scholarly journals The Paradigm of Decline-Metamorphosis-Rebirth in Fine Arts

2015 ◽  
Vol 9 (2) ◽  
pp. 5-13
Author(s):  
Tine Germ
Keyword(s):  
19Th Century ◽  
Subject Matter ◽  
A Priori ◽  
Fine Arts ◽  
Evolutionary Model ◽  
History Of Art ◽  
History Of ◽  
The 19Th Century ◽  
Historical Periods

The triad of decline-metamorphosis-rebirth constantly reappears in the history of civilisation, it is current in all historical periods and cultural environments, in different areas and the most diverse contexts. Its manifestations are countless and the same is true of its interpretations. They are especially frequent in the area of art, because the evolutionary model, grounded in the idea of cyclic development comes very handy for explanations and illustrations which seek to present complicated things in a simple and clear way. The history of art, mainly in the 19th century, advocated a tripartite development of art which seeks greater perfection and maturity and reaches its peak just to be then inevitably followed by a decline in artistic originality and power. Already for some time now the evolutionary model has been shown too ineffective in addressing scholarly questions, especially due to oversimplification and a priori classification of subject matter which cannot possibly be classified. The perception that the art of the Early Renaissance was a preliminary period for more mature and accomplished achievements of High Renaissance which at some point began to lose its drive and went into decline either by repeating outmoded forms or their decomposition, is not only naive, but simply wrong and represents a misunderstanding of the essence of art. In much the same way it would be equally wrong to label in advance the early works of a certain artist as not-mature-yet or possessing less artistic authenticity.

scholarly journals The Paradigm of Decline-Metamorphosis-Rebirth in Fine Arts

2015 ◽  
Vol 9 (2) ◽  
pp. 5-13
Author(s):  
Tine Germ
Keyword(s):  
19Th Century ◽  
Subject Matter ◽  
A Priori ◽  
Fine Arts ◽  
Evolutionary Model ◽  
History Of Art ◽  
History Of ◽  
The 19Th Century ◽  
Historical Periods

The triad of decline-metamorphosis-rebirth constantly reappears in the history of civilisation, it is current in all historical periods and cultural environments, in different areas and the most diverse contexts. Its manifestations are countless and the same is true of its interpretations. They are especially frequent in the area of art, because the evolutionary model, grounded in the idea of cyclic development comes very handy for explanations and illustrations which seek to present complicated things in a simple and clear way. The history of art, mainly in the 19th century, advocated a tripartite development of art which seeks greater perfection and maturity and reaches its peak just to be then inevitably followed by a decline in artistic originality and power. Already for some time now the evolutionary model has been shown too ineffective in addressing scholarly questions, especially due to oversimplification and a priori classification of subject matter which cannot possibly be classified. The perception that the art of the Early Renaissance was a preliminary period for more mature and accomplished achievements of High Renaissance which at some point began to lose its drive and went into decline either by repeating outmoded forms or their decomposition, is not only naive, but simply wrong and represents a misunderstanding of the essence of art. In much the same way it would be equally wrong to label in advance the early works of a certain artist as not-mature-yet or possessing less artistic authenticity.

The Classification of Phobic Disorders

1970 ◽  
Vol 116 (533) ◽  
pp. 377-386 ◽  
Author(s):  
Isaac M. Marks
Keyword(s):  
19Th Century ◽  
Phobic Disorders ◽  
Intense Fear ◽  
History Of ◽  
The 19Th Century

History of term ‘phobia’The term ‘phobia’ derives from the Greek word ‘phobos’ meaning panic-fear and terror, and from the deity of the same name who provoked fear and panic in one's enemies. Although morbid fears have been described by doctors from Hippocrates onwards, the word phobia has only been used on its own since the beginning of the 19th century, and it gradually gained acceptance during that century in the same sense as today, viz. an intense fear which is out of proportion to the apparent stimulus. Such fear cannot be explained or reasoned away and leads to avoidance of the feared situation where possible.

scholarly journals Prerequisites for the Development of Regional Studies in Japan within the Framework of Japanese Traditional Science

REGIONOLOGY ◽  
2020 ◽  
Vol 28 (2) ◽  
pp. 279-302
Author(s):  
Evgeny V. Kremnyov ◽  
Vladimir V. Ananiev
Keyword(s):  
19Th Century ◽  
Regional Studies ◽  
Religious Texts ◽  
Initial Stage ◽  
History Of ◽  
Ancient Times ◽  
Poetic Texts ◽  
The 19Th Century ◽  
Historical Periods

Introduction. The variety of elements of the field of regional studies in Japan makes it possible to state that the sources of regional studies are heterogeneous not only in content, but also in their relation to different historical periods. The objective of the study is to analyze the processes of development of proto-regional knowledge in Japan from ancient times until the middle of the 19th century Materials and Methods. Japanese works on history and geography, as well as works by Russian researchers in the considered fields were used as the materials of the study. Particular attention was paid to historical and geographical texts; other sources (religious texts, poetic texts, etc.) were also considered. The basic methods employed were those of systemic, comparative, conceptual and terminological analysis. Results. The article discusses the stages of development of proto-regional knowledge in Japan in the framework of traditional science. Based on the analysis of works created before the middle of the 19th century, the authors conclude that the basic factor in the formation and development of knowledge about regions was the opposition “We vs. Others,” characteristic of Japanese ethnoculture, and this knowledge itself is largely Japanocentric. The article reveals the role of several schools of traditional science: kokugaku (school of national sciences), rangaku / yogaku (Dutch / European studies) and kangaku (school of Chinese sciences), as well as the role of their cultural and ideological confrontation in stimulating the development of proto-regional knowledge. Discussion and Conclusion. The article presents the results of the initial stage of a comprehensive study, which will examine the history of the development of Japanese regional knowledge and the methodology of regional research in Japan. The results of the work may be useful to researchers and specialists in the field of history of regional development of various countries and regions.

Francis James Herbert Haskell 1928–2000

2003 ◽  
Author(s):  
Charles Hope
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
17Th Century ◽  
Oxford University ◽  
French Painting ◽  
King's College ◽  
History Of Art ◽  
History Of ◽  
The 19Th Century

Publication of Patrons and Painters (1963), which dealt with art in 17th-century Rome and 18th-century Venice, established Francis Haskell as one of the leading art historians of his generation. He held posts at King's College Cambridge and was then appointed Professor of the History of Art at Oxford University with a Fellowship at Trinity College. Haskell turned to studying French painting of the 19th century. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1976) won the Mitchell Prize for Art History. Haskell was elected a Fellow of the British Academy in 1971. Obituary by Charles Hope.

Typology of the Currents of Cultural Populism. Herald of Omsk University

2020 ◽  
Vol 7 (4 (28)) ◽  
pp. 7-13
Author(s):  
Gennady N. Mokshin
Keyword(s):  
19Th Century ◽  
Educational Activities ◽  
The People ◽  
History Of ◽  
The 19Th Century

This article is devoted to the cultural populism of the last third of the 19th century, which united the supporters of the peaceful cultural and educational activities of the intelligentsia among the people; analyzes the difficulties associated with the problem of conceptualizing the history of this direction; the author’s approach to the classification of the leading trends of cultural populism is substantiated and the views of their leaders are characterized.

The Development of Mounts and Mounting Techniques at the Albertina in Vienna from 1805 to 2018

2019 ◽  
Vol 40 (3-4) ◽  
pp. 141-171
Author(s):  
Eva-Maria Loh ◽  
Sigrid Eyb-Green ◽  
Wolfgang Baatz
Keyword(s):  
Oral History ◽  
19Th Century ◽  
Fine Arts ◽  
Research Project ◽  
Cover Sheet ◽  
History Of ◽  
Paper Conservation ◽  
The 19Th Century ◽  
Collection History

Abstract This article is part of the oral history research project at the Academy of Fine Arts Vienna and discusses the development of mountings and passe-partouts at the Grafische Sammlung Albertina from 1805 until 2018. Based on the history of passe-partouts, the professionalisation of paper conservation in Vienna can be described. Passe-partouts of drawings and prints were chronologically classified. The collection history, the appearance of the passe-partouts as well as inventory catalogues and collection stamps served to classify the passe-partouts. The prints were mounted on back mounts at the beginning of the 19th century, after 1822 they were stored in albums. Since 1900, prints were removed from the albums, from nationalisation in 1919 onwards, they were set in passe-partouts. The drawings, however, were always kept in passe-partouts. At the beginning, these only consisted of back mounts. In the 1860ies, they were supplemented by a window mount. The hinged window mount that appeared in the 1960ies has been complemented with a cover sheet since the 1990ies.

scholarly journals Precedentes de la institucionalización de la Historia del Arte en España: los estudios histórico-artísticos en el siglo XIX = Precedents of the institutionalisation of Art History in Spain: Historical and artistic studies in the 19th century

2019 ◽  
Vol 31 ◽  
pp. 253
Author(s):  
Carmen de Tena Ramírez
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Art History ◽  
Early 20Th Century ◽  
History Of Art ◽  
History Of ◽  
Siglo Xix ◽  
Spanish Universities ◽  
History Of Art History ◽  
The 19Th Century

Resumen: El objetivo de este artículo es ofrecer una visión general acerca de los estudios histórico-artísticos realizados y publicados en España a lo largo del siglo XIX, así como poner de manifiesto que estos trabajos dieron base y fundamento a la posterior institucionalización de la Historia del Arte en la universidad española a comienzos de la centuria siguiente. Comenzamos nuestro texto con un estado de la cuestión para subrayar la necesidad de acometer esta clase de estudios; seguidamente exponemos una amplia perspectiva diacrónica sobre las circunstancias históricas que rodearon la práctica historiográfica del siglo XIX, sus características y quiénes fueron sus artífices. Terminamos este trabajo con una breve reflexión acerca del alcance de la investigación decimonónica y sus efectos en la institucionalización de la Historia del Arte en España.Palabras clave: historiografía artística, historia de la Historia del Arte en España, Restauración borbónica, Historia del Arte y Arqueología, fuentes para la Historia del Arte.Abstract: This articles aims chiefly to provide an overview of the historical-artistic studies carried out and published in Spain throughout the 19th century and to show that these works provided the basis and foundation for the subsequent institutionalisation of Art History in Spanish universities in the early 20th century. It begins with a summary underlining the need for this kind of study, then paints a broad diachronic perspective on the historical circumstances surrounding the historiographic practice of the 19th century, its characteristics and its writers. It ends with a brief consideration of the scope of 19th century research and its effects on the institutionalisation of Art History in Spain.Key words: Art Historiography, history of Art History in Spain, Bourbon restoration, Art History and Archaeology, Sources for Art History.

scholarly journals Review of semantic research of adverbs of place in Lithuanian

2013 ◽  
pp. 1-20
Author(s):  
Gintarė Judžentytė
Keyword(s):  
Detailed Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Comprehensive Description ◽  
Semantic Classification ◽  
Historical Method ◽  
History Of ◽  
Definition Of ◽  
The 19Th Century

Semantic investigations of adverbs of place in Lithuanian started in 1653, when in the first grammar of the Lithuanian language Danielius Kleinas offered a classification of adverbs of place that consisted of four semantic groups: 1) In Loco; 2) De Loco; 3) Per Locum; 4) Ad Locum. This semantic division remained unchanged for over two centuries, i.e. 17th – 18th century.The comparative-historical method that was introduced in the 19th century influenced Lithuanian linguistics and, as a result, such figures as A. Šleicheris, the author of the first theoretical Lithuanian language grammar and F. Kuršaitis, another author of an important grammar volume focused more on the origin of adverbs (of place) rather than their semantics.The 20th century in Lithuanian linguistics had still retained some reverberations of the 19th century, the author of the first standard Lithuanian grammar J. Jablonskis still pays more attention to the origin of adverbs of place and not its meanings.The most significant semantic research of adverbs of place in this century is considered to be K. Ulvydas’ analysis in the academic “grammar of the Lithuanian language” as it was the first one to provide a comprehensive description of what an adverb is in general as well as a definition of an adverb of place. In comparison to other grammars written earlier, this work provides the most extensive semantic classification of adverbs of place; in addition, it provides a detailed account of the meanings of adverbs of place, the overlaps of those meanings, etc. Along with grammars of Lithuanian, adverbs of place were extensively investigated in other scholarly works. The most important of them is B. Forsman’s monograph “Das baltische Adverb” which, in comparison to other works devoted to Lithuanian adverbs of place, provides a detailed analysis and description of the semantics of adverbs of place in Lithuanian: 1. B. Forssman was the first one to apply the notion of space in the investigation of Lithuanian adverbs of place; he was the first one to research Lithuanian adverbs of place by naming an object in relation to which the place/location is described; he was the first one to include the notion of deixis into the history of semantic research of Lithuanian adverbs of place; he was the first one to distinguish the meanings of Lithuanian adverbs of place according to the manner of localisation and division of space.

scholarly journals The History of Museum Specialisation in Russia

2014 ◽  
pp. 60-65
Author(s):  
Tatiana G. Grebennikova
Keyword(s):  
19Th Century ◽  
Fine Arts ◽  
Complex Character ◽  
Private Collection ◽  
History Of ◽  
The 19Th Century

Deals with the Russian museum practices mainly of the 18th and the 19th century. The author analyses a gradual specialisation in private collection building and museums' development, reveals the role of the highly specialised collections and analyses the trend of establishing museums of the complex character exemplified by the Kunstkammer, the Imperial Hermitage Museum, the Fine Arts Academy Museum, the Rumyantsev Museum, and the Russian Museum. In the 19th century, a trend of gradual differentiation and specialisation became obvious which led to establishing dedicated museums and developing a more focused approach to collection building in Russia.

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