Patent Protection for Central and Eastern Europe: Lessons from the West

2018 ◽  
pp. 241-261
Author(s):  
G. Scott Erickson
Author(s):  
Marcin Piatkowski

The book is about one of the biggest economic success stories that one has hardly ever heard about. It is about a perennially backward, poor, and peripheral country, which over the last twenty-five years has unexpectedly become Europe’s and a global growth champion and joined the ranks of high-income countries during the life of just one generation. It is about the lessons learned from its remarkable experience for other countries in the world, the conditions that keep countries poor, and challenges that countries need face to grow and become high-income. It is also about a new growth model that this country—Poland—and its peers in Central and Eastern Europe and elsewhere need to adopt to continue to grow and catch up with the West for the first time ever. The book emphasizes the importance of the fundamental sources of growth—institutions, culture, ideas, and leaders—in economic development. It argues that a shift from an extractive society, where the few rule for the benefit of the few, to an inclusive society, where many rule for the benefit of many, was the key to Poland’s success. It asserts that a newly emerged inclusive society will support further convergence of Poland and Central and Eastern Europe with the West and help sustain the region’s Golden Age, but moving to the core of the European economy will require further reforms and changes in Poland’s developmental DNA.


2014 ◽  
Vol 33 (2) ◽  
pp. 19-35 ◽  
Author(s):  
Tadeusz Stryjakiewicz ◽  
Michał Męczyński ◽  
Krzysztof Stachowiak

Abstract Over the past two decades the cities in Central and Eastern Europe have witnessed a wide-ranging transformation in many aspects. The introduction of a market-oriented economy after half a century of socialism has brought about deep social, economic, cultural and political changes. The first stage of the changes, the 1990s, involved the patching up of structural holes left by the previous system. The post-socialist city had to face challenges of the future while carrying the ballast of the past. Rapid progress in catching up with the West transformed the city a great deal. Later on, the advent of the 21st century brought a new wave of development processes based, among other things, on creativity and innovation. Hence our contribution aims to explore the role of creativity and creative industries in the post-socialist urban transformation. The article consists of three basic parts. In the first we present the concept of a ‘creative post-socialist city’ and define the position of creative industries in it. We also indicate some similarities to and differences from the West European approaches to this issue. In the second part, examples from Central and Eastern Europe are used in an attempt to elucidate the concept of a ‘creative post-socialist city’ by identifying some basic features of creative actions /processes as well as a creative environment, both exogenous and endogenous. The former is embedded in different local networks, both formal (institutionalised) and informal, whereas the structure of the latter is strongly path-dependent. In the third part we critically discuss the role of local policies on the development of creative industries, pointing out some of their shortcomings and drawing up recommendations for future policy measures.


2019 ◽  
Vol 118 (806) ◽  
pp. 96-102
Author(s):  
Tomasz Inglot

“The region has seen a radical shift from widespread unemployment to labor shortages, a historic expansion in higher-education opportunities, and unprecedented mass migration to the West.” Seventh in a series on social mobility around the world.


2002 ◽  
Vol 22 (4) ◽  
pp. 579-593
Author(s):  
BÉLA GRESKOVITS

ABSTRACT What is attempted in the East is catching up with the West from a recent position of worse-than-Latin-American economic backwardness. Until now, populations that were sentenced to political patience by the logic of poor democracies have reluctantly backed this enormous effort. Central and Eastern Europe’s post-socialist path is characterized by an increasingly discredited ideology of a return to Europe and a non- European combination of substitute institutions of development: radical opening towards the world economy, damaged institutions of labor representation, eroded state capacity, and often strong private and foreign dominance in the financial and other strategic sectors. There is a chance for a few countries to succeed. Yet various development traps may be more likely in the end than a “Great Spurt” in the Gerschenkronian sense.


1988 ◽  
Vol 17 (5) ◽  
pp. 31-35
Author(s):  
Olga Diószegi

A Play in One Act These complaints are echoed throughout Central and Eastern Europe. The fear of new, unconventional and non-conformist work by young writers and artists is markedly bigger in Communist countries than in the West. State media officials view the young newcomers with deep suspicion especially because they often voice doubts and disillusionment, and consequently are dangerous ideological heretics. The one-act play Mrs Hoffer's Cat is Olga Diószegi's first play. An amateur theatre group at Szeged University reportedly became very enthusiastic about it at first — they even wrote music for it — but then abruptly fell silent. Miss Diószegi has a strong feeling that pressure was exerted by the local Communist and Youth organisations, a result of her connections with samizdat literature.


Linguaculture ◽  
2015 ◽  
Vol 2015 (2) ◽  
pp. 43-61
Author(s):  
Raluca Goleşteanu

Abstract This article proposes a reading of Milica Bakić-Hayden’s concept of “nesting orientalisms” in a wider regional context, by showing some of its first manifestations, as employed one hundred years or so ago. The debut of this phenomenon is part of the nineteenth century trend of traveling to “Eastern Europe,” and of appropriating it as such, in the desire to compete with the previous century, especially with the latter’s attempt of designing the map according to the dichotomy: “enlightened-ignorant peoples.” Consequently, the adoption of the concept of “Eastern Europe” by western public opinion triggered reactions from the part of the local élites expressed in the establishment of a corpus of texts, which reflect on the nearby geographical area. This effort represented in fact the third stage of the west-east dynamics that accompanied modernization in the region. The texts to be discussed in this article, apart from the century’s blind faith in progress, display the obsession of being “in between,” raising it to a sine qua non condition of the region; their authors often found themselves in difficulties in relation to dilemmas like professional/national identities, local/central loyalties, religious/secular views.


World Economy ◽  
1999 ◽  
Vol 22 (4) ◽  
pp. 585-601 ◽  
Author(s):  
Filip Abraham ◽  
Josef Konings

Author(s):  
Vladimir PECHATNOV

The concluding results of the anti-Hitler coalition meeting in Yalta have long been criticized in the United States by the antagonists of Franklin Roosevelt’s policy. In recent decades, they have raised renewed criticism in Central and Eastern Europe and across the West. Though, the decisions of Yalta Conference were fully determined by the balance of power and the real military situation on the war theatre by spring 1945. Each of the Allies pursued their own interests, but they appeared able to achieve a mutually acceptable compromise of these interests for the sake of final victory over common enemy. The Yalta Conference manifested the last upsurge of the Allied cooperation and in no way it served a prologue to the Cold War as it is now being asserted.


2021 ◽  
Vol 20 (2) ◽  
pp. 1-12
Author(s):  
Anna Czarnowus

Declamatio sub forma judicii can be found in the Graudenz Codex (1731–1740). It is an interlude that jokingly reports an animal trial. The interlude is a humorous treatment of the historical trials on animals that continued from the Middle Ages to the eighteenth century. Onthe one hand, such eighteenth-century discussions of animal trials continued the medieval tradition. This would confirm the diagnosis about the existence of the “long Middle Ages”, especially in Central and Eastern Europe, where the cultural trends could be somehow belated in comparison to those in the West. On the other hand, perhaps writing about animal trials in the eighteenth century was already a form of medievalism. High culture propagated anthropocentrism in its thinking about animals, while folk culture entailed anthropomorphism. In animal trials animals are treated as subjects to the same regulations as humans, which means that they were seen as very much similar to humans. The eighteenth-century interlude recreates this tradition, but it is a source of satirical laughter.


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