scholarly journals A database devoted to the insects of the cultural heritage

2011 ◽  
Vol 43 (2) ◽  
pp. 95
Author(s):  
Fabien Fohrer ◽  
Michel Martinez ◽  
Franck Dorkeld
Keyword(s):  
Cultural Heritage ◽  
Museum Collections ◽  
Historical Buildings ◽  
Cultural Properties

This database, implemented by both the CICRP and the INRA, gathers the most important pests affecting the cultural heritage. These insects represent a serious threat to the preservation of cultural properties such as museum collections, libraries and archives, movable objects and immovable objects in historical buildings. It is an easy tool for identifying the species of interest. It also permits very prompt undertaking of the required actions against the infestations. This database is of interest to any professional in charge of the conservation of the cultural heritage along with any other professional or scientist interested in these subjects.

Library and Museum Collections Digitization Projects in Finland

2009 ◽  
pp. 95-100
Author(s):  
Yulia S. Chechikova
Keyword(s):  
European Union ◽  
Cultural Heritage ◽  
European Countries ◽  
Museum Collections ◽  
The European Union ◽  
Scientific Heritage

Digitization of a national cultural and scientific heritage is one of the long-term strategic problems of the European countries’ governments. Member countries of the European Union make major efforts in providing access to their cultural heritage. In the article the process of an access provision is described for Finland.

The less considered part: Contextualizing immaterial heritage from German colonial contexts in the restitution debate

2021 ◽  
pp. 1-11
Author(s):  
Mèhèza Kalibani
Keyword(s):  
Cultural Heritage ◽  
Human Remains ◽  
Digital Archive ◽  
Museum Collections ◽  
Inventory Data ◽  
Sound Recordings ◽  
German Colonialism ◽  
The People ◽  
Available Information

Abstract Since the publication of the “restitution report” by Felwine Sarr and Bénédicte Savoy in November 2018, the debate around the restitution of African artifacts inherited from German colonialism in German museums has become increasingly intense. While the restitution debate in Germany is generally focused on “material cultural heritage” and human remains, this reflection attempts to contextualize the “immaterial heritage” (museum collections inventory data, photographs, movies, sound recordings, and digital archive documents) from German colonialism and plead for its consideration in this debate. It claims that the first step of restitution consists of German ethnological museums being transparent about their possessions of artifacts from colonial contexts, which means providing all available information about museum collections from colonial contexts and making them easily accessible to the people from the former German colonies.

scholarly journals Things that time forgot Native American objects in Danish Museums Problems and possibilities

2019 ◽  
Vol 26 (2) ◽  
pp. 57-76
Author(s):  
Laura Ahlqvist ◽  
Mathias Bjørnevad ◽  
Felix Riede ◽  
Magdalena Naum
Keyword(s):  
At Risk ◽  
Native American ◽  
Cultural Heritage ◽  
Museum Collections ◽  
Post Colonial ◽  
Nineteenth And Twentieth Centuries ◽  
Museum History ◽  
Rich Material ◽  
Timely Issue

We present a hitherto unresearched part of a shared Danish and American cultural heritage: Native American objects in Danish regional museum collections. Thus far, we have identified more than 200 Native American artefacts in 27 local museums, largely a result of Danes abroad privately collecting in the late 1800s and 1950s–70s. The majority of these artefacts, many of which are prehistoric in age, have never been displayed and have lingered in storage since they were accessioned, understudied and often unrecognised for what they are. Recent deaccessioning pressures from the Danish Agency for Culture and Palaces potentially place these objects at risk of destruction, making the discussions presented here a timely issue. These Native American objects, like the unknown numbers of other non-Danish artefacts held by regional museums, hold tremendous potential to elucidate overlooked parts of Danish museum history, trans-Atlantic networks and interconnectedness in the nineteenth and twentieth centuries, as well as rich material cultures originating far from Denmark. We argue that this perspective is highly relevant and should be utilised in Danish museums, as it begets reflections on Danish glocal identity and society in a post-colonial world.

scholarly journals HISTORICAL HERITAGE AND SUSTAINABLE URBAN DEVELOPMENT: CHALLENGES IMPOSED ON OWNERS AND MANAGERS OF LISTED HISTORICAL BUILDINGS IN THE CITY OF SÃO PAULO

2021 ◽  
Vol 11 (4) ◽  
pp. 23-35
Author(s):  
Fernanda Cardoso Romão Freitas ◽  
Fabiane Domingues de Magalhães de Almeida ◽  
Alcides Garcia Junior
Keyword(s):  
Cultural Heritage ◽  
Urban Development ◽  
Sao Paulo ◽  
Sustainable Urban Development ◽  
São Paulo ◽  
Historical Buildings ◽  
The World ◽  
Historical Heritage ◽  
The City ◽  
Lack Of Knowledge

The worldwide concern regarding sustainable urban development has been increasing as the populations of countries increase and demand more consumption of the already scarce natural resources. According to the United Nations, it is estimated that 55% of the world population lives in urban centers, with the perspective of surpassing 68% in 2050. In Brazil, 84% of the population today live in the cities. One of the goals of sustainable development is to make cities more sustainable and inclusive and, to accomplish such goal, many variables need to be accomplished, among which is the strengthening of efforts to protect and safeguard cities’ cultural heritage, for the present and future generations. Seeing as São Paulo is the 10th urban city in the world, and its historical heritage preservation policies are recent and in the process of being outlined, this research strives to answer: What are the main challenges identified by owners/managers of listed historical buildings in São Paulo, which stand in the way of conserving/preserving their properties? Results revealed that the main challenges are a lack of knowledge about what interventions can be done to the property, lack of knowledge on incentive laws and more feasible ways for the conservation of historical sites and dealing with excessive bureaucracy. Such results contribute to the implementation of urban development policies focused on the sustainable goal of safeguarding the city’s cultural heritage, in order to propitiate advancements in preserving the memory and identity of the city through the conservation of properties listed as historical heritage.  

3D Digitization of Architectural Heritage

2019 ◽  
pp. 51-85
Author(s):  
Caterina Morganti ◽  
Cristiana Bartolomei
Keyword(s):  
Cultural Heritage ◽  
Large Scale ◽  
Current Issue ◽  
Technological Application ◽  
Historical Buildings ◽  
Architectural Heritage ◽  
3D Digitization ◽  
Cloud Of Points

This project's principal intention is developing a structure from a motion thematic applied to an architecture field in both medium and large scale, in order to generate a cloud of points. These are obtained thanks to photographic footage, which can later be used during the H-BIM process. The matter of 3D digitalization is a very current issue for many countries including Cuba. The growth of such a technological application for tridimensional restitution of historical buildings is treated by giving special attention to those belonging to Havana's architectural and cultural heritage.

Part II Substantive Aspects, Ch.11 World Cultural Heritage

2020 ◽  
Author(s):  
Francioni Francesco
Keyword(s):  
Cultural Heritage ◽  
Cultural Property ◽  
Dynamic Evolution ◽  
Special Position ◽  
Natural Heritage ◽  
Intangible Heritage ◽  
The World ◽  
Cultural Properties ◽  
Unesco Convention ◽  
World Cultural Heritage

The concept of ‘world heritage’ was legally codified by the 1972 UNESCO Convention Concerning the Protection of the World Cultural and Natural Heritage (WHC). This convention occupies a special position in the ever-expanding body of international cultural heritage law. This is for three fundamental reasons. First, with its 193 States Parties, it is a truly universal treaty in force for the protection of cultural heritage. Second, it represents a major innovation by its unprecedented approach that brings together cultural properties and natural sites of exceptional importance, both subject to the same system of international cooperation for their identification, delineation, and protection. Third, this convention has contributed to the reconceptualization of ‘cultural property’, paving the way for its dynamic evolution into the more comprehensive concept of ‘cultural heritage’, understood as the inherited patrimony of culture—inclusive of the intangible heritage and living culture of relevant human communities.

Who Moved My Masterpiece? Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto

2017 ◽  
Vol 24 (3) ◽  
pp. 295-320 ◽  
Author(s):  
Shoji Yamada
Keyword(s):  
Cultural Heritage ◽  
Current Status ◽  
Original Paintings ◽  
High Quality ◽  
Cultural Properties ◽  
Digital Reproduction ◽  
National Treasures ◽  
Folding Screen

Abstract:In many temples in and around Kyoto, sets of wall and slide door paintings and folding screen paintings, which are designated either national treasures or important cultural properties of Japan, have been replaced in situ by high-quality digital reproductions. The original paintings, in turn, are now largely out of sight, placed in storage spaces within temples and museums. Vanguard projects of this nature were conducted in the mid-1990s. Since the mid-2000s, however, and without adequate review of the merits and demerits of such replacement, the practice has accelerated, and numerous sets of slide door paintings have been replaced by reproductions produced for the most part by two competing corporations. The process and implication of such digital replacement require far greater attention and discussion than has to date taken place. Accordingly, this article seeks to clarify the current status of, and problems arising from, the digitization projects taking place in and around Kyoto.

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