secure renters' rights. After the war, tenant activists raised the stakes by challenging the newly dominant ideal of homeownership in racially segregated suburbs. They insisted that renters as well as owners had rights to stable, well-maintained homes, and they proposed that racially diverse urban communities held a right to remain in place—a right that outweighed owners' rights to raise rents, redevelop properties, or exclude tenants of color. Further, the activists asserted that women could participate fully in the political arenas where these matters were decided. Grounded in archival research and oral history, this book shows that New York City's tenant movement made a significant claim to citizenship rights that came to accrue, both ideologically and legally, to homeownership in postwar America. The book emphasizes the centrality of housing to the racial and class reorganization of the city after the war, the prominent role of women within the tenant movement, and their fostering of a concept of “urban community rights” grounded in their experience of living together in heterogeneous urban neighborhoods.


Urban History ◽  
2013 ◽  
Vol 40 (4) ◽  
pp. 597-605
Author(s):  
MARKIAN PROKOPOVYCH

It is somewhat surprising that music has only recently become a serious subject for urban historians. Musicologists and music historians, urban geographers, planners and all others who deal with diverse aspects of local development, cultural industry and the built environment have fared much better in tackling the fundamental social implications of music in a particular locality. It is not an accident that, for example, the recent volume ofBuilt Environment, ‘Music and the city’, edited by an economic geographer, Robert C. Kloosterman, deals with urban spaces of creativity and the role of black music today, some of which have by now an ascribed ‘urban’ adjective in North America.1It is also only natural, however, that Kloosterman's enquiry should concentrate on music in the city of the present and rarely venture into the time periods before World War II.


2020 ◽  
Vol 68 (2) ◽  
pp. 467-485
Author(s):  
Sanja Petrovic-Todosijevic

The paper is an attempt to point out the problems faced by the new communist authorities in Yugoslavia in the years after the victory in the War and the Revolution in the process of emancipation and additional feminization of the teaching vocation, with particular emphasis on the period until the adoption of the General Law on Education (1958). Particular emphasis will be placed on policy analysis as well as concrete measures that have led to a different profile of the role of the teacher in the post-war society. On the one hand, it will highlight the concrete measures taken by the state to motivate as many women as possible to opt for the teaching job. On the other hand, they will point out the many problems faced by many teachers whose professional and professional qualities, in assessing the quality of their work, are not so infrequently subordinated to their ?moral characteristics?.


Author(s):  
Barbara Giza

The article is an analysis of the image of ruins of Warsaw in Polish feature films after World War II. There is a strong tendency to connect this image with the current political (and psychological) situation, from the enthusiasm of rebuilding Warsaw just after the war to the depressive moods of the late fifties and sixties. The ruins of the city are depicted as a symbol of political and social changes in Poland in this article.


Author(s):  
Mordechai Zalkin

The Jewish community in Vilna began in the middle of the 16th century, when the Polish king, Zygmunt August, allowed the Jews to settle in the city and operate mainly in the commercial sphere. From this stage onward, the local Jewish community developed rapidly, the community synagogue was established and the Jews lived in the space allocated to them, and later became recognized as the Jewish quarter. From the middle of the 18th century Vilna became a community of unique importance in eastern European space, due to the development of a religious scholarly center, the most prominent of which was Rabbi Eliyahu Kremer, known as the Gaon of Vilna. Since the beginning of the 19th century, there has been a significant increase in the city’s Jewish population, which has spread to other neighborhoods in the city. At the same time, various circles among local Jews underwent a gradual process of cultural change, manifested in the absorption of the worldview of the Enlightenment. Several social circles operated in this spirit, among them poets, writers, and educators. The latter initiated the establishment of modern schools, and in the middle of the 19th century Vilna became the most important center of Jewish enlightenment in eastern Europe. In the second half of the century, Vilna became one of the main centers of the spread of nationalist and socialist ideologies, as well as one of the worldly most known center of Jewish books printing and publication. At the beginning of 1880, the first association of Hovevei Zion was organized in the city, and in 1897, the General Federation of Jewish Workers in Russia, Lithuania, and Poland, better known as the Bund, was also established in Vilna. During the First World War many of the Jews of Vilna left the city, and at the beginning of 1920 the city was annexed to Poland. In the period between the world wars, most of the local Jewish population suffered from considerable economic difficulties, and at the same time they experienced a significant cultural and educational flowering. The Institute for Jewish Research, known as YIVO, was established in Vilna in 1925. Likewise, during those years there was an impressive diversity in the local Jewish educational system, both for boys and girls, and especially for those with a Zionist orientation. Hundreds of Jewish students studied at the various faculties of the local university, despite manifestations of hostility and violence by militant groups of Polish students. With the outbreak of World War II, many refugees from Poland arrived in Vilna, and with the German invasion in the summer of 1941, all city Jews were concentrated in two ghettos. During the war, most of the Vilna’s Jews were murdered in Ponary, and other murder sites. After the war, a small Jewish community lives in the city.


2014 ◽  
Vol 42 (2) ◽  
pp. 242-268 ◽  
Author(s):  
Tatiana Zhurzhenko

The fight for Lwów/Lviv in 1918 was the first military conflict in the difficult twentieth-century history of Polish–Ukrainian relations. In the inter-war period, an impressive military memorial, the Eaglets Cemetery, was constructed in Lwów to honor the young defenders of the city. A monument to the Eaglets was also erected in the neighboring Przemyśl. In inter-war Poland, the Ukrainians, who had lost their cause for state independence, created their own cult of national heroes, the Sich Riflemen. Their graves in Lwów and Przemyśl, as well as in many smaller towns, became sites of public commemoration and national mobilization. This article traces the emergence, the development and the post-World War II decay of both competing memorial cults, focusing on their revival and political uses after 1989. It examines the trans-border aspects of memory politics in Lviv and Przemyśl and analyses the role of war memorials in (re-)establishing the link between ethnic communities and their homelands.


Author(s):  
Fay Anderson

The 20th century was defined by violent conflict: war, genocide, and military occupation. World War I left approximately 10 million dead and World War II had a death toll estimated at 55 million. It has been conservatively calculated that the total number of dead killed in wars during the century was 108 million, as the casualties shifted from armed combatants to victims of mass extermination in civil wars and wars of colonization. Civilian collateral damage and the targeting of civilians by ethnicity and religion became tragically common. Journalists have witnessed and chronicled the seismic military, social, cultural, and political transformations, as well as providing a vital democratic function. Paralleling this age of devastation was the ascendant power of legacy media and its golden age in the West. The combination of technological advancement, the professionalization of the industry, greater literacy and expanded newspaper readerships, and mass culture brought the press to the frontline in unprecedented numbers and in a new and intimate relationship. Journalists functioned and continue to operate as witnesses, communicators, recorders, and interpreters, on both the battlefield and the home front, as well as negotiating the competing demands of their media organizations, the public, political, and military elites, and their professional lives. This century had barely dawned when armies and a largely jingoistic press were marshalled in Afghanistan and Iraq after the attacks in the U.S. on September 11, 2001. The nature of warfare had evolved—from limited wars with clearly identified armies on demarcated fronts to non-conventional wars and wars of insurgency—and, with it, changes in the relations between the state, military, and media. The conflicts in this millennium provoked both long-standing and new debates surrounding the role of the press and how it actively mediates conflict, censorship, and patriotism in a hostile media environment. Journalism also experienced profound change technologically and industrially. With the fragmentation of the media business model and editorial gatekeeping, and liberated by new media, the legacy media’s relationship with conflict has changed. New voices have gained prominence. Non-Western journalists have been accorded greater recognition when reporting invasion and conflict from a local perspective. Civilians also became both an important conduit and problematic source of news, there has been an upsurge of government and military propaganda, and terrorists have become chilling media producers. For other state media organizations in the East, their global footprint has expanded rather than diminished. Nevertheless, the debates about the image and role of journalism during armed conflict; censorship; media power, technology, and mediatization; and the physical and psychological dangers experienced by journalists when witnessing and reporting conflict, prevail.


2015 ◽  
pp. 49-87
Author(s):  
Sylwia Bykowska

This article attempts to analyse the trials held against the guards of the Stutthof concentration camp and the public execution of eleven criminals sentenced to death. The proceedings were held before the Special Criminal Court in Gdansk from 25 April to 31 May 1946. The sentence was carried out on a hill called Biskupia Górka (Stolzenberg) on 4 July of that year, in the presence of a crowd numbering in the tens of thousands of people. These events are shown as a ritual, which did not only punish Nazi perpetrators, but also fulfilled important social and political functions. Attention is also paid to the role of the city of Gdansk, which was undergoing another transformation in its history after the end of World War II, in the process of the settlement of the Nazi crimes.


2021 ◽  
Vol 2021 (01) ◽  
pp. 254-259
Author(s):  
Alexander Ulyanin ◽  
Olga Ulyanina

The article updates the role of the PCIA during the Great Patriotic War. It highlights the heroic feat of the 10th division of the PCIA under the leadership of A. A. Saraev in the Battle of Stalingrad. It is noted the courage and perseverance of police officers, whose tasks in the defense of the city were associated with fighting, participation in the organization of the partisan movement, protection, evacuation of citizens, and the fight against saboteurs. The historical significance of the Battle of Stalingrad in World War II is emphasized. It tells about the traditions of the Hero City of Volgograd and the continuity of generations, about the eternal memory and gratitude for the feat of compatriots. Through the prism of the events of the war years, the issues of information and psychological protection of the victory of the USSR in the Great Patriotic War and countering the falsification of history are raised.


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