Scepticism, Renaissance

2018 ◽  
Author(s):  
Richard H. Popkin
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Divine Revelation ◽  
Sources Of Information ◽  
Ancient Greek ◽  
Strong Recommendation ◽  
Knowledge Of God ◽  
Sextus Empiricus ◽  
Weak Recommendation ◽  
Knowledge Claims

Ancient Greek scepticism was revived during the Renaissance, and played an important role in the religious and philosophical controversies of the time. There is little evidence that ancient scepticism was known directly during the Middle Ages, or that its perplexing questions played any significant role in medieval thought. It was indirectly known from the writings of Augustine; some manuscripts of the texts of Cicero and Sextus Empiricus were available; and occasionally vague reference to some sceptical details appears in medieval discussions. However, the interests of scholastic philosophers were, by and large, far removed from the questions about the sources, reliability and certainty of knowledge claims that concerned the ancient sceptics. With the humanistic revival of interest in ancient literature there came a rediscovery of scepticism as presented in the writings of Cicero, Sextus Empiricus and Diogenes Laertius. Cicero’s Academics (Academica) was read from the fourteenth century on; Life of Pyrrho by Diogenes Laertius was rediscovered in the early fifteenth century; and Greek manuscripts of the writings of Sextus were brought from Constantinople into Italy in the mid-fifteenth century. These treasuries of sceptical argumentation were used in many ways in the Renaissance. At first they were seen largely as sources of information about the ancient world, but gradually more attention was paid to the actual arguments they contained. Some saw these arguments as a basis for rejecting Aristotelian philosophy, as well as other ancient dogmatic claims about nature and humanity. Others used them as ammunition in the great religious controversies between Catholics and Protestants. A full-fledged scepticism about knowledge claims was developed in the second part of the sixteenth century, through the work of Sanches and Montaigne. Montaigne was particularly inspired by the first published Latin translations of the writings of Sextus Empiricus. Scepticism in all its forms was closely associated with fideism. If it is impossible to acquire knowledge of anything through the senses and reason, then it is impossible to acquire knowledge of God in these ways, and one can argue that religious truth must be accepted on the basis of faith in divine revelation. The weak recommendation of ancient sceptics to suspend belief while accepting local customs as the guide for conduct was thus turned into a strong recommendation to adopt Christian beliefs. Only later did epistemological scepticism become associated with scepticism about religious beliefs themselves. Renaissance scepticism in its various guises was a major intellectual force in the transition from scholasticism to modern thought.

Revelation in the Visual Arts

2021 ◽  
pp. 621-640
Author(s):  
Ralf van Bühren
Keyword(s):  
Middle Ages ◽  
Third Century ◽  
Divine Revelation ◽  
Late Antique ◽  
Contemporary History ◽  
Knowledge Of God ◽  
Early Christian ◽  
Baroque Art ◽  
Christian Understanding ◽  
The Individual

This chapter deals with visual artworks as media of divine revelation. Readers gain insight into how Christianity as a religion of revelation has used images since the third century to transmit knowledge of God and his action in history. Early Christian pictures rate among the oldest communication media of revelation. Placed intentionally above the altar, the apse mosaics of late antique churches served anagogical purposes leading beyond the pictorial work to transcendent realities. The perception of images in the Middle Ages could represent the beginning of anagogical ascent towards the divine, engaging the viewer’s imagination. In Renaissance and baroque art occurred a rhetorical shift. Gazes and pointing gestures of the figures draw the viewer’s attention to the stage-like performance of the divine in a perspectival or visionary space. The issue frequently became controversial in contemporary history because the concord between artistic self-expression and the Judaeo-Christian understanding of revelation was no longer a given. At present, the individual responses to divine revelation continue.

Anna Russakoff, Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450. Studies and Texts, 215; Text Image Context: Studies in Medieval Manuscript Illumination, 7. Toronto: Pontifical Institute of Mediaeval Studies, 2019, xviii, 194 pp., ill.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 541-544
Author(s):  
Juan Carlos Bayo
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Old French ◽  
Illuminated Manuscripts ◽  
Virgin Mary ◽  
Systematic Analysis ◽  
Medieval Manuscript ◽  
French Speaking ◽  
Image Context ◽  
Panel Paintings

This monograph deals with illuminated manuscripts created in French-speaking regions from the mid-thirteenth to the mid-fifteenth century, i.e., from the earliest narratives of Marian miracles written in <?page nr="542"?>Old French to the codices produced at the Burgundian court at the waning of the Middle Ages. Its focus, however, is very specific: it is a systematic analysis of the miniatures depicting both material representations of the Virgin (mainly sculptures, but also icons, panel paintings, altarpieces or reliquaries) and the miracles performed by them, usually as Mary’s reaction to a prayer (or an insult) to one of Her images.

Oxford Studies in Ancient Philosophy

2018 ◽  
Keyword(s):  
Political Philosophy ◽  
Middle Ages ◽  
Ancient Philosophy ◽  
Perceptual Content ◽  
Current Work ◽  
Ancient Greek ◽  
Original Essays ◽  
Wide Range ◽  
The Middle Ages

Oxford Studies in Ancient Philosophy provides, twice each year, a collection of the best current work in the field of ancient philosophy. Each volume features original essays that contribute to an understanding of a wide range of themes and problems in all periods of ancient Greek and Roman philosophy, from the beginnings to the threshold of the Middle Ages. From its first volume in 1983, OSAP has been a highly influential venue for work in the field, and has often featured essays of substantial length as well as critical essays on books of distinctive importance. Volume LIII contains: an article on several of Zeno of Elea’s paradoxes and the nihilist interpretation of Eudemus of Rhodes; an article on the coherence of Thrasymachus’ challenge in Plato’s Republic book 1; another on Plato’s treatment of perceptual content in the Theaetetus and the Phaedo; an article on why Aristotle thinks that hypotheses are material causes of conclusions, and another on why he denies shame is a virtue; and a book review of a new edition of a work possibly by Apuleius and Middle Platonist political philosophy.

Oxford Studies in Ancient Philosophy, Volume 55

2018 ◽  
Keyword(s):  
Middle Ages ◽  
Ancient Philosophy ◽  
Recent Book ◽  
Loss Of Control ◽  
Ancient Greek ◽  
Original Essays ◽  
Constant Change ◽  
Wide Range ◽  
Metaphysical Principle

Oxford Studies in Ancient Philosophy provides, twice each year, a collection of the best current work in the field of ancient philosophy. Each volume features original essays that contribute to an understanding of a wide range of themes and problems in all periods of ancient Greek and Roman philosophy, from the beginnings to the threshold of the Middle Ages. From its first volume in 1983, OSAP has been a highly influential venue for work in the field, and has often featured essays of substantial length as well as critical essays on books of distinctive importance. Volume LV contains: a methodological examination on how the evidence for Presocratic thought is shaped through its reception by later thinkers, using discussions of a world soul as a case study; an article on Plato’s conception of flux and the way in which sensible particulars maintain a kind of continuity while undergoing constant change; a discussion of J. L. Austin’s unpublished lecture notes on Aristotle’s Nicomachean Ethics and his treatment of loss of control (akrasia); an article on the Stoics’ theory of time and in particular Chrysippus’ conception of the present and of events; and two articles on Plotinus, one that identifies a distinct argument to show that there is a single, ultimate metaphysical principle; and a review essay discussing E. K. Emilsson’s recent book, Plotinus.

A Crooked Mirror for Princes

2018 ◽  
Author(s):  
Pavlína Rychterová
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Political Discourse ◽  
Late Middle Ages ◽  
Bourgeois Culture ◽  
Mirrors For Princes

This chapter examines the growing importance of the vernacular languages during the later Middle Ages in shaping the form, content, and audiences of political discourse. It presents a famously wicked king of the late Middle Ages, Wenceslas IV (1361–1419), as a case study and traces the origins of his bad reputation to a group of fourteenth- and fifteenth-century writings. These have often been dismissed as fictions or studied solely as literature, but in fact they represent new modes of articulating good and bad kingship. The chapter shows that, in the context of an increasingly literate bourgeois culture, especially in university cities, these vernacular works transformed Latin theological approaches to monarchy, while rendering mirrors for princes and related literatures accessible to an unprecedented audience.

The medieval church of Montrose: a place ‘of much antiquity and abundantly populous’

2014 ◽  
Vol 65 (1) ◽  
pp. 13-32 ◽  
Author(s):  
Catriona Anna Gray
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Early Date ◽  
Plausible Candidate ◽  
External Evidence ◽  
Medieval Church ◽  
Local Tradition ◽  
The Church

Montrose was one of Scotland's earliest royal burghs, but historians have largely overlooked its parish kirk. A number of fourteenth and fifteenth-century sources indicate that the church of Montrose was an important ecclesiastical centre from an early date. Dedicated to Saints Peter and Paul, by the later middle ages it was a place of pilgrimage linked in local tradition with the cult of Saint Boniface of Rosemarkie. This connection with Boniface appears to have been of long standing, and it is argued that the church of Montrose is a plausible candidate for the lost Egglespether, the ‘church of Peter’, associated with the priory of Restenneth. External evidence from England and Iceland appears to identify Montrose as the seat of a bishop, raising the possibility that it may also have been an ultimately unsuccessful rival for Brechin as the episcopal centre for Angus and the Mearns.

A new attribution to Brassart?

1994 ◽  
Vol 3 (1) ◽  
pp. 23-43
Author(s):  
Peter Wright
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
The Other ◽  
Late Middle Ages

A badly trimmed ascription can be more a matter for relish than regret: if enough of the composer's name survives to permit informed speculation, the musicologist's sense of pleasure is likely to outweigh his sense of loss. Most musical manuscripts from the late Middle Ages have visibly suffered at the hands of the binder's knife, but perhaps none more so than the famous ‘Aosta Manuscript’ (I-AO15), one of the central sources of early fifteenth-century sacred polyphony. In his inventory of the manuscript Guillaume de Van reported no fewer than twenty names as surviving in varying states of incompleteness. In fifteen instances he was able to decipher the composer's name or supply it from the manuscript's index or a concordant source, while the other five apparently defeated him. Two of the names have since been deciphered, and a third has been identified from another source, but the remaining two have attracted no further comment.

The so-called Statutes of John Pecham and Robert Winchelsey for the Province of Canterbury

1961 ◽  
Vol 12 (1) ◽  
pp. 14-34 ◽  
Author(s):  
C. R. Cheney
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Canon Law ◽  
Medieval Manuscripts

Among the legislators of the medieval English Church John Pecham, archbishop of Canterbury, 1279–92, is remembered chiefly on account of canons published in two councils early in his pontificate, at Reading in July-August 1279 and at Lambeth in October 1281. His successor, Robert Winchelsey (1294–1313), less celebrated for his laws, none-the-less is assigned by Lyndwood, the fifteenth-century canonist, nine chapters of the Provinciale. The ‘Winchelsey’ documents and some others described in medieval manuscripts as ‘Statuta’ or ‘Constitutiones’ or ‘Decreta’ of one or other of the two archbishops cannot be immediately or surely connected with any known provincial council. They include texts on questions of almost daily occurrence to medieval archdeacons and parochial clergy: about the calculation of tithe, the duties of stipendiary priests, the obligations of the laity for church repairs. Lyndwood glossed many of them. Modern students of history and canon law commonly cite them. It is, therefore, of some importance to establish the degree of credit which may be allowed to the ascriptions. This study will consider the evidence of the manuscripts and will aim at sorting the genuine statutes from the spurious and the dubious. Some of each kind will be found. The enquiry may not only help to determine the nature of these particular documents, but also may reflect light on other doubtful legislation and illustrate the ways in which laws were framed and customs established in the English Church in the later Middle Ages.

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