in the involvement of cultural tourism in creating new national myths in Hong Kong

2004 ◽  
pp. 167-182
Author(s):  
Lorrie Palmer

This chapter examines the chase sequences in Tomorrow Never Dies (1997) and in Skyfall (2012) in order to argue that 007’s varying relationships with women of color may be seen through the Otherness evoked by the Eastern bazaar: a site of visuality and mobility as well as a social space where both hybrid identity and cultural tourism are made visible. The earlier film (with Pierce Brosnan and Hong Kong action star, Michelle Yeoh) reflects what Mikhail Bakhtin casts as carnival, where inverted roles challenge social and cultural norms. In contrast, the later Bond (with Daniel Craig and a new Moneypenny, Naomie Harris), regresses to the Orientalist expression of an East-West relationship predicated on the colonial exercise of power based on exclusion and domination.


Author(s):  
. ying Liu ◽  
Fedorovskaya Natal'ya Aleksandrovna

Many cities in China currently have a reputation of international centers of tourism. For example, Beijing simultaneously draws attention as a city of centuries-old history and a modern cultural center. Other cities, such as actively developing free economic zones (Shenzhen, Shanghai, Tianjin, Hong Kong, etc.) initially did not have cultural uniqueness that would form the cultural brand of the territory and turn them into a remarkable cultural center. This hinders the development of cultural tourism in these territories. The goal of this article consists in determination of the peculiarities and problems in the development of cultural tourism in the free economic zones of China, using the example of Shenzhen, Shanghai, Hong Kong and Tianjin. It is established that such peculiarities and problems is directly related to the fact that initially these zones had more of an economic orientation. On the one hand, this provides financial resources and makes these territories potentially promising for the development of cultural tourism; while on the other hand, it sets back the cultural component, focusing on the different forms of tourism, namely economic shopping tourism. It is emphasized that the key characteristics of the development of cultural tourism consist in creation of infrastructure for the cultural tourism and availability of resource for cross-cultural communications and multicultural tourism. Among the relevant problems of the development of free economic zones, the author notes the slower development of cultural tourism compared to the economy and economic tourism; lack of perception by the local authorities of the value of cultural tourism and integration of its resources into the development of free economic zones, insufficient scientific reflection on cultural tourism in these territories of China.


1970 ◽  
Vol 12 (2) ◽  
Author(s):  
Shun-Hing Chan ◽  
Iam-Chong Ip ◽  
Lisa Y.M. Leung

This article is based on an on-going research project that examines how tourism is constructed in Hong Kong by using the specific tourist spot, Lei Yue Mun, as a case study. The article’s aim is to demonstrate how the local agents of a small, squatter-based community with a distinctive history and cultural traditions may, without making any claim to indigenousness or aboriginality, manage a local economy and engage in cultural negotiation at the metropolitan, national and global levels. Their economic practices lead the authors to enquire whether preservationism or invoking historical traditions from the margins is the most significant form or strategy of cultural tourism.


1998 ◽  
Vol 13 (11-s4) ◽  
pp. S289-S293 ◽  
Author(s):  
SSY WONG ◽  
WC YAM ◽  
PHM LEUNG ◽  
PCY WOO ◽  
KY YUEN

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