The World System According to Tycho Brahe, the Noble Dane. He Assigns the Earth to the Center of the World and the Sun to the Center of the Planets Which Revolve Around it (with the Exception of the Moon)

1994 ◽  
pp. 26-29
Author(s):  
Otto Guericke
Keyword(s):  
World System ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
The World ◽  
Tycho Brahe

Flights of Imagination: Avicenna’s Phoenix (ʿAnqā) and Bedil’s Figuration for the Lyric Self

2020 ◽  
Vol 2 (1) ◽  
pp. 28-72
Author(s):  
Jane Mikkelson
Keyword(s):  
First Person ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
Philosophical System ◽  
Personal Experiences ◽  
The World ◽  
The Phoenix

Abstract The phoenix (ʿanqā) appears in the philosophy of Avicenna (d.1037) as his example of a “vain intelligible,” a fictional being that exists in the soul, but not in the world. This remarkable bird is notable (along with the Earth, the moon, the sun, and God) for being a species of one. In this essay, I read the poetry Bedil of Delhi (d.1720) in conversation with the philosophical system of Avicenna, arguing that the phoenix in Bedil’s own philosophical system functions as a key figuration that allows him simultaneously to articulate rigorous impersonal systematic ideas and to document his individual first-personal experiences of those ideas. The phoenix also plays a metaliterary role, allowing Bedil to reflect on this way of doing philosophy in the first person—a method founded on the lyric enrichment of Avicennan rationalism. Paying attention to the adjacencies between poetry and philosophy in Bedil, this essay traces the phoenix’s transformations from a famous philosophical example into one of Bedil’s most striking figurations in his arguments about imagination, mind, and self.

scholarly journals 'POET'S THEATER'

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-3
Author(s):  
Sandhya Gangarade
Keyword(s):  
The Sun ◽  
The Moon ◽  
The Earth ◽  
Red Color ◽  
The World ◽  
Forest Division

The creator, the Creator, the creator, by whatever name, calls the ultimate power that colors the sky blue, the earth green, the sun gold and the moon silver. The colors of Pushpavali in the forest division are countless and the colors of water creatures in the ocean are amazing. Colorless water is also the miracle of the same and the white, black and red color of Ganga, Yamuna and Saraswati is also an expression of the same. Some also create 'Kavirmanishi Paribhu Swayambhu', the poet of the world of life, nature's colors with full sensibility Does. In poetry, there are mainly three basic colors - white, black, white, black and red. सृष्टा, रचेता, विधाता जिस भी नाम से पुकारें उस परम शक्ति को जो आकाश को नीला, धरती को हरा, सूरज को स्वर्ण और चाँद को रजत रंग में रंग देता है। वन प्रान्तर में पुष्पावलि के रंग अनगिनत है और सागर में जल-जीवों के रंग अद्भुत। रंगहीन जल भी उसी का चमत्कार है और गंगा, यमुना और सरस्वती का श्वेत, श्याम और लाल रंग भी उसी की अभिव्यक्ति है।कवि भी रचेता है ‘कविर्मनीषी परिभू स्वयंभू’ जीवन के जगत के, प्रकृति के रंगो को कवि पूरी संवेदन शीलता से संयोजित करता है। काव्य में मुख्य रूप से तीन रंग आधारभूत रंग है- श्वेत, श्याम, रतनान-सफेद, काला और लाल।

The Geoheliocentric Mathematical Hypothesis in Sixteenth-Century Planetary Theory

1965 ◽  
Vol 2 (4) ◽  
pp. 291-296 ◽  
Author(s):  
Christine Schofield
Keyword(s):  
Sixteenth Century ◽  
The Sun ◽  
Planetary Theory ◽  
The Earth ◽  
The World ◽  
Tycho Brahe ◽  
New System

It has become generally accepted that the earliest geoheliocentric representation of the planets' motions in which the majority of the planets orbited about the Sun appeared in 1588. For in this year the Danish astronomer Tycho Brahe announced his discovery of a new system of the world, in which Sun and Moon moved about the Earth, and the five planets Mercury, Venus, Mars, Jupiter and Saturn performed their motions about the Sun. Yet the accompanying figure, which depicts a planetary arrangement in general identical with that of Tycho, occurs in a manuscript prepared at least a year before Tycho's publication of his system. Moreover, the author of the manuscript derived this representation of the planets' motions not from Tycho, but rather from Copernicus. The aim of this paper is to show that as a result of the work of Copernicus, a number of sixteenth-century mathematicians produced treatments of the planetary motions similar to the system proposed by Tycho in 1588.

scholarly journals ROLE OF HEMANT RITU (EARLY WINTER) FOR MAINTEINANCE AND ENHANCEMENT OF BALA (STRENGTH)

2021 ◽  
Vol 9 (4) ◽  
pp. 829-832
Author(s):  
Shilpa Kachhawaha ◽  
Rajesh Kumar Sharma ◽  
Dinesh Chandra Sharma
Keyword(s):  
The Body ◽  
The Sun ◽  
Heating Effect ◽  
Human Beings ◽  
The Moon ◽  
Review Of Literature ◽  
The Earth ◽  
Body Strength ◽  
The World

Seasons (Ritus) are the inherent global earth clock and the rhythm of the world. As per Ayurveda year is divided into six seasons, in which three season Shishira, Vasanta and Greeshma are known as Aadanakala . Other three seasons Varsha, Sharad and Hemanta are said to be Visargakala. In Visarga kala, as the Sun is located in southwards position, its heat reduces or slows down due to the effect of time and its position with respect to the Earth, wind, cloud and rain. The power of the Moon is predominant. Rainwater decreases the heating effect of nature. All of these lead to the predominance of non- dryunctuous, amla (sour), lavana (salty), and madhura (sweet) rasa respectively and step by step rise of body strength in human beings during these three seasons. Out of all the Ritus, Hemanta Ritu is a unique Ritu in terms of having uttam bala. Falling in Dakshinayana, moon is very powerful than sun, Madhur rasa is predominant in this Ritu, so the strength (Bala) of person enhances during this period. This article focuses to disclose thorough review of literature of Hemant ritucharya and its implication towards maintenance and enhancement of Uttam Bala. In Ayurveda oja, veerya, prana, kapha etc terms are considered as synonyms of Bala. Besides prakruti(genetic), sara(physiological) and aahar(diet), kala (season) is one of the prime factors to govern the Bala of the person. Bala stands for the strength of the body in terms of physical, mental, immunological and resistance to the body, the word Bala is being used in different contexts to denote various aspects accordingly. Keywords: Visarga kala, Hemant ritu, Bala

The Dark Side of the Moon

2020 ◽  
pp. 279-298
Author(s):  
Emma Gee
Keyword(s):  
World System ◽  
Second Century ◽  
Dark Side ◽  
The Sun ◽  
The Moon ◽  
Life And Death ◽  
The Earth ◽  
The Face ◽  
The Universe

This chapter brings us from Plato to a second-century CE reception of his dialogues, in the work of Plutarch. It concentrates on one dialogue of Plutarch, the De facie in orbe lunae (On the Face in the Moon’s Disc). In the myth that concludes this dialogue, the speaker, Sulla, references Homer’s Elysium from Odyssey 4. But Sulla lifts the Homeric Elysium from “the ends of the earth,” up a level, so that it is situated in the moon. This sets the scene for the rest of Plutarch’s eschatological myth, in which Elysium is repositioned as part of an ascending world-system. Cosmos in Plutarch is the theater for soul. Soul and cosmos in Plutarch are bound up in a sequence of functional interrelationships. Plutarch’s tripartite cosmos functions like the human entity and in fact is the physical area of operation in the life and death of the human entity. There is a truly intertwined relationship between the tripartite human entity and the tripartite cosmos: a three-stage cosmos gives a three-stage cycle of death to life and back, from the sun to the moon to the earth, over and over again. Plutarch’s whole cosmos takes on the role of an afterlife landscape. The De facie gives us the clearest instance we’ve yet seen of the phenomenon of psychic harmonization, in which the soul is entirely integrated with the universe.

scholarly journals Heaven and the Sphaera Mundi in the Middle Ages

2000 ◽  
Vol 04 (01) ◽  
pp. 10-35
Author(s):  
Edgar Laird
Keyword(s):  
Middle Ages ◽  
Medieval Literature ◽  
The Other ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
The World ◽  
The Middle Ages

This paper examines the development of the idea of heaven in relation to the sphaera mundi - the sphere of the world - in medieval literature. The sphaera mundi is a model of the cosmos that at its most elementary is very simple indeed. At the centre of it is the earth, so small as to be virtually a dot in comparison to the whole or even to the smallest star. Earth is surrounded by the sea, which in turn is surrounded by air, as also air is surrounded by fire. Surrounding the fire is a sphere that 'bears' the moon, and around that sphere are others, like layers of an onion, bearing the other planets: Mercury, then Venus, the sun, Mars, Jupiter and Saturn. Then come the sphere bearing the fixed stars and, beyond it, one or more others. All these spheres together constitute the sphere of the world.

The Millennial Hope in the Early Church

1953 ◽  
Vol 6 (1) ◽  
pp. 12-30 ◽  
Author(s):  
Hans Bietenhard
Keyword(s):  
Oral Tradition ◽  
Early Church ◽  
The Sun ◽  
The Moon ◽  
The Earth ◽  
The World ◽  
Anti Jewish

The first post-Apostolic3 Chiliast known to us is Papias of Hierapolis. From the oral tradition of presbyters who saw the disciple John he adduces a saying of Jesus referring to the miraculous fruitfulness of corn and wine during the millennium. There is an exact parallel to this tradition—perhaps its source— in Syr. Baruch 29.5: ‘The earth also will yield its fruit 10,000 fold, and on one vine there will be 1000 branches, and each branch will produce 1000 clusters, and each cluster will produce 1000 grapes, and each grape will produce a cor of wine.’ In this context we cannot discuss the priority and interdependence of the two traditions. We can only maintain that there existed in the Early Church a saying of Jesus which the presbyters and authorities cited by Papias referred at once to the millennium. We may also notice how closely the Christian and Judaistic traditions approximated and even merged into each other at this point. This is true even in the case of the Epistle of Barnabas, which is normally so anti-Jewish. Speaking of the Sabbath which was instituted at creation, Barn. 15.3–9 argues that the Genesis narrative points prophetically to the final consummation. God created the world in six days, and He will bring it to its consummation in 6000 years, for one day is with the Lord as a 1000 years (Ps. 90.4; Barn. 15.4)4 ‘And God rested the seventh day’ means for Barnabas that when His Son comes He will destroy the age (kaipóy) of the lawless one (i.e. the Antichrist, cf. Isa. 11.4; 2 Thess. 2.8), judge the ungodly, and refashion the sun and the moon and the stars.

scholarly journals Interpreting Locked Photographic Data: The Case of Apollo 17 Photo GPN-2000-00113

Designs ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 8
Author(s):  
Pyrrhon Amathes ◽  
Paul Christodoulides
Keyword(s):  
Experimental Data ◽  
Computer Simulations ◽  
The Moon ◽  
Geometrical Analysis ◽  
Apparent Position ◽  
Apollo Program ◽  
The Earth ◽  
Novel Approach ◽  
The World ◽  
The Moment

Photography can be used for pleasure and art but can also be used in many disciplines of science, because it captures the details of the moment and can serve as a proving tool due to the information it preserves. During the period of the Apollo program (1969 to 1972), the National Aeronautics and Space Administration (NASA) successfully landed humans on the Moon and showed hundreds of photos to the world presenting the travel and landings. This paper uses computer simulations and geometry to examine the authenticity of one such photo, namely Apollo 17 photo GPN-2000-00113. In addition, a novel approach is employed by creating an experimental scene to illustrate details and provide measurements. The crucial factors on which the geometrical analysis relies are locked in the photograph and are: (a) the apparent position of the Earth relative to the illustrated flag and (b) the point to which the shadow of the astronaut taking the photo reaches, in relation to the flagpole. The analysis and experimental data show geometrical and time mismatches, proving that the photo is a composite.

scholarly journals III. On the nature and construction of the sun and fixed stars

1795 ◽  
Vol 85 ◽  
pp. 46-72 ◽  
Keyword(s):  
Central Body ◽  
Planetary System ◽  
Considerable Progress ◽  
The Sun ◽  
Great Satisfaction ◽  
The Earth ◽  
The World ◽  
Celestial Bodies ◽  
The Universe ◽  
Made In

Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.

scholarly journals XLIV. Variation of the compass, as observed on board the Endeavour Bark, in a voyage round the World

1771 ◽  
Vol 61 ◽  
pp. 422-432 ◽  
Keyword(s):  
The Sun ◽  
The Moon ◽  
The World

The day of the month is noted according to the nautical account, which therefore in all observations noted P. M. is one day forwarder than the civil account. The latitude in is deduced from the last preceding meridian altitude of the Sun; and the longitude in is corrected by the last observations of the distances of the moon from the Sun and stars.

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